King Recommends THE PASSAGE


Wow, Cemetary Dance is really excited about their new novel "The Passage" by Justin Cronin's. I haven't read this, but with the King recommendation, it sure looks like it will be going on my reading list. Here's what Stephen King
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"Every so often a novel-reader's novel comes along: an enthralling, entertaining story wedded to simple, supple prose, both informed by tremendous imagination. Summer is the perfect time for such books, and this year readers can enjoy the gift of Justin Cronin’s The Passage. Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears."
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The book is $27.00
Also. . . check out the link from Lilja's library where King surprises Cronin on the phone. Cool. http://www.liljas-library.com

Quigley Explains Blockade Billy Showing

picture: http://charnelhouse.tripod.com/kevbio.html
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One of the things I really like about Kevin Quigley's site is his ability to chart and explain King's showings on the ratings. Check out his book "Chart of darkness" (or, the chart itself is posted on his website, linked below).
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Currently posted on his website is an article about the release of the Scribner edition of Blockade Billy and it's position at #9. This, of course, is a little bit of a surprise to most of us, who have become accustomed to King hitting #1 status as soon as he publishes a book. However, Quigley explains the factors involved in the showing (I'll let you go to his site and read the explanation. It is insightful.)
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I was surprised to learn (from Quigley's post) that The Stand debuted at #13.
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Quigley notes, "Blockade Billy is a wonderful little book, deserving of a success story." I totally agree!
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By the way, here's an interesting story from Kevin Quigley on his site, Bag of Bones was released in 1998, and I traveled up to Maine with Bob Ireland in November. (It was actually the fourth time I’d been to Bangor that year: I went for a King auction, a Rock Bottom Remainders concert, and the SKEMERs con previously.) I met Stephen King for a third time when he signed my copy of Misery “To Kevin from your #1 Fan, Stephen King.” I stumbled out of Betts and promptly fainted. It’s embarrassing, but that’s probably my favorite fanboy story.
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Read the article here: http://charnelhouse.tripod.com/

Movie: Dolores Claiborne


If it weren't for the book, this would be a very good movie. Seriously. Now, I'm not a Stephen King purist. In fact, I think in many cases updates to King's work have served to strengthen his stories. This is particularly true of Tommyknockers mini-series, and King's rewrite of The Gunslinger. If I had not read the novel Dolores Claiborne several times, I would probably like this move very much -- because it tells a compelling story. However, I am left disappointed because this isn't the story Stephen King gave us.
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While the movie contains several priceless scenes that come straight from the movie, it is laced with an unnecessary darkness and tension. The movie is not told from Dolores' point of view, but from Selena's.
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I think what made this such a strong novel was Dolores' voice. The entire thing was told in flashbacks while she was giving testimony to the police. It was a natural setting for these flashbacks and ran in one continuous dialogue. I thought it was brilliant. In fact, it's one of my favorite King novels. King never broke in to Dolores' rant. She told the whole thing, from beginning to end. It is so well written, it seems as if it isn't a Stephen King novel at all, but was actually pinned by a woman named Dolores Claiborne. But to be certain, what makes the story work is her narrative -- her voice -- her point of view.
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Revenge Is Supposed To Be Sweet
Now, let me be blunt: I don't want to deal with the affects of abuse from Selena's end. I don't even want to think about it! The scars, the pain, the emotions -- they are not things I want to reflect on for entertainment. However, switch the story back to the way King had it; from Dolores' point of view. If someone touched my daughter in an inappropriate way -- I think I could do great harm to them. So when Dolores sends her hubby falling down a well, in the novel we are all screaming: "YES! YES! YES!" But in the movie, the moment's hysterical joy at seeing Dolores get her revenge is broken by Selena's sarcasm.
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The revenge in Dolores Claiborne is just as sweet, if not sweeter, as it was in Dolan's Cadillac. The premise is brilliant: What if a woman who really committed a murder was accused of the wrong murder? I like it. I think I like the movie, even though it is not as strong as it could be. The element added is unnecessary, and grim. Selena as an adult does not progress the story, she just darkens it.
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Kathy Bates is at her best in this movie. She is very much what I imagined when reading the novel.
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However:
Stephen Jones has this quote in his book Creepshows from Starburst #206, "The best psychological thriller Alfred Hitchcock never made, Dolores Claiborne is the latest sparkling example of a Stephen King novel being lavished with care and emerging another clear winner ahead of his third rate horror pack." p.97

Some-Are Reading Recommendations


The ground was hot enough to make me put on shoes today. I was digging a planter for my kids to put pumpkin seeds. The heat and the preparations for a pumpkin patch are reminders that Summer vacation is on its way. -- Yes, this is the right time of year to plant pumpkins if you want them big and fat in October.
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Lots of places publish their Summer reading list. I'm always happy to know that Some-Are still reading!
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I started to give you a Stephen King List, but that's pointless. Read all of them. Start with The Stand or IT or Eyes of the Dragon. Don't start with: Tommyknockers, Gerald's Game, Christine or the original Gunslinger.
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The world is bigger than Stephen King. Smile, you need this message. As horror writer Brian Keene said, "9 out of 10 people are aware of horror writer Stephen King. 5 out of 10 people are aware of horror writer Dean Koontz. 1 out of 10 people are aware of the rest of us." We should fix that.
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Bucket List:
There are some books you should read before you die. Books to impress girls, understand the past or know the purpose of life. So, to impress girls you should read Charles Dickens Great expectations, Dickens. This is Dickens at his best -- Sorry David Copperfield. Of course, you'll only be impressing smart girls. You'll thank me in 20 years. Books that help us understand the past and the world we now life in, I would recommend Steinbeck's The Grapes of Wrath. Well written, and it doesn't feel like historical fiction. Finally, under books that will show you the purpose of life -- that would be the Bible. Anyone ever tell you where not to start in that? Well, don't start in Isaiah, okay! Try Luke.
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Now, for a Summer reading list!
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1. Pillars of the Earth, Ken Follett. If you read Pillars, go ahead and read the sequel World Without End. Pillars of the Earth has a strange main character -- a church! It is the story of the long construction of a medieval cathedral. Politics, religion, sex, murder, war and more.
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2. Night of the Moonbow, Thomas Tryon. This author was also an actor who lived a rather interesting life. I liked this book a lot and really don't think it's very popular. I love the scenes with the Lan Chaney showing of Phantom of the Opera.
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3. Short Stories by Edgar Allan Poe. We often need to be called back to the short story, and if you like horror then Poe is the place to start. By the way, if you want to understand King, you've got to read Poe. King's work is laced with Poe references and influences.
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4. Swan Song (or Boys Life) by Robert R. Mccammon. I really like Mccammon and wish his work was on audio. Be aware that his earlier books are not as strong as his work after Swan Song.
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5. The Conqueror Worms, Brian Keene. An old man narrates how planet earth was taken over by worms. The kind of story I once heard on Arch Obler's Lights Out. Also check out City of the Dead. An easy zombie story. True beach reading. But first go to the worms. Also, Keene has a nice post titled: The last 5 minutes of LOST explained, http://www.briankeene.com/?p=3970
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6. This Present Darkness, Frank Peretti. Piercing the Darknes is better, but you should start here. This book takes you into the world of demons and angels and an invisible war raging around mankind.
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7. The Beast House, Richard Laymon. You've got to read Laymon some time in your life, just because he's cool and brutal, and you might as well start out with The Beast House. Laymon is edgy in a really uncomfortable way. I know that won't inspire you to read him, but he will mess with your head. You'll think, "I didn't know you were allowed to write like this -- or about this."
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8. A Man Called Peter, Catherine Marshall. The life story of Dr. Peter Marshall, the famous pastor to the senate as retold by his wife Cathrine. The story is fresh, her writing is insightful and tender.
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9. Cold Sassy Tree, Olive Anne Burns. This is the story of an old man in the deep south who after the death of his wife asks a very young, beautiful woman to marry him so he'll have a house keeper and a cook. The town is stirred, the family is enraged, and the old man is in bliss! I loved it all and couldn't believe that some people gave it bad reviews on Amazon. Then my own family said it rambled about. Well, I don't care what they say, this is a great book!
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10. Short Stories of O'Henry. Everyone reads gift of the Magi, so you should, too. But I recommend The Ransom of Red Chief. I won't spoil this for you, but I swear the movie version of Dennis the Menace got its spark from this story. But, of course, O'Henry is better. Gosh I want to tell you what this is about... go read it before I spoil the whole thing! GO! NOW! READ IT!

Star Wars ipad briefing


We all know about King's interest in the ipad. What you should check out is the Star Wars ipad briefing. I'm with Hon Solo on this one. However, Quite insightful.

http://www.youtube.com/watch?v=jbHF63b7g50&feature=popular

King on Kindle and ipad: http://www.ew.com/ew/article/0,,20357892,00.html

The Runningman -- Movie

Yep -- back at Hollywood Video buying up their old DVD's for chump change. What do you know, no one bought The Running Man. Film4.com calls it "an arcade-game romp done with flair." I must agree! There is a certain delight to this film.
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A funny scene appears when Richard Dawson tells someone on the phone that they're not doing Gilligan's Island. Obviously the person on the other end doesn't know what Gilligan's Island was -- so he gives us a quick humm of the familiar tune. Now, how likely is it that people might someday forget what Gilligan's Island was?!
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From the headlines
It's like the opening lines, though not presented with that awesome scroll Star Wars had, came straight from our news cycle.
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* "By 2019 the world economy has collapsed." Wow, we're seven years early on that one.
* "Food, natural resources and oil are in short supply" I won't comment on that, since right now we're trying to cut the supply of oil from a certain well!
* "Television is controlled by the state." I just read a story headlined "Journalism 'Reinvention' Smacks of Government Control, Critics Say." http://www.foxnews.com/politics/2010/06/02/journalism-reinvention-smacks-government-control-critics-say/
The Bachman Goldmine
Stephen Jones gives an interesting account in his book Creepshows. George Linder, her writes, was excited when he found a book -- the Running Man -- by little known author Richard Bachman. "I contacted the authors agent and was a bit taken back to learn that he was asking a comparatively great deal of money for the option on the book which had less than 100,000 copies in print. I mean, who had ever heard of Riahcard Bachman?" Linder secured the option for $20,000 and Jones notes the irony that just a couple of years later Linder found out that Bachman was actually Stephen King. "I felt like I'd found a Rembrant in K-mart!"
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Governors Convention:
Both Arnold Schwarzenegger and Jesse Ventura appear in this. Arnie is Governor of the great state where I live, the very broke California.
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And Jesse was governor of Minnesota. Minnesota, by the way, is the land of another famous writer, Garrison Keillor. Jesse plays Captain Freedom, a workout television show host. The spandex costumes and Jesse's unitard were hysterically 80's.
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Of course, the movie features Arnie, with no mention of Stephen King. Schwarzenegger looks right at the game show host Damon Killian and says, "Damon, I'll be back." He also used the I'll Be Back line in Commando, Raw Deal, Twins, Total Recall, Kindergarten Cop, Last Action Hero, Jingle All the Way, The 6th Day
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Costumes:
Something has to be said here for the mix of 80's daily wear mixed with 80's sci-fi uniforms. Here's a vision of the future: Only the police get the new clothes! In particular, Arnie looks just great trying to get on a plane in his Hawaiian shirt and white top hat. Ambers costume looks like left overs from Disney's Tron.
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The Always Unfair Comparison To The Book
IMBD notes that King wrote the novel The Running Man in 72 hours. Now here's the funny, or not so funny, thing. The book was really good. King did in 72 hours with a typewriter what Hollywood couldn't do for millions. Go figure.
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King's novel, written under the Bachman name, has an intense urgency to it with each chapter giving a countdown number.
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King told Cinefantastique, "It was totally out of my hands. I didn't have anything to do with making it... It doesn't have much in common with the novel at all, except the title."
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However, the Apollo Guide has this thoughtful paragraph in their review. They actually think that King's novel was made stronger by the movie! Anyway, this is a good note to end on: "Of all the King adaptations that deviate considerably from their respective source material, Paul Michael Glaser’s film stands head and shoulders above the rest. Whereas most changes made to King’s tales seem borne from low budgets and lazy screenwriters, this adaptation (courtesy of Die Hard scribe Stephen De Souza) uses the novel as both inspiration and jumping-off-point, confidently respecting the source material while forging ahead to become a very different (and more than a little successful) piece of work."
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Links:

John Carpenter to Direct Fangland

Picture: http://www.loveofvampires.com/2010/what-makes-for-a-good-vampire-book/

This is directly from ComingSoon.net
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Sriram Das and Blumhouse Productions have brought on horror king John Carpenter to direct a film adaptation of John Marks' 2008 novel Fangland.
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The project has been in development for two-time Oscar-winner Hilary Swank to star as Evangeline Harker, a producer of a TV news magazine eerily similar to "60 Minutes."
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In the book, Harker is an employee of the legendary TV news magazine "The Hour." Sent on assignment to Transylvania, she delivers more than a story when mysterious e-mails, coffins, and a creepy guy named Torgu descend on the New York office.
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Swank fans will recall her early role in "Buffy the Vampire Slayer," and it marks a return as well for Carpenter, director of Halloween, The Fog, Vampires, and Stephen King's Christine, coming after his first film in nearly a decade, this summer's forthcoming The Ward.
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Sleepwalkers


One of the movies I bought in my recent frenzy of purchases from the perishing Hollywood Video was Sleepwalkers.
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"Star Wars Christmas Special" Kinda Bad!
Now, I saw this with my dad when it came out in 1992; the year I graduated High School. I hated it. I thought maybe I had misjudged. Maybe time has softened my opinion of this film. Maybe it was really a great film, and I was just missing it. Nope. How do I say this... kindly... (can't be said kindly)... This movie rises to the great heights of films like Superman 4, Even numbered Star Trek movies, and the famous Star Wars Christmas Special (youtube it, gang. You'll be happy you did).
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Directed by Mick Garris, Sleepwalkers cameo's Stephen King as a cemetery keeper and Clive Barker as a forensic tech. Once again, everyone in this film (like in Maximum Overdrive and Children of the Corn) has an IQ high enough to work fo BP. King appears with a toothpick sticking from his mouth; remember the Beav from Dreamcatcher, Mr King?
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This isn't "so bad it's good" type of work. This is the kind of stuff CIA uses on would be terrorist to make them talk. "Please, don't show me that again! I'll talk!"
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Creepshows author Stephen Jones quotes King as saying, "By the early 1990's I'd written several films based on my own published works. Some, like creepshow, were pretty good; others, like Silver Bullet, were...well...not so good. I decided to take what I'd learned and write an original screenplay, and I had a bloody good time doing it." p.76
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I don't know about you, but I liked Silver Bullet a lot more than Sleepwalkers. Some information seems to be missing -- like what in the world is going on! Mother and son are shape-shifting vampires, and apparently very in love. Mama Vampire is hungry, and sonny needs to find her a virgin bloodshake. Maybe they're not related, they might be lovers simply disguising themselves as mother/son. Ick, I don't want to think about it.
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HITCHCOCK Never Made A Vampire Film!
Another Hitchcock influence: Jones also notes in Creepshows that Mark Hamill (that would be Luke Skywalker in the real world) appears in the opening sequence, which is set in California's Bodega Bay. This, Jones notes, is a nod to Alfred Hitchcocks 1963 The Birds. But why a vampire movie would need to make a nod to the birds is a little beyond me. Like, maybe it's a warning from the beginning of the movie, "Run, faithful movie goers -- this one is for the birds!"
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Cat Lovers Movie
Sleepwalkers and cats don't seem to get along. Of course, not getting along with a cat a part of a normal persons life.
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Staci Wilson gives this so very exciting trivia tidbit: According to Sleepwalkers director Mick Garris, the lead cat who played Clovis was so relaxed on the set, he can be heard purring on several of the final takes. As a dog person, I'm all a flutter! I haven't been so excited since I listened to that Lights Out Everybody episode by Arch Oboler called: "Cat People." http://www.staciwilson.com/animalmovies/sleepwalkers.html
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What Others Are Saying:
So, I thought maybe I was wrong still. Maybe my bad experience with this film is just mine alone. I headed out into the murky world of Internet to find out what others think:
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One for Garris: According to always reliable wikipedia, the movie won the 1992 Fantafestival Award for Best Actress (Krige), Best Direction (Garris), Best Film (Garris) and Best Screenplay (King). Humm, I think this Fantafestival might also be calling baseball pitches these days -- http://nbcsports.msnbc.com/id/37479309/ns/sports-baseball/
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Two for Garris: On the S.K. message board, Anna writes, "When will you publish Sleepwalkers? I love this movie..."
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Three for Garris: Blogger Crackle loved this film. She says, "it will be hard to put into words the sheer brilliance of this movie.." but then she tries. Too bad. Mostly she notes themes such as incest, virginity and cats. I hate cats. Of course, I must admit that I stopped reading when she said, "Now for our last two themes, cats and incest (both subjects named in my recent divorce)." Okay, too much information! http://blog.crackle.com/2009/08/07/sleepwalkers-stephen-king-teaches-us-about-vampire-cats/
Movie reviewers.
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Fine, I get it. So fans love this movie. So I'll move on to the movie reviewers. After all, movie reviewers get paid to hate movies.
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Stephen Holden at NY Times wrote a basically straightforward summery of the movie, not commenting on its value. But, Andrew Bain responded to the Times, writing "Sleepwalkers has comedy value, there's no doubt about it. A friend and I acutally had to pause the film during several scenes in the film, just because we couldn't hear over our own laughter. In one such scene a girl jumps into a police car when she is attacked by the vampire-cat-aliens (no, I am not making this up) and screams for help down the radio. A policewoman on the line screams back 'Andy,' (the name of the recently deceased policeman) 'Get with the program! Bye!'.I truely hope that some of you will watch this film just so you can appreciate how terrible it is." So there. That's ONE for me. And it's a big one, since it's a person responding to someone who is important. http://movies.nytimes.com/movie/review?res=9E0CE0DC123CF932A25757C0A964958260
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Variety said, "Stephen King's Sleepwalkers is an idiotic horror potboiler." http://www.variety.com/review/VE1117794958.html?categoryid=31&cs=1
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NOMINATED: MYSTERY SCIENCE THEATER 3000
I just realized something; it doesn't matter what they think. You are welcome to like this film -- be wrong, it won't hurt me a bit. I choose not to like this movie. So there. And, to rub it in, I respectfully nominate this movie to Mystery Science Theater 3,000. No, I won't take it back. Don't even ask. It's already nominated!
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Maximum Overdrive


Good news / bad news -- Hollywood Video is going out of business. Of course, I don't rent from Hollywood Video, so for me it's goodnews/goodnews. They're selling the entire stock. So right now I have King movies all piled up. Summer is usually the time I buy a bunch of King movies, and so cheap DVDs are great. And, guess what they had. . . Maximum Overdrive. We're several days into the sale now, and no one has bought this. Hummm, I wonder why!
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My daughters and I watched this tonight. So, here is our review:
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The characters in this film are certainly not on their way to a Mensa convention. In fact, does anyone in this film have an IQ over 75?
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HITCHCOCK!
According to Creepshows by Stephen Jones (my favorite book on Stephen King movies), King said that the inspiration for the story came from Alfred Hitchcock's 1963 film The Birds. So, you get it, right? Birds go crazy and attack people -- machines go crazy and attack people. Subtle. In Stephen King Goes To Hollywood, another cool book, Jeff Conner says, "Like The Birds and Romero's Dead films, the storyline concerns those few plucky survivors; that group of disparate people thrown together in this trying time of fantastical crisis. yes, mayhem ensues." p.119
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Truth is, this isn't a very good film. I know that you're shocked. King said that a reviewer in New York gave it zero stars.
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But I like it. Here's why, in no particular order.
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1. This is so bad, it sinks to the level of Ed Wood bad. Which is a wonderful kind of bad to sink to. Not just any Ed Wood cross-dressing kind of bad. But the lofty position of Plan 9 From Outer Space kind of bad. So bad, it's good. After I wrote that, I read this quote from King in Creepshows, "There was a long period during post production when I thought I had made a worthy successor to Plan 9 from Outer Space." Creepshows, p.46
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2. It's not boring. Lots of action. My kids particularly liked it when the guy sprayed himself in the face with the gas hose. Brilliant. Remind me that when hiding from rogue cars, it is always a good idea to take refuge near a gas station.
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3. Lots of car chases and things blow up. Man food. Better yet, the woman in the cafe yelling at the sky is just great. You really need to see this film -- just for her.
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4. I like the green sky. What is this "comet" made of -- alien farts?
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5. How many movies start with the director getting told he's an a-hole? And, this is no ordinary director, it's the King of horror himself.
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6. No matter what you think of the movie, the AC/DC sound track is well done. My friend actually said that he wore his copy of the sound track out. I wonder if anyone wore their DVD's out.
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7. Listening to Yeardley Smith play a bride on her honeymoon is great. She screams more than Dakota Fanning in War of the Worlds. Of course, you know Yeardley Smith as the voice of Lisa Simpson.
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8. It's nice to peak in at the world of 1986. Very 80's film. I knew cars had changed, but I was unaware that gas pumps had changed so much.
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9. I wish I had seen this as a kid, then I would have had a story to go with all those toy trucks I crashed up -- other than "Crush-Up-Derby."
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10. It's like an evil episode of the Twilight Zone. Jeff Conner says in Stephen King Goes To Hollywood, "The Trucks story is a Twilight Zone kind of affair, pitting Mankind against suddenly sentient, and pissed off, semi-trucks; sort of a Night of the Living Big Rigs deal." p.119
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DVD QUESTIONS:
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Where is the directors commentary? I know King is a busy man, but this classic would be just great with his voice talking over it.
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Where is the "directors cut"? When the movie was rated by the MPAA, it was originally given an "X" for excessive violence. (that would be an NC-17 these days) To get it down to an "R", King chopped a couple of gore scenes.

Videodiscs









Driving through Hemet California Saturday, I spotted an old theater with a "poster" sale. There were some nice King posters, but I didn't want to pay a hundred dollars for a Shining poster. However, I did pay five dollars a piece for three Stephen King VideoDiscs.
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What's a VideoDisc? Well, I didn't know they ever existed. These things are huge! Look like the DVD version of a record. The cases are cool and will make neat posters. Carrie and Christine are epically impressive. I can't watch them. . . sinc e I don't own a videodisc machine.
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My wife stared kinda numbly at me. Why did I pass up a poster of The Shining for a videodisc of Carrie, Christine and Creepshow? Well, I explained, it's unique. anyone can get a poster. But ask another collector, "Do you have laserdiscs?" She is shakes her head in quiet confusion -- secretly glad she doesn't have to figure out where we are going to put out a huge movie poster of the Shining.
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Could Carrie White Live In HAVEN ?



Hello. I'm going to talk about this movie as if you've seen it. If "spoilers" make you mad, then don't read this. However, nothing I'm going to say should deter you from watching the film. Just as a movie is never like a book, a blog is never like a movie.
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I bought a Carrie 3 pack at Walmart last night. Carrie, Carrie 2 The Rage and Carrie 2002 TV movie. Of course, the TV movie follows the basic plot of both the original movie and the book. In several instances it draws deeper from the King material than DePalma's. Unfortunately, the DVD has no real special features (other than "More MGM releases." and the Trailer).
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What if. . .
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At the end of the TV movie, Carrie and Sue drive away. That's right! They drive away. . . to where? Some have wondered if this version might have been a prelude to a future series that never happened. (See the Horror Talk review)
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Now, HAVEN is a place where people have these great mental powers and abilities. They go to Haven to get alone. I know I'm making a connection that probably just doesn't exist. . . but wouldn't it be cool if Carrie White lived in Haven? Just say yes, okay.
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2002 Carrie
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I really liked this version of Carrie. It is not a remake of the Brian DePalma classic. No one could compete with that. It just can't be redone. However, for what it is -- a TV movie -- I enjoyed this a lot and it stands on its own two legs.
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The movie is set in the world of 2002. Cars, music, dress and so on reflect a modern time period, instead of the 70's. Nice, since it doesn't harm the story a bit. In fact, Carrie White uses the Internet search engine to research "miracles." Carrie tells her mother, Margaret, that she read something on the Internet. "The Internet!" mother growls. Perfect!
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Several scenes from the book are restored, most notably the meteor showers. When she is born, punished and then toward the end. Also, the line "dirty pillows" is restored. I remember feeling awkward when I read that line as a teen; but it shows just how messed up Margaret White is.
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Mrs. White is not just creepy, she's all out deranged. And what's really scary about this lady is that we all feel like we've known people like her -- or known of people like her. Imagine Westboro Church (the kind people who protest Marine's funerals) meet Stephen King, and WHA-LA -- you have Margaret White.
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As the movie begins, interviews about Carrie are being conducted. I think this is supposed to reflect the tone of the book, which has a lot of documentation to beef up the page count.
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The remembered "plug it up" is replaced with a chant of "period." I know it’s made for TV, but it's not as good.
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School administration is shown in a particularly good light. Not just the teacher, but the principal and other school officials are compassionate, and unusually strong in the face of outright threats. I like it. These people don't fit the mold of what we expect. When the principal confronts Chris Hargensen's father, a lawyer, the results are stirring. It's one of those "OH YEAH" moments.
.If Carrie White and Firestarter got in a fight. . .
The scene where Tommy asks Carrie out to the prom is great. Angela Bettis, who is a fine Carrie throughout, really shines in this scene. Also, the dance with Tommy and Carrie is particularly wrenching. You feel so good for Carrie, finally she is loved and somewhat accepted -- but you know it's all a sham. You hurt for her innocence.
.what if in Haven Carie White found peace?
I particularly like the scene where Carrie loses it. The principal is electrocuted because he's standing in water holding a mike. Blood is everywhere. Doors are locked. One guy loses his arm to a slamming door. And Carrie stands center stage, directing it all as fire rages all around. Totally awesome! Bye Bye school.
.Would you be Carrie White's friend?
A Strong Character
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King once described Paul Sheldon from Misery as stronger than he expected. He said the same about Danny Torrance. I think that's also the case with Carrie. She might seem weak at first glance, but this is a kid who has some pretty deep inner strength. This is only enhanced by the movie.
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Throughout the movie Carrie is a girl who is under tight control. She isn't a babbling idiot, she is simply very guarded. And rightly so. But in almost every scene, it is really Carrie who is in charge. Of course, there are a few notable exceptions for instance, the scene where she gets her first period. However, when Carrie goes home, she confronts her mother. "Why didn't you tell me?" Carrie demands. She is not afraid to contradict her mothers theology. In fact, in one scene she even uses her powers to slam the door in her mother's face. In the end, when the girls think they are in control -- the real result is that everyone else loses control and Carrie stays completely in charge. She moves from the school through the town, knowing exactly what she is doing and how to use her powers to rain down destruction.
.What if Carrie and Danny Torrance got in a fight?
The destruction of the town is another great scene. Power lines fall in front of Carrie's enemies. Vans fly off like cows picked up in a tornado. Fire hydrants unscrew themselves from the cement and explode. And when Billy tries to run Carrie over, he comes within inches of her before hitting an invisible wall. Everything pauses for a moment, and then the car is tossed aside into the trees. This kid is one tough cookie.
.Every school has a Carrie White.
Throughout these scenes, Carrie doesn't just move one object at a time, but the world around her seems to respond to her. The water parts around her. Doors open for her. In her own house, junk steps aside like Moses walking through the sea.
. All of us are a lot like Carrie
What does Carrie do once home? Takes a bath, of course. Fully clothed! Gosh this is good. But even a drop of water is under her spell, seeming to stop mid-air at her simple blink.
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The real surprises come when Mama comes home. So far the stories (book and movie) have all followed the same theme. But this is one place where the DePalma movie wandered from the book. In the movie, Carrie crucified her mother with the kitchen utensils. But the television adaptation has a few surprises of its own at this point. The battle between mama and Carrie is nice -- to say the least! When her mother tries to drown her, Carrie grabs her mother's beating heart -- with her mind.
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The Non-Ending
You expect Carrie to rise up out of the water like the woman from The Shining. But that's not what happens. Instead she is pulled from the water by Sue. But as Carrie stands at her mother's grave -- and her own grave -- we are left to wonder; whose body is in Carrie's grave? Sorry, no hands snaps up out of the grave to pull her down, like in DePalmas rendition.
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Carrie asks, "Where am I going to go?"
Sue says, "I don't know. Somewhere where they don't know you. I'll drive you as far as Florida. then I have to come back."
I wonder if they didn't go to Florida. what if they went to a little town in Maine called Haven?
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OR. . .
Why does she offer to drive her to Florida? Let me suggest this: Sue drove Carrie to Florida because that's where Stephen King lives. Hold on, don't laugh at me. You and I both know from The Song of Susannah that sometimes Stephen King's characters visit him! Who would better protect Carrie than King himself? And what would he do with her? He would take her to a safe place. He would drive her to Haven.
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As Carrie rides away with her friend, the demons she's leaving behind continue to haunt her. She needs a safe place. She needs a town called Haven.
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Soap Box:
There is what I consider a strange flashback toward the beginning of the film. Now, movies do this all the time, but it always irritates me. Carrie flashes back to the day she spotted the neighbor girl sunbathing topless. She is pulled indoors by her mama, and meteors start plummeting from the sky. The camera continues to record what's happening outside. (Remember, this is Carrie's flashback) As meteors begin to shower down, people from the neighborhood are shown gathering outside. But I just don't get it! I'm not being picky, I don't think. How can Carrie remember what people said, what was happening outside, what it looked like -- when she was inside getting whooped by Margaret? I'm not trying to mess movies up for you, but I'm very glad to have that off my chest.
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LINK, Horror Talk Reviews: http://www.horrortalk.com/reviews/Carrie%20(2002)/Carrie%20(2002).htm

Michael Collings On Kubrick's Shining


Many who read The Shining and then watched the movie left deeply disappointed. Of course, I saw the movie as a child or teenager long before I read the book. So Kubrick's version was already stamped in my minds-eye as the official telling. I was certainly surprised at the complexity and strength of the story when told by Stephen King.
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If there is a Stephen King scholar out there, it's got to be Dr. Michael Collings. He doesn't simply make connections to the Dark Tower, or show us how the books are innerconnected; Collings is able to dive pretty deep when it comes to King.
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Dr. Collings has a very enlightening article on The Shining, Kubrick and King simply titled, "On Kubrick's The Shining."
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By the way, I'm currently reading a book --textbook, I think -- titled: The Many Facets Of Stephen King. Good stuff, and I'll review it soon.
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Concerning Kubrick's The Shining, Collings takes time to explain where Kubrick was coming from. Why did Kubrick fumble when given such strong matereal? (Collings will argue that Kubrick didn't stumble or fumble at all). Dr. Collings seems to think that Kubrick's need to give the work his own stamp ended up changing the heartbeat of the story. Collings writes that Kubrick "adds his own imagistic complexity to the film" and he concludes that "at every level from script to casting to set design, Kubrick imbues The Shining with his own personality, his own vision."
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Beyond simply digging into Kubrick, Collings gives us the added gift of showing us what makes the Shining such a strong text. Collings offers three thoughts: First, the novels ability to draw in other texts naturally. Second, the unique ability to ease the reader into Jack's head, until for both Jack and to some degree the reader -- fiction and reality are lost. Finally, he notes the novels ability to create symbol. By the way, the most important section of "symbol" that Collings discusses is wasps -- something Kubrick left out all together.
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In particular Collings interest is why it is such a popular novel for University level scholarship. In fact, Dr. Collings calls the Shining one of the most "teachable" novels for a classroom text. He also notes that the novel is popular in the classroom because of its many literary nods. Collings notes, "It becomes in some senses a compendium of the literature which has preceded it, summarizing and transforming multiple themes, techniques and moves through its own narrative of hauntings and madness."
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Of course, the primary subject at hand is Kubrick's version of the Shining. Collings deals with several of the major diversions from the King story. For instance, the decision to use a hedge maze instead of a topiary garden. Collings writes, "Again and again, Kubrick replaces critical points in the novel, constructing his own narrative that touches only tangentially on King's."
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Collings cites David Schow as saying that Kubrick "proved himself incapable of handling King's material." That is not Collings conclusion, though. I'll not say quite what his conclusion was -- check out the link.
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Collings has been writing on King since 1985, and hasn't lost interest yet. According to charnelhouse (Kevin Quigley's wbesite), Michael R. Collings is author of the following books:
  • Stephen King as Richard Bachman (1985)
  • The Shorter Work of Stephen King (1985; with David Engebretson)
  • The Stephen King Concordance (1985; with David Engebretson)
  • The Many Facets of Stephen King (1986)
  • The Films of Stephen King (1986)
  • The Annotated Guide to Stephen King (1986)
  • The Stephen King Phenomenon (1987)
  • The Work of Stephen King (1996)
  • Scaring Us to Death (1997)
  • Horror Plum'd (2003)
  • Stephen King Is Richard Bachman (2006)

Read Collings essay at: http://www.starshineandshadows.com/essays/2007-05-30.html

2007 Nightline Interview


Here's a 2007 interview Nightline did with S.K. The theme of the interview is characters.
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"I'm always more interested in the people than I am in the monsters."
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Huh! I'm always pretty interested in those monsters. . . but I know what he's saying. In fact, it's what makes King such a great writer. We don't want Georgie to talk to the monster in the storm drain, even though we are all very interested in the monster.
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King was quoted as saying, "In my stories, the most important thing is that you see genuine human feeling in the characters in the books, and I want you to care. Whether it's the writer who's chained to the bed in 'Misery,' whether it's the woman with her son trapped in the car in 'Cujo,' or whether it's David Drayton and his little one in the market in 'The Mist.' I want you to care about those people, and I want you to like those people."
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I enjoyed it a lot. Check the article out here: http://abcnews.go.com/Nightline/story?id=3872181&page=1

Haven Promo

Follow the link. . . a short promo for Haven from media bistro. http://www.mediabistro.com/galleycat/adaptation/stephen_king_adaptation_coming_to_syfy_channel_162518.asp?c=rss
"[The story] revolves around an FBI Agent, Audrey Parker (Rose), who arrives in the small Maine town of Haven to investigate a murder and discovers that the townsfolk have special powers. Those who have read the novella will recognize very little in the series from the actual story, but Stern insisted that there was much more to this series than just slapping King's name on a project."

TIME: 10 Questions For George Romero


Time.com has an interesting interview. Readers submitted questions, ten were chosen that Romero answered. Did you know he worked with Mr. Rogers before making Night of the Living Dead?
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In the King world, Romero directed Creepshow, Christine and The Dark Half. My favorite of those three is Dark Half.
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Time Warp: CASTLE ROCK July 1989











Do you remember the Castle Rock -- The Stephen King Newsletter ? Let's go back to July, 1989 -- Vol. 5, no. 7. Back in the day, this would have cost $1.75. These days, closer to $5. By the way, I really like the newspaper format for a newsletter, this was very professionally done. In 1989 I was in Middle School -- the closest place to hell next to a concentration camp. In 1989 George Herbert Walker Bush was president. There was no Internet. And Stephen King was still King of the hill when it came to horror.
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Notes:
The paper was 12 pages long.
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The papers primary focus in this issue was the 1989 Horror Fest at the Stanley Hotel in Estes Park Colorado with 300 attendees. As Ray Rexer said, it was raining "Church's and Cujo's" at the convention. The paper was full of photo's from the event. Don't I wish I could have gone -- but alas, I had to go to middle school.
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There was a short review of the audio version of Silence of the Lambs, letters to the editor with questions about books and movies. In fact, letters to the editor is interesting, since there was no Lilja's library back then ready to give us the world of Stephen King in a single blink. There was also a short story (part of a short story contest), this one titled "Lullaby Haven." The paper includes several book reviews, and an advertisement to make reservations for My Pretty Pony by a store named Time Tunnel in NJ. The cover price for My Pretty Pony was $50. My wife liked the ad for WZON's T-Shirts, "Creep Shirts" which say, "Welcome to the Rock and Roll Zone" with S.K.'s signature. There was also an article by Barry Hoffman on censorship.
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Classified ads were kind of an ebay of 1989. People both selling and looking for S.K. books. Want to buy the Dark Tower 2, mint condition -- $59. How about Startling Mystery #6 with King's first short story for $100? A Different Season's for $30. And M. Smith from Little Rock was looking for a first edition of Carrie. I wonder if he ever found it. Oh wait, Guy from Oakland wants to sell is entire S.K. collection, which includes every first edition, limited edition and magazine appearance. (I doubt it). He says his prices are very reasonable. I would buy it, but remember -- I'm on that middle school budget in 1989. Yep, $25 a week mowing grass. Crud.
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George Beahm's book The Stephen King Companion was due out in October. G.B. publishing was offering a thousand copies of the limited signed numbered editions for $35. (Any takers?) Or a deluxe edition in a slip case for $75. Gosh, I was born at the wrong time!
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There is a cool note that coming next issue Michael Collings will have an article on early Stephen King. Now, back then you would go, "oh, wow, I've got to make sure to get one of those." But today you say, "Man, how do I find that now?"
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Finally, a blackjack dealer from Las Vegas got to take Stephen King home from the Horror fest Convention for $46. Pretty cool, but the Stephen King he got to take home was a cardboard cut out.
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UNDER THE DOME CONNECTION?
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One writers submitted a short story for a contest that didn't win. He wrote a complaint that he was "violently angry" at the editor for declining his short story as one of the six finalist. He said that his story reveals a "shocking truth about Stephen King and his obsession with offing woodchucks."
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WHOA! Maybe someone needs to warp back in time and give this guy a medal. He nailed it! Anyone remember how UTD began? With a woodchuck getting knocked off. What are the chances? Ask Michael Collings to analyze that! And the poor dudes story still wasn't accepted into the finalist category. Put that under the heading: Even when you're right, life stinks.
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LETTERS TO THE EDITOR:
From Tom Cooper, Boca Raton Fl
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To the editor,
upon hearing that Misery will soon be made into a movie I was excited since it's one of my favorite books by King. Recently, I found myself mentally juggling the possibilities of who'd play Annie Wilkes and Paul Sheldon. I figured Castle Rock readers would have fun considering the possibilities as well.
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For Annie Wilkes, I was thinking about Rosanne Bar, but I don't know if she's ready for a major film yet, especially a King adaptation. My number one pick for Annie, hands down, is Louise Fletcher. My friends agree that there's probably no one better suited to play the role.
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For Paul Sheldon I think Richard Dreyfuss and Robin Williams should be considered, since we don't want a square jawed, uncharacteristic wall playing the role. My number one pick, however, is someone not even remotely related to suspense: Gene Wilder. My friends said he'd be an awful choice, but when given an extra moments consideration, you find that Wilder can put a lot of zest into his acting, spirit an actor will surely have to have for playing the part. Not to mention that he's an underrated actor.
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Who would you like to play the roles? Any word as to who will really play them?
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EDITORS REPLY:
For Annie Wilkes I like Glenn Close. She showed her true talents as the insaniac in Fatal Attraction. For Paul Sheldon lets be bold and try English actor Jeremy Irons. Those of you who caught Irons in his duel role as twins in Dead Ringers will have no trouble imagining him as the persecuted punctuator. As for who will actually fill the roles, no word as yet.
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(For those of you holding your breath, that was covered by James Caan and Kathy Bates, directed by Rob Reiner. Just didn't want to leave you hanging there.)

Fangoria: King of Anarchy

Fangoria has a short article on King's appearance on Sons of Anarchy. Also, a lengthy quote -- which is really taken from King's website. So check out both, Fangoria and stephenking.com for more on the Sons of Anarchy filming.

Truth is, I'd never heard of Sons of Anarcy until King got involved.

http://www.fangoria.com/index.php?id=986:the-king-of-qanarchyq&option=com_content&catid=1:latest-news&Itemid=167

Link: Unboxing Knowing Darkness

Michael at the Travelin' Librarian has posted a video of his unboxing his deluxe copy of Knowing Darkness. The cool thing is just how big this book is. When the video starts, just note how massice that box is! Of course, it is just like Christmas. . . boxes inside of boxes.
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Michael writes, "The text, written by King critic George Beahm, looks back at 34 years of King in print. It provides a detailed look at the writer and his life, supplemented with interviews with Michael Whelan, Bernie Wrightson, Drew Struzan, John Cayea, Dave Christiansen, and many others. The traycased edition is signed by over 33 artists, including Michael Whelan, Bernie Wrightson, Mark Ryden, Dave McKean, Rick Berry, and many more. The deluxe is housed in a large traycase that holds the book, a second book of oversize extra prints."
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I like his comment, on the video, "I don't have a shelf that will hold this." No kidding!
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Check it out here: http://travelinlibrarian.info/2010/05/unboxing-knowing-darkness-artists-inspired-by-stephen-king/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+TravelinLibrarian+%28Travelin%27+Librarian%29

Interview With Lilja of Lilja's Library


For years Hans-Ake Lilja has given Stephen King fans the best, most up to date website out there. Lilja’s Library has been the premier site for Stephen King news, interviews and reviews. It has been a personal favorite for me. I really appreciate the fact that the website is updated so frequently. A genuinely humble man, Lilja took time to answer all of my questions -- and as is true of almost every interaction -- I learned a lot! Note, in particular, his announcement that he is co-author of another new King book.
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TALK SK: You started the website in 1996 – why?
LILJA: Well, back in 1996 when I started the site Internet was something new and very exciting. I was curious about it and when I didn’t find that many sites about King that had what I wanted, updated news, I decided to start one. At the beginning it was a very simple site, red text on black background and a lot of spinning skulls and other lame stuff. It has evolved since then though.
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TSK: I know you’re not from the States – tell me about yourself.
LILJA: Not that much to tell really. I’m soon 40 years young living in Sweden with my family. In real life I’m working as a software developer.
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TSK: Do you have a personal favorite Stephen King work? 
LILJA: I do but it’s impossible to pick just one so please don’t ask me to do that. I really love The Long Walk. The Stand is a great book. The Talisman and IT as well. Those are the once I’d probably pick as my favorite. Oh, and The Dark Tower as well. Can’t forget that one.
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TSK: Do you have a preferred format; audio, paperback, kindle?
LILJA: I love a new and unread hardback. When you know you have a whole book ahead of you. That’s something special. I also like to listen to audio books. Both because it’s very interesting to hear someone else narrating the books but also because it’s very practical. You can listen almost anytime, whatever you do.
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TSK: You talk to a lot of Stephen King fans, what do you think the current favorite book is? Is it still The Stand?
LILJA: Well, people ask me what my favorite book is more often than I do but I would say that from what I hear The Dark Tower is the favorite.
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TSK: You recently expanded the website to facebook and twitter – how was the response?
LILJA: Fantastic. I was skeptic to Facebook and Twitter but it’s working out so well for me and the site. It’s a fantastic way to reach out to people and also getting quick response. I love it and from what I hear people seems to appreciate it as well.
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TSK: Lilja's Library website is huge. Is there a section of your site that you think people tend to miss or overlook?
LILJA: I hope not but if I were to pick the one that people might look the least at it’s the International section. Personally I love all the foreign covers. It’s very interesting to see how the interpret King’s bookcovers in different countries. I wish that I could have more covers but that would be too much work.
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TSK: I notice your guest book is signed from all over the world. Where are the largest clusters of King fans? Do you know?
LILJA: If you mean among my readers it’s definitely the US. If you mean in the world it’s probably where there are most people living.
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TSK: Do you enjoy the entire horror genre, or are you primarily a S.K. fan?
LILJA: I enjoy all horror. Unfortunately though I don’t get as much time to read as I wish to. Besides running Lilja’s Library I’m also one of two people running a Swedish King fan site (www.Foljeslagarna.com) and I’m a DVD reviewer (http://www.dvdkritik.se/). I do see a lot of horror movies though.
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TSK: King and his work is so prolific, do you find it hard to keep up with so many books, movies, and now comic books?
LILJA: No, it’s a joy and I love the fact that there are so much stuff out there. Imagine if King was only to write one book every second or third year. We’d go crazy.
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TSK: You have a book coming out this Summer, how is it unique in an ocean of Stephen King books?
LILJA: I hope it’s more personal. The reviews and interviews in it was not written as part of a book. It was written out of joy for King’s work by a fan. Hopefully that shines though. I also hope that my interviews will be somewhat more personal than many other and since I’m a fan and not a journalist I hope I’m actually asking what people want to hear and not the same old questions that’s been asked over and over again.
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TSK: Just from reading the table of contents, the book must be huge! How is it different from the website?
LILJA: It’s 512 pages huge and mostly the stuff in it is from the website but this version is easier to put in the book case than the website J Just kidding. There are stuff in the book that hasn’t been published on the website. Exclusive stuff for the book.
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TSK: Have you published any other books?
LILJA: No but I have a book coming out in 2011. It’s called “The Illustrated Stephen King Movie Trivia Book” that I wrote with Brian Freeman and Kevin Quigley. It’s a movie quiz book that I hope you shall all love.
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TSK: What’s the release date for Lilja’s Library?
LILJA: The most precise date I have today is mid July but I hope to have an exact date in a week or so.
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TSK: Anything I forgot to ask? . . .
LILJA: No, I think you covered it all… If anyone has anything they want to ask after reading this, just go ahead and mail me. Or visit me on Facebook and Twitter.  
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TSK: Thank you so much for your time and commitment to the Stephen King fans.
LILJA: Thanks! It was a pleasure.
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Links:
*Purchase Lilja's Library the book: http://www.cemeterydance.com/page/CDP/PROD/lilja01

IT Journal 4, Child Abuse

Chapter 6 deals with a disturbing subject -- child abuse. It is an uncomfortable read. So long as King is discussing children and monsters, there is at least a little bit of reality that can be suspended. But when he begins to deal with parents, step-parents and all too often abusive relationships, things get painful for the reader.
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While the subject itself is terrible, King sharpens the knife in this chapter by choosing to introduce stories of abuse through a series of newspaper articles. The reader knows up front that there is a monster killing children -- but not all the children are killed by a monster called Pennywise. Along with the child abuse itself, King relates the self-loathing a parent involved in something so terrible would feel. Add to this, the mistake the law makes in thinking previously abusive parents must have killed children that Pennywise has killed. This information is vital to keeping the plot real, since the reader is likely to ask at some point, "What will the police say about all these children getting killed?" The answer, King suggests, is simple: Parents aren't always such nice people.
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To soften the blow of this chapter, King gives several rather affectionate sub chapters related to Mike Hanlon.
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Other King books that deal with child abuse are Carrie, The Shining, Gerald's Game and Dolores Claiborne. My favorite of these, just as child abuse as a subject, is Claiborne because Dolores gets such sweet revenge. Of course, domestic violence is a constant theme worth further consideration in King's novels. I haven't read, but am aware of the domestic violence theme in Rose Madder. Spousal abuse also appears in Salem's Lot.

The Stand And Me

Easily, my favorite Stephen King book is The Stand. It was the first book I read by King. Now, it wasn't the first book I started. I started with The Gunslinger, but I was quickly lost and my friend told me to give up on the Dark Tower for a while and give The Stand a try. I was hooked!
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A Stephen King collection needs several copies of The Stand. Of course, my original paperback of the Complete and Unabridged no longer exists. That edition was a strange paperback with a birght orange shiny cover, good and evil fighting. Of course, it fell apart -- but was well loved. Here's what I've wrestled up so far:
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1. First edition The Stand, purchased from Betts Bookstore. Price inside dustjacked says it was $12.95. Has an undated inscription inside from someone giving the book to a graduating student. The price at Betts was tagged at $195, but I think I remember getting it for half that.
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2. Book club edition: The Stand. This edition is everywhere! Value is between $5-$20. It is almost identical to the first edition, so if you're just looking to have a reliable edition of the original edition of the Stand, this is a good option.
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3. First edition The Stand Complete And Uncut, British edition. This really is the true first edition, first appearance of this book. The Hodder edition has blue lightening bolts shooting across the cover.
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4. First edition The Stand Complete And Uncut, Doubleday. The price on the dustjacket is $24.95. It's hard to discern first editions of this book. In fact, Doubleday makes it truly difficult to discern what edition of a King book you have. This creates no end to confusion on ebay. Anyway, this was a beautifully bound and illustrated book -- nothing like the cheap original edition of The Stand.
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5. Paperback reading copy, signet (NAL), #7 on the numberline. The cover of this edition is tied in to the mini-series. "Now an ABC TV miniseries."
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What I still don't have: The ONE! You know what that is, right? The Holy Grail for King collectors. The leatherbound special edition housed ina wooden box of the Uncut edition. This goes for around $2,000, but I noticed the Betts has recorded that they sold theirs.
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Another thing I don't have is the audio recording of the orginal edition of The Stand. I've listened to it, read by Grover Gardner. Actually, I paid to join a lending library just so I could listen to this book. But, I haven't bought it because not only would I have to purchase the book, but would then have to pay a company to convert the whole thing to CD. Besides, Grover Gardner's narration is -- how do I say -- uh, not inspiring. He's no Frank Muller, okay! Anyway, the edition does exist.

FIREWIRE: S.K. Presented Literary Award

The firewire has a firsthand article on King's literary award titled, "Stephen King Presented Literary Award At The 15th Annual Los Angeles Public Library Awards Dinner."
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Check the link. There are also several very nice pictures.
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thanks to Bev Vincent, since I spotted it first on his site.
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http://larryfire.wordpress.com/2010/05/20/stephen-king-presented-literary-award-at-the-15th-annual-los-angeles-public-library-awards-dinner/

THE MIST: Transferring Tapes to CD


As I shared earlier, Dave at Betts Bookstore came up with a copy of the Mist on audio tape for me. This was an edition I had long hunted for, since it is not the mass produced "The Mist in 3D sound" stage production. This is a simple unabridged recording by Frank Muller.
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Of course, as soon as Dave sent me the tapes, I wanted to listen to them. I rushed to my office -- the last place on earth that still has a tape recorder -- and began to listen. Time is not kind to tapes, and I could tell that while Muller's voice was still clear, it was losing crispness, and soon the tape would stretch and be lost for good. Now Dave included with my purchase some detailed notes on how to perform the task of transferring tapes to CD. However, I don't change my own oil -- a rather simple task -- and I had to get a friends help to rebuild a fallen fence, so I decided I did not want to risk a "learn as you go" process in transferring my tapes.
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There are actually several companies that specialize in this. None of them are what I would consider cheap. Bottom line, if you're transferring tapes to CD, figure about $10 per tape.
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We went with "Reel 2 Reel 2 CD" and were very pleased with the results. Here's what they did:
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1. Each tape was put on CD.
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2. Each side of the tape was given it's own CD.
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3. Each CD was given short "tracts" which makes it easy to skip around and find things.
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4. This one is important: They appear to have digitally enhanced the recording. Background fuzz and the wear of the years disappeared. Muller's voice is once again crisp. Now, there are sections where what was just said can be faintly heard repeating itself -- but I don't think that is a big deal. The CD's are actually much much superior to the tapes.
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5. Each CD was labeled, clearly marking which CD it was with a picture of the original art work on the CD. So the label reads, "Disk 1, tape 1, side 1" and so on.
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The company contacted us when they received the tapes and gave us an estimate of the costs before they proceeded. As soon as the work was complete they billed and quickly sent back out.
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Anyway, from my chair, I've got to say that this was a great decision. I feel like something special was preserved, and made much better.
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Listverse: Unscripted Moment In The Shining

PICTURE: http://www.slashfilm.com/2008/10/09/cool-stuff-the-shining-posters-and-tribute-artwork/
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Listverse has a psot titled "15 Great Scenes That Were Unscripted." Interesting from the start, since the websties subtitle is "ultimate top 10 lists." I guess this one is a ten and a half list.
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This list is also full of fun facts. For instance, in Mars Attacks, Lisa Marie was sewn into her dress every day because the outfit had no sipper, so it would be seamless! And in Midnight Cowboy, Dustin Hoffman kept pebbles in his shoes to make sure his limp was consistent.
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Of course, the unscripted moments are worth the read. I liked the section on Full Metal Jacket's R. Lee Ermey, who really was a drill sergeant. His part was largely unscripted. That is, Holloywood didn't do that to this guy -- the army did! By the way, I work with the military on a daily basis. But the closest I've come to meeting anyone like Lee Ermey is my high school Marine ROTC instructor.
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About the Shining, the article notes, "A film adapted from the Stephen King novel about a father that goes mad while staying in an evil, isolated hotel for the winter, has become one of Kubrick’s most well-known films. The dark mood that is created as Jack Nicholson smashes his way through the door is juxtaposed with his version of a catchphrase used on the Johnny Carson Show (A hugely popular show at the time), giving an incredibly creepy, yet humorous effect and making it the best-known line from the film. It was, of course, improvised by Nicholson."
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By the way, the article has a boo boo. It says that Lucas told Harrison Ford to just say what he thought was best in the carbon freezing scene. However, Empire was directed byIrvin Kershner, not George Lucas.
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