Showing posts with label Tabitha King. Show all posts
Showing posts with label Tabitha King. Show all posts
Flashback to 2003
For throw back thursday, King posted this November 19th, 2003 picture of himself and Tabitha at the 54th National Book Awards.
The text of his speech is at nationalbook.org. The speech is like a public love letter to his wife; it's beautiful.
"Tabby always knew what I was supposed to be doing and she believed that I would succeed at it."
"She's what the Bible calls a pearl beyond price."
Classic King Is Coming Back
Cemetery has announced a return to Stephen King's "Doubleday Years." Six volumes that will include Carrie, 'Salem's Lot, The Shining, Night Shift, The Stand and Pet Sematary. Carrie will feature an introduction by Stephen King and an afterword by Tabitha King. It also features six color paintings by Tomislav Tikulin, and "Special Bonus Features Exclusive to This Edition!" What's that mean? I dunno.
It's interesting that the Doubleday books were cheaply produced with sometimes awkward covers. Who was that on the cover of Carrie? Is Cemetery Dance purposefully righting this wrong?
From Cemetery Dance:
www.cemeterydance.comThese are the books that launched King's career and made him a household name, and our special editions will be beautiful and oversized volumes like we've published for From a Buick 8, It, Doctor Sleep, and many other King books over the years.
The first title in this special six volume set is Carrie, which will be published later this year and is available for preorder immediately. Other volumes in this series will follow approximately every six months after that and several acclaimed artists are already creating stunning art for these books. These special editions will feature exclusive bonus features such as introductions, afterwords, artwork, and even deleted material in some cases.
We expect extremely strong demand for these special editions of Stephen King's extraordinarily popular early books, and collectors who preorder Carrie directly from us will be the first collectors offered the opportunity to order the next volume before the general public.
Please note that our last Stephen King Gift Edition sold out in just ONE WEEK, so please don't wait because you could miss out and there will be NO second printings.
"These were the ghosts which kept trying to come between me and what I was writing, kept insisting that I combine them, somehow, into a story that would tell what could have happened if there really was such a thing as telekinetic energy..."— Stephen King, from the introductionSpecial Features Exclusive To This Deluxe Special Edition:
• An introduction by Stephen King detailing why he wrote the book
• A lengthy afterword by Tabitha King discussing the book's unbridled exploration of adolescent terror, sexuality, and the unknown
• Deluxe oversized design (7 inches X 10 inches) featuring two color interior printing as part of the page design
• Printed on a heavy interior specialty paper stock that is much thicker than the paper in a normal trade edition
• Epic wrap-around full-color dust jacket artwork by Tomislav Tikulin
• A different full-color dust jacket for the Artist Edition painted by Tomislav Tikulin
• Six full-color interior paintings by Tomislav Tikulin
• Interior artwork will be printed on a heavy glossy stock and tipped into the book
• High-quality embossed endpapers and fine bindings for all editions
• Full-page reproduction of the telegram Doubleday editor Bill Thompson sent Stephen King to announce the publisher was buying the book
• Extremely collectible print run that is a tiny fraction of the TENS OF MILLIONS of copies of this novel you've seen in bookstores over the last 40 years!
Get it at cemeterydance.com
Tabby: Steve Married Me For My Typewrtier
Here's a fun PEOPLE article from way back in 1981. Titled, "For Years, Stephen King's Firestarter Was Wife Tabitha; Now She Burns to Write, Too," the article discusses the King's young (at the time) marriage.
About Tabitha's first novel, Small World, King said, ""I knew she could write poetry, but I never guessed she could write such a good novel right out of the box."
The article, written while Cujo was awaiting release, recounts this now rather famous story:
At their 1971 wedding, King walked down the aisle in a borrowed suit, tie and shoes. Their first years together were tough. "He married me for my typewriter," joshes Tabby. Steve didn't own one at the time, and she further subsidized his art by working at a Dunkin' Donuts. Steve taught English in a private school and wrote in his spare time. Before his first book, Carrie, was published in 1974, King had three manuscripts rejected. Carrie almost didn't make it either. At one point he tossed it into a wastebasket. Fortunately, Tabby fished it out.
NY TIMES Discusses The KING Family
Check out Susan Dominus' lengthy article, Stephen King’s Family Business. (www.nytimes.com) There is actually more personal information in this article than in most of the Stephen King biographies I've read! Which brings to mind, I am still waiting for George Beahm to update his wonderful biography of Stephen King, America's Best Loved Boogeyman.
Here's some bullet points:
- They do read Dean Koontz. Some like 'em -- some don't. They also like Larry McMurtry, Wilbur Smith, Tolstoy, C.S. Lewis, James Cain, John D. MacDonald, Neil Gaiman
- Stephen King bribed his kids to read books on tape for him. Including some pretty nasty stuff, like Raven, which is about the Jonestown massacre.
- At bedtime, King's children were expected to tell their parents bedtime stories. That's pretty cool!
- Stephen King used to win prizes in Sunday School for memorizing verses. No one should be surprised by this; his writing shows a working knowledge of the Biblical narrative.
- They also took time to read after dinner books like The Hobbit and The Chronicles of Narnia.
- Joe Hill cannot stop working if a sentence ends on an odd count of letters. (Who counts?) Rather compulsive, he has been known to miss appointments because he keeps going home to make sure the oven is off. I understand this! I run back to make sure the door is locked, then think, "now, did I really check?"
- Naomi King wrote fantasy as a kid.
- I appreciated Tabby's point that her children should not sulk too much about the burden of being children of writers -- since everyone has parents they will be compared to in some way.
- As always, I love the love story between Steve and Tabby. Not only how they were young, in love and poor -- but how she was willing to confront his worst habits and demand the best in him. Dominus writes: Tabby explained to all of them that if their father did not agree to get sober, she would ask him to leave. “I didn’t want to lie to my kids,” she said. “I’ve never really gotten lying anyway, because all you do is postpone the day at which you’re revealed to be a liar.” As the family discussed the intervention all these years later, the conversation grew almost hushed. “It was terrifying,” Naomi said. “Are you going to have a dad anymore?”
- The critic they all fear is Tabby. She got Joe to change the ending of one of his books! (And remember, she's the reason Dreamcatcher isn't named Cancer.)
- Naomi King isn't really a fan of the horror genre -- she's a fan of theology. Dominus quotes Naomi, "I do care about monsters — I care very much about theological interpretations of how we make friends with our monsters. If we demonize other people and create monsters out of each other and act monstrous — and we all have that capacity — then how do we not become monsters ourselves?”
- Joe is a positive guy. (read the article)
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| photo credit: nytimes.com |
I found this just down right sweet, about Owen King's wife, Kelly, and the King's:
The relationship between Kelly and Stephen has the easy rapport of in-laws relieved to enjoy each other’s company, the conversation light, less likely to turn to the mysterious process of writing than to the end product — either someone else’s work or their own. The Kings’ embrace of her writing is clearly not a function of politeness; they seemed to be competing to outdo themselves in their praise of “Save Yourself” when the subject came up.The full article is at: www.nytimes.com
Misery Journal #5: Conclusion
Misery Origins:
In The Stephen King Illustrated Companion, Bev Vincent says that Misery was inspired in part by John Fowles's The Collector and the Evelyn Waugh short story "The Man Who Loved Dickens." Vincent writes:
After reading the latter, King wondered what would happen if Dickens himself were held captive. He reflected in an interview, "Halfway through. . . I realized I was trying to express some of my own deepest fear-feelings: the sense of being trapped, the sense of having come from someplace like Africa and knowing I would never be able to get home, and trying to figure out what it was I was doing, why I was doing it, and why people were responding to it." (p.96)Vincent further explains that the novel was the result of a dream King had while flying to England. "He dreamed about a woman who held a writer prisoner and killed him, skinned him, fed the remains to her pig, and bound his novel in human skin."
The Stephen King Universe notes that due to its realistic themes and dark ending, King originally intended Misery to be published as a Richard Bachman novel.
Number One Fan:
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| Autograph hunter Mark Chapman gets a signature from John Lennon outside his elegant Dakota apartment building in New York where hours later he gunned down the former Beatle (photo credit HERE) |
In 1980, he reportedly signed one of his books for a stranger who literally did call himself King's 'number one fan.' That lost soul was Mark Chapman, who would later earn his palce in history by shooting and killing John Lennon shortly thereafter." (SK Universe, p.335)The encounter with Mark Chapman is elaborated on for a full page in the original edition of The Stephen King Companion (p.248) which is quoting form King's September 22, 1986 Virginia Beach lecture.
The book is dedicated to "Stephanie and Jim Leonard, who know why. Boy, do they." George Beahm offers this insight in the original Stephen King Companion, "Stephanie Leonard, for many years King's secretary and the editor/publisher of Castle Rock, knows firsthand what it's like to deal with the fans -- the good, the bad and the ugly."
Here are my final notes for the present Misery Journal:
1. Suspense: As Paul finishes the novel, King builds intensity. What is going to happen when he finishes writing? The pages left to write become something like a clock running down, like in Running Man.
The novel employs Hitchcock levels of suspense at the end as the reader (and Paul) wnder if Annie is really dead. She is discovered, not laying dead with wads of paper coming from her mouth -- but outside Misery's pig stall, with one hand wrapped around the handle of a chainsaw.
2. There are rats here! King has a way of sending rats racing through a story at moments I do not expect them. Who would have expected to find rats in Misery? I didn't! But rats there are! They are down in Annie's cellar. Of course, Paul can't move, so the horror builds all the more as he contends with rats staring at him.
3. ESCAPE: As with any novel where an escape is required, the reader is left thinking how they might execute an escape in a similar situation. What the reader is likely to forget is just how weak and dependent on Annie Paul really is.
4. King takes us inside the writers mind as he works through problems. Misery is really about the art of writing.
The Stephen King Companion, by George Beahm, notes that the August 1987 edition of The Castle Rock included an article by Tabitha King in which she reminded readers that Stephen King was not Paul Sheldon. More importantly, she made the point that Annie Wilkes is a "metaphor for the creative drive itself." Beahm writes (quoting Tabitha King):
Beyond merely a tale of torture and murder, "Misery is far more concerned with the way in which a creative person can be tortured by his own powers, addicted to the act of creation, damaged by it. At the end, Paul Sheldon has not freed himself from Annie Wilkes; she holds him captive still, emotionally and creatively." (The Stephen King Companion, Revised Edition, 269)
I like the insight that a novel never turns out quite the way an author first imagines it.
He felt as he always did when he finished a book— queerly empty, let down, aware that for each little success he had paid a toll of absurdity. -- Misery, p. 287Not only is it about writing, but it is about writing being an act of creation (as discussed above by Tabitha King),
Still, it was good to be done— always good to be done. Good to have produced, to have caused a thing to be. In a numb sort of way he understood and appreciated the bravery of the act, of making little lives that weren’t, creating the appearance of motion and the illusion of warmth." -- Misery, p.288
5. Disgusting! Stephen King almost made me gag. I don't normally have any physical reaction to books. I don't cry, I don't get grossed out, I don't get scared. Sometimes I talk back to a book -- but I'm actually pretty passive. But I was driving to work listening to Misery as King described the final fight with Annie. Paul shoved the novel down her throat -- while it was on fire! The description was so powerful, I stopped the CD because I was gagging.
King brilliantly drags that part out, letting you suffer with Annie as more and more pages are jammed down her throat. Even though she is getting what she deserves, the reader hurts with her. That is a sign of good writing!
6. Irony: The novel employs a lot of irony. For instance, Annie supplies Paul with the instruments that will be used to bring about her own demise. Both the typewriter and the pages of Paul's novel are weapons he will use in the final struggle.
King himself points all this out, writing,
So in a way she had been killed by the very typewriter Paul had hated so much. -- Misery, p.307
Tabitha and Stephen King Foundation Award Grants to Maine Libraries
In the clutter of several Stephen King news articles – I found this one in particular interesting. This short piece of news was posted at www.maine.gov by Valerie Osborne, August 8,2012.
During the month of July several Maine libraries received news that they had been awarded grants from the Stephen and Tabitha King Foundation. Once again, Maine libraries are so fortunate to benefit from the generosity of this Foundation. Libraries have shared with us their delight in learning that their library was a recipient of a grant from the Kings in this latest round of awards. Keep in mind that the list includes only those libraries that shared this information with the Maine State Library.
Abel J, Morneault Memorial Library (Van Buren) $20,000 bathroom and entry way renovation
- Edythe Dyer Community Library (Hampden) $10,000 boiler replacement
- Bingham Union Library $6,000 replace furnace
- Lincoln Memorial Library (Lincoln) $1,500 Read it Forward Program
- Treat Memorial Library (Livermore Falls) $25,000 HVAC project
- Millinocket Memorial Library $30,000 to replace windows
- Brownfield Public Library $800 new conference table
- South Berwick Public Library $50,000 shelving for new facility
On Cooking
Stephen King has a short article in the 2011cookbook "Man With A Pan." Well, it's sort of a cookbook. It has recipes. But it also has articles. Kings three page article focuses on why he cooks and some things he considers no-no's in the kitchen.
The reason King does a lot of the cooking in his home is because his wife, Tabitha, has lost a lot of her sense of taste and smell. The result is a lack of passion for food. So, King's work in the kitchen is one of some necessity! Does he love to cook? He makes no such claim. "I can respect the food even if I"m not especially crazy about cooking it," King says. He closes the article with the statement, "You can cook stuff people love to eat (always assuming they have a sense of taste) without loving to cook."
The article is wonderful. The cliff notes:
- King likes the frying pan a lot!
- Cooking requires patience. "Engage in culinary foreplay," King urges as he discusses how frying gets a bad name because people go crazy.
- The microwave can be your friend. "I also love the microwave" King says, explaining it's all how you use the thing. He then gives a quick explanation how to cook a "great fish dish that's beautiful in the microwave."
- Be gentle. That theme resonates throughout the article. Food deserves some respect, so even if cooking is not your pride and joy, don't destroy every ting with fire.
It was very important for me to include a broad cross section of men who cook for their families in the book," Donohue says. "I wanted the well crafted essays by professional writers, but I also wanted to hear from other working fathers, ones who might have more demanding jobs than being a successful writer. It's one thing to make your own hours, it's another to have to be on the job as a fireman, a bond trader, a carpenter, an economist, and still get food on the table. I wanted the book to be an inspiration to men of all professional stripes."Man with a Pan can be purchased HERE. The book is also available on Kindle.
Electric King and his "License to steal"
picture: http://www.heraldtribune.com/apps/pbcsi.dll/bilde?Site=SH&Date=20110503&Category=ARTICLE&ArtNo=110509829&Ref=AR&Profile=2055
What does the author of Christine and From A Buick 8 -- the director of Maximum Overdrive --drive? Probably a gas guzzler, right? A Hummer! . . . nope! Try: a Chevrolet Volt.
Well, he wishes! Truth is, it's his wife's car! He gave it to her as a birthday gift. King says he's sorry he gave it to her, because he enjoys driving it so much!
King was spotted plugging in to a free electric-vehicle charging station. Michael Pollick at the Herald-Tribune has a great article titled "Master of horror Stephen King likes his Chevy Volt and Sarasota."
King is flat out energetically joyful about the thing! Get this quote:
"I just love it because every time you do it, it is like saying to the oil cartel, 'Here, stick this in your eye. -- It is like a license to steal."And all good. . . until the earth passes through a coment.
http://www.heraldtribune.com/
thanks to Bryant Burnette
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