This is the FIFTH PART of an article by Bryant Burnette summarizing the Golden Years television show. As Bryant pointed out in the first post, we should not confuse the television series with the 3 hour hashed movie.
This was originally posted at Burnette's blog, thetruthinsidethelie.blogspot.com\
Episode 5 (airdate
08/08/1991)
This was the final episode that King scripted
personally, for those of you who may be interested in such things; you may also
be interested to know that another Stephen (Stephen Tolkin) directed it. Then
again, you may not.
As the episode opens, Ohio State Troopers have
found the stolen police cruiser, and are coordinating their plan of attack with
Jude Andrews (who is still at Falco Plains). This scene goes on for what feels
like ten minutes, and if you as a viewer do not figure out that the car is empty
about nine minutes and forty-five second before the State Troopers do, then you,
sir (or madam, as the case may be), are an idiot. Jude Andrews is not an idiot,
so I'm not sure what his excuse is for not immediately realizing that Terry and
her lambs would hardly be sitting in a stolen police cruiser in the middle of a
field, waiting to be found. Let's not blame Jude; let's -- again -- blame
Stephen King, whose writing has not been tip-top in these episodes.
Finally, though, somebody has at least half a
good idea: Gina and Terry get on a bus (which conveniently stops in the middle
of nowhere) to head for Chicago, and Harlan splits apart from them to hitch-hike
his way there. Going to Chicago isn't a good idea, of course; it's bound to be
only a matter of time before Andrews figures out that Harland Gina's lone
daughter might need to be observed, but since it took King five episodes to
figure that out, it took all of the characters the same length of
time.
But boy, they all seem to have figured out at
once that looking into the Williamses personal life is in order. Crewes has
Moreland bring him Harlan's file; he shreds it, then browbeats Moreland into
hacking into the government's Central Records computer to delete the digital
version. Andrews has been thinking after the cockup with the State Troopers,
and is trying real hard to figure out his next move; he eventually
comes up with "Moreland!" and then we're off to the races. He calls one of his
goons, Burton (played by the same actor who played Doakes on Dexter
decades later), and tells him to get into Central Records and get Williams's
file. Unfortunately, Moreland is a few steps ahead of him.
Now, let's pause for a moment and give King
some credit where it is due. Doing so requires going on a tangent, so here
goes: there is a scene in the 1994 film Clear and Present Danger that
involves two opposing characters trying to simultaneously gain access to files
on a computer. I remember that when the movie came out, this scene in
particular was hailed for being a new type of on-screen suspense, and I also
remember thinking, "Hey, Golden Years did that three years ago!"
Granted, the novel Clear and Present Danger came out in 1989, so maybe
King was cribbing from Clancy; given how voracious a reader he is, it seems
likely that he would have read the Clancy novel.
Either way, considering how relatively obscure
computers were in pop culture circa 1991, you've got to admire King for placing
a scene like this in this series. It seems laughably dated now, but it didn't
seem that way at the time, and regardless of whether Clancy beat him to the
punch, King deserves credit for being as forward-thinking as he was
here.
Speaking of being forward-thinking, Terry
apparently isn't; she's only now, in episode five, gotten around to explaining
to Gina that what's happening to Harlan is the result of a scientific experiment
into regeneration. Really? This has been going on for days and days, and Gina
is just now finding out that it's all about regeneration? That strains
credulity a bit.
So does the scene in which Toddhunter is
preparing to conduct a new experiment of some sort, only to realize that he
needs some patch cable to finish hooking his system up. We get not one, but
TWO scenes in which Toddhunter tries to get his cables in order.
What the fuck?!? Is he settig up a surround-sound system, or working on a
government experiment? Both of these scenes are played for laughs, but elicit
none; no intentional ones, at least.
The episode ends with a scene in which Harlan,
having successfully gotten a ride from a long-haul trucker, falls asleep in the
truck's cab while the trucker natters on. Harlan's eyes begin glowing green;
the trucker doesn't notice, because he's busy freaking out over how the truck's
electrical systems are going haywire, Close Encounters-style. He pulls
the truck over, and then, suddenly, the sun rises; time has apparently gone
haywire, too, almost certainly as a result of something harlan is unconsciously
doing. Everyone else on the road pulls over and gets out of their cars,
understandably freaked out. The truck driver finally notices Harlan; "This guy
is full of green light!", he hollers at everyone around him.
Sure enough, he is.
The green light, by the way, cannot help but
make me think of The Tommyknockers. It's probably coincidental; but then
again, The Shop did show up at the end of that novel...
This is a decent episode, certainly better than
the previous one. There are some bad scenes, and the plot by King is really
rather poor. However, the final scene ends things on an intriguing note; it's a
big right-hand turn, and an effective one. Most of the acting continues to be
good, too. I was especially impressed here by R.D. Call, who does a good job of
making Andrews a compelling figure even when King is saddling him with
out-of-character moments of stupidity. I'd say much the same for Felicity
Huffman, too.
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