Showing posts with label The Green Mile. Show all posts
Showing posts with label The Green Mile. Show all posts

Green Mile Veteran To Narrate REVIVAL



stephenking.com has announced that the Unabridged Audiobook Edition of Revival will be read by veteran actor David Morse.

King's website notes:
David's acclaimed performances can be seen in The Green Mile, Dancer in the Dark, Proof of Life, The Crossing Guard, The Hurt Locker, World War Z, and The Odd Life of Timothy Green. Morse portrayed George Washington in the HBO mini-series John Adams (Emmy Nomination), and has appeared on Treme and House (Emmy Nomination), but is best known for his role as Dr. Jack "Boomer" Morrison on St. Elsewhere. Morse made his Broadway debut in On the Waterfront, starred in The Unavoidable Disappearance of Tom Durnin, and received an Obie Award for his performance in How I Learned to Drive.

Walking The Mile

picture credit: infernovball.deviantart.com

I really enjoyed this article!  This is reposted from The Gilmer Mirror by Jim Moore. Reposted with permission. Thanks Jim!  Read below, and check out their website.  

Jim “Pappy” Moore is a native son of East Texas who still makes the piney woods his home.

Walking The Mile

By Jim Moore

Those who have read the 1996 book by Stephen King or seen the excellent 1999 film starring Tom Hanks know The Green Mile to which I refer. It was the centerpiece of the book and film The Green Mile. I have watched the film many times. It never fails to touch my heart in so many ways.

While the film's premise may be too fantastic to take as possible, the themes it covers so well are not. It is a film about self sacrifice, about inherent goodness, about making judgments and finding them misplaced. It is about forgiving ourselves and forgiving others. It is about friendship, about shared gains and losses.

I have thought of writing about The Green Mile many times the past eight years, but I have never been sure what to say about it. Those who have read the book or seen the film know what it is about. They require no apprising or convincing. But what to tell those who have not read the book or seen the film? My suggestion is to see the film.

At its core, the story suggests strongly that a central character - John Coffey - was a gift from God, a man without anger, hatred, or animosity toward anyone. He was a man possessed of a unique ability that defies our logic or knowledge. Simply put, he could take away the pain, injury or illness of others by taking it unto himself. Played masterfully by late actor Michael Clarke Duncan, a hulking mountain of a man, this hero is one who can bring tears to your eyes. His size and strength belie his tender, childlike heart and spirit.

In my mind, John Coffey appeals to the inherent goodness in all of us. We find him as a man on death row in Depression Era Louisiana, found guilty of a heinous crime. As events unfold, we learn that he was guiltless of the crime, but that evidence reasonably pointed to him as the guilty party.

Tom Hanks plays the lead prison guard for the unit called "the Green Mile," and heads up a cast of fellow actors who all shine in their roles. The shooting of the film was surely a labor of love for actors David Morse, James Cromwell, Barry Pepper, and Jeffrey Demunn, who collectively are good guys doing a hard job.

I prefer not to give too much away of the story. If you have not seen it, consider it as a possibility. It is fiction. It does not have to be true, or even possible. The themes it discusses are important, however.

If you watch it, you may prefer to see it on cable or broadcast television. It has some segments that are somewhat disturbing, and editing for cable or broadcast tends to make those parts better.

A host of excellent actors, including Harry Dean Stanton, Sam Rockwell and Graham Greene, play prisoners. I generally do not care for films about prisons or prisoners, but this one is something special, because it is really about life and the good things possible to find in it. If you watch it, you will forever love the Irving Berlin song sung by Fred Astaire "I'm in Heaven," also known as "Cheek to Cheek."

© 2014, Jim “Pappy” Moore,The Gilmer Mirror - Walking The Green Mile

Darabont: Stephen King has an innate talent



I enjoyed Frank Darabont's interview at independent.co.  About Stephen King, Darabont writes,
Stephen King has an innate talent I’ve adapted several of his books for the screen [The Shawshank Redemption, The Green Mile, The Mist] simply because he is one of the all-time great storytellers. He can put characters on a page that engage you in a way that few writers can. It’s a magic trick he has, and I’m not sure how he does it.
I'm currently reading The Mist and noting just how good the movie adaptation was.  When it comes to King's work, Darabont swung three home runs in a row.  He says that the lasting popularity of Shawshank brings a "pleasing level of respect, but nothing opens doors like a film that actually makes a lot of money."


Elizabeth Chadwick Includes King In BOOKS OF A LIFETIME





I enjoyed author Elizabeth Chadwick's post, "The Books of a Lifetime." She discusses books that stood out at various stages of her life.  A fun road trip probably all of us should  take.  I'm afraid that before Mr. King, I didn't actually finish many books!

Chadwick explains, "I have chosen five favourite books each from my childhood, my adolescence, young adulthood and maturity (if you can call it that)."

Naturally, Chadwick's choices are a mixture of classics and modern hits.  Stuff I'm familiar with, and some I didn't know existed.

Under the heading of Young Adult, Chadwick gives a short discussion of The Shining.  Here's what she wrote:
The Shining by Stephen King. This book is one of the very few where I have almost been too scared to turn the pages. Stephen King is a very powerful writer indeed and this story of a family falling apart and closed up for the winter in the haunted (and maliciously so) Overlook Hotel is a claustrophobic triumph. I re-read it at least once a year.
Wow!  That's pretty good.  I've read it through once, and just started re-reading in prep for Doctor Sleep.  She re-read's it "at least once a year."




Under the heading, Mature Adult, she includes The Green Mile.

The Green Mile by Stephen King. The second Stephen King on my list. I could carry on reading his work my life long. The Green Mile, I think, achieves absolute greatness for Stephen King. If the subject matter didn't involve horror and the supernatural, and if wasn't so mainstream and readable, this one would have been on The Booker list for sure. I'd certainly put it on my alternative Booker shortlist. There are lines in that book of such profound power that they bring tears to my eyes.
Chadwick's  full article is at historicaltapestry.blogspot.com

MY ANSWERS:
Okay, I have to clarify that I am discussing NOVELS and not religious works, The Bible, commentaries, devotionals and books that have given my life greater perspective, like The Purpose Driven Life.  Just fiction:

childhood: Fatal Vision.  I'm not kidding.  I read the whole thing when I was about 11 after seeing the mini-series.  It is the story of Dr. Jeffery MacDonald who is accused of killing his family.  

Also, Run Silent -- Run Deep, Star Wars (the novel by Lucas), V.

adolescence: 1984, by George Orwell.  I was first introduced to it as a radio play, then got the book abridged on tape. I found Orwell's world quite scary.  1984 is a precursor to The Hunger Games. 

Also, under adolescence, I  would include: The Martian Chronicles, The Stand, The War of the Worlds, IT, Night of the Moonbow, Sherlock Holmes and Swan Song. 

young adulthood: The Grapes of Wrath, which is absolutely wonderful!  A journey through America during the Dust Bowl and Great Depression.  We travel with the Judd  family from Oklahoma to California.  Steinbeck is such an effective writer that the reader suffers with the Judd's, burning with anger as they are delivered set back after set back at the hands of a very cruel world.

Also under young adulthood: Pillars of the Earth, Of Mice and Men, David Copperfield (though I'm still not sure what that book was actually about), The Pelican Brief, Cold Sassy Tree, This Present Darkness.

maturity: . . . riiight.

Your Turn! using the same setup Chadwick did, copy and paste in the comments section your answers:
childhood 
adolescence
young adulthood 
maturity

Ebert On King



The famous movie reviewer Roger Ebert died Thursday.  I first became acquainted with him when I was a kid and he offered movie commentary with Gene Siskel on Siskel and Ebert.  I would watch them on Sunday afternoon between morning church and evening church.  Strangely, the review I remember is Back to the Beach -- which both of them liked.  Seems Disney was really hesitant to let them review the film, thinking it would get bad publicity right from the start.  But it got two thumbs up.

In his review of Dreamcatcher, Ebert revealed that he is also a King reader, saying, "The movie is based on a novel by Stephen King, unread by me, apparently much altered for the screen version, especially in the appalling closing sequences. I have just finished the audiobook of King's From a Buick 8 , was a fan of his Hearts in Atlantis , and like the way his heart tugs him away from horror ingredients and into the human element in his stories."



In his review of Secret Window, Ebert offered this about King's book On Writing, "A lot of people were outraged that he was honored at the National Book Awards, as if a popular writer could not be taken seriously. But after finding that his book On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style, I have gotten over my own snobbery."

Here are some of his reviews of Stephen King movies:

CARRIE (rogerebert.suntimes.com)
The scariest horror stories -- the ones by M.R. James, Edgar Allan Poe, and Oliver Onions -- are like this. They develop their horrors out of the people they observe. That happens here, too. Does it ever.                                        
THE DEAD ZONE (rogerebert.suntimes.com)
No other King novel has been better filmed (certainly not the recent, dreadful "Cujo"), and Cronenberg, who knows how to handle terror, now also knows how to create three-dimensional, fascinating characters. (writing circa 1983)
MISERY (rogerebert.suntimes.com)
The material in "Misery" is so much Stephen King's own that it's a little surprising that a director like Rob Reiner would have been interested in making the film.  . . .What he does with "Misery" is essentially simply respectful - he "brings the story to the screen," as the saying goes.
THE MIST (rogerebert.suntimes.com)

THE GREEN MILE (rogerebert.suntimes.com)
By the end, when he is asked to forgive them for sending him to the electric chair, the story has so well prepared us that the key scenes play like drama, not metaphor, and that is not an easy thing to achieve.
And I think this is a very important quote, since he links King to Dickens.  This is something I've  been doing for a while.  (Stephen King A Mordern Charles Dickens)
Stephen King, sometimes dismissed as merely a best-seller, has in his best novels some of the power of Dickens, who created worlds that enveloped us and populated them with colorful, peculiar, sharply seen characters. King in his strongest work is a storyteller likely to survive as Dickens has, despite the sniffs of the litcrit establishment.
SILVER BULLET (rogerebert.suntimes.com)  I like the opening line:
Stephen King's "Silver Bullet" is either the worst movie ever made from a Stephen King story, or the funniest. It is either simply bad, or it is an inspired parody of his whole formula, in which quiet American towns are invaded by unspeakable horrors. It's a close call, but I think the movie is intentionally funny.
 DREAMCATCHER (rogerebert.suntimes.com)
"Dreamcatcher" begins as the intriguing story of friends who share a telepathic gift, and ends as a monster movie of stunning awfulness. What went wrong? How could director Lawrence Kasdan and writer William Goldman be responsible for a film that goes so awesomely wrong?
SECRET WINDOW (rogerebert.suntimes.com)

CAT'S EYE (rogerebert.suntimes.com)
 The crazy unreality of the situation has a "Twilight Zone" sort of appeal, and indeed "Cat's Eye" is a superior Twilight-style anthology of three stories that are held together by the adventures of the cat. It's a small, scrappy tabby that survives not only electric shock (actually only special effects, so don't call the ASPCA), but also city traffic, falls from high buildings, one-way tickets to the pound, and a duel to the death with a gremlin who lives behind a little girl's bedroom wall.
APT PUPIL (rogerebert.suntimes.com)

HEARTS IN ATLANTIS (rogerebert.suntimes.com)
Rarely does a movie make you feel so warm and so uneasy at the same time, as Stephen King's story evokes the mystery of adolescence, when everything seems to be happening for the very first time.
NEEDFUL THINGS (rogerebert.suntimes.com)
"Needful Things" is yet another one of those films based on a Stephen King story that inspires you to wonder why his stories don't make better films. (INDEED!)
THE SHAWSHANK REDEMPTION (rogerebert.suntimes.com)
The word "redemption" is in the title for a reason. The movie is based on a story, Rita Hayworth and the Shawshank Redemption, by Stephen King, which is quite unlike most of King's work. The horror here is not of the supernatural kind, but of the sort that flows from the realization than 10, 20, 30 years of a man's life have unreeled in the same unchanging daily prison routine.
BAG OF BONES (www.suntimes.com/entertainment)
‘Stephen King’s Bag of Bones” is a bag of something, and it ain’t bones. Based on King’s 1998 thriller (which I trust is better than the two-part miniseries starting Sunday on A&E), “Bag of Bones” boils down to a hokey horror story that relies on cheap tricks — nightmares! sudden bursts of loud music! animal in the attic! — to deliver most of its chills. Worse yet, some of the characters are so cartoonish, they’re more “Scooby-Doo” than Cujo.  (OUCH!!!)
CHILDREN OF THE CORN (rogerebert.suntimes.com)  -- this one is great!
By the end of “Children of the Corn,” the only thing moving behind the rows is the audience, fleeing to the exits. (well said, sir)

Shawshank and Greenmile make list of great films with no Best Picture Oscar

The Independent has an article titled, "Shawshank Redemption voted 'best Oscars also ran," in which they note, "The Shawshank Redemption has been hailed by movie buffs as the greatest film to miss out on a best picture Oscar."  and, "Shawshank was followed in the list by The Green Mile, which was made by the same director, Frank Darabont. Both films were based on stories by novelist Stephen King."

The website offers this interesting list:

Here's the top ten films, with what actually won in parenthesis.
1. The Shawshank Redemption (lost out to Forrest Gump in 1995)
2. The Green Mile (lost out to American Beauty in 2000)
3. Avatar (lost out to The Hurt Locker in 2010)
4. Saving Private Ryan (lost out to Shakespeare In Love in 1999)
5. E.T. the Extra Terrestrial (lost out to Gandhi in 1983)
6. Star Wars (lost out to Annie Hall in 1978)
7. Mary Poppins (lost out to My Fair Lady in 1965)
8. Doctor Zhivago (lost out to The Sound of Music in 1966)
9. Pulp Fiction (lost out to Forrest Gump in 1995)
10. To Kill a Mockingbird (lost out to Lawrence of Arabia in 1963)


The full article is HERE.

Tom Hanks Funny Story About Michael Clarke Duncan


CNN has a touching article about the services for Michael Clarke Duncan.  Held yesterday in Los Angeles, California, it sounds like it was a "whose who" of Hollywood, including: Jay Leno, Holly Robinson-Peete, Stevie Wonder and his ‘Green Mile’ co-star Tom Hanks.



The CNN article states:
‘Green Mile’ director Frank Darabont was also in attendance and read a letter from ‘Green Mile’ author Stephen King, which said, “No one has ever done a character I wrote more justice.” Leno said, as his voice cracked, “Just to see such a pure heart and pure kindness, and to see it taken so early, there are no sadder words than what might have been.”
the CNN story is HERE.

CNN article on Michael Clarke Duncan



CNN has posted a great article  on Michael Clarke Duncan at cnn.com that  includes a "Duncan Through The Years" photo set that is nice.

The article reads, in part:

Most recently he was on the TV series, "The Finder," on the Fox network. 
His co-star Mercedes Masohn tweeted: "Today is a sad day. Michael Clark Duncan passed away this morning. Known for his moving performance in The Green Mile. RIP MCD. You'll b missed."
and,  about The Green Mile the article says:
In the Oscar-nominated film, Duncan played John Coffey, the huge black man wrongly convicted in a Louisiana town for the rapes and murders of two white girls. Coffey has supernatural powers, though; his hands can heal, even bring back the dead. 
A microcosm of faith, Coffey is a messenger of hope and lost hope who develops a relationship with Tom Hanks' character, a guard named Paul Edgecomb. 
Film critic Roger Ebert wrote that Duncan's performance "is both acting and being." Ebert tweeted Monday that Duncan was "A striking screen presence." 
Duncan was nominated for an Academy Award nomination for best supporting actor, which was won that year by Michael Caine for "The Cider House Rules."
Duncan was 54,  and had  been awarded BFCA Critics' Choice Award for Best Supporting Actor.  He will certainly be missed!

Green Mile Star Michael Duncan Dies



nydailynews has posted that Michael Clarke Duncan died today.  The website says:

LOS ANGELES — Michael Clarke Duncan's fiancee says the Oscar nominee for "The Green Mile" has died while being hospitalized following a July heart attack. 
Publicist Joy Fehily released a statement from Clarke's fiancée, the Rev. Omarosa Manigault, saying the 54-year-old actor died Monday morning in a Los Angeles hospital after nearly two months of treatment following the July 13 heart attack. 
Read more: www.nydailynews.com

Duncan starred in The Green Mile, giving a wonderful portrayal of John Coffey.  He was 6' 5" and nicknamed "Big Mike."  I like this line from the IMDb, "Raised by his single mother on Chicago's South Side, Michael Clarke Duncan grew up resisting drugs and alcohol, instead concentrating on school." (the IMDb bio is HERE)

Youtube: THE GREEN MILE Lion King Style

I like this:


DVD FILE: The Green Mile


Sometimes I have to read a review to find out what I don't like about movies I really like.  I didn't ko there was a problem with the novel Christine until I read all the reviews.  Just reading the book, I was entrhalled.  But now mye yes have been opened; I should not have enjoyed the book with such gitty pleasure! 

Now, I thought the Green Mile was awesome!  I mean, absolutely wonderful.  I didn't know there was a stone to be thrown at the Green Mile.  But, turns out, there is!  DVD File has a very good review of the Green Mile.  You can read it HERE.  It is generally all positive -- except for the parts that aren't so positive. 

So what could be wrong with the Green Mile, asked myself.  Only, I asked too late!  I had already read the review.  It caught me off guard.  The words had to settle in.

. . . Too long?  the movie was too long?  That's the complaint?!  It might be long because it was faithful to the book.  But, that aside, I must say that as a fan, I didn't know it was too long.  It didn't feel too long!  But dog gone it, next time I watch that movie, I'll be sure to note with disgust how long it is.  I'll fold my arms and huff and how much time I'm spending enjoying this wonderful movie.  After all, movies should all fit inside the 2 hour time frame.  That was abd of the Green MIle to give ust hat extra hour of pleasure!

DVD file explains:
At over three hours, The Green Mile is not a quick watch, and admittedly the pacing does occasionally lapse into the laborious."
Now see, I'd-a never known that without them telling me!  My senses didn't pick up on it.  I just sat there and enjoyed the whole thing, like a big fool.  But now I've been schooled.

Wait, there's more:
Scenes are often drawn out near the breaking point, and the consistent sameness in tone often stunts the film's drama and suspense.
Huh?  The suspense was stunted?  I could have been pulled even further off the edge of my seat than I was?  May I suggest that if scenes are drawn out to the "breaking point" it might be because you are in so much suspense waiting for what's going to happen next.

More here:
Even some of the more horrific execution scenes and the late-night escape sequence are not quite as exciting as one would expect.
I see!  I didn't know that, either.  Seemed pretty freaky to me.  I mean, fire was coming from the dude's head and all.  But maybe that's not scary.  . . . but if "horrific execution scenes" are not "exciting", what is?  Non-Horrific execution scenes? 

Another gem:
While the film does have its humorous moments, it is also often too solemn for its own good, unlike Shawshank, which better balanced the oppressive prison setting with humor, pathos, and suspense.
And now we've been told!  Only, I hadn't thought to sit there and compare the two.  I just enjoyed what humor ther was as it was sprung on me.  Dumb me!  I needed to be keeping my notes at hand.

Next time I find myself really enjoying a good movie, I'll be sure to ask a reviewer why it stinks ahead of time.  I will not so foolishly enjoy myself. 

King agent Ralph Vicinanza dies


Posting from Associated Press, forbes.com reports that Ralph Vicinanza died of a brain aneurysm Saturday night in Bronxville. Stephen King was one of his clients.
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The article includes this interesting section about the Green Mile, in which King credits Vicinaza with the idea of a serial novel. I loved the idea, since it was exactly what Charles Dickens had done. And I wish King would do it again!
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King would credit Vicinanza with the idea for serializing "The Green Mile," his 1996 novel about a prison supervisor and death row inmate during the Great Depression. In the book's introduction, King wrote that he was having a difficult time because he had other projects going on and knew little about the story's setting. King knew he needed to do research but worried that research "might kill the fragile sense of wonder" he had developed.
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So the author "pressed on, stacking words and hoping for a kindling, an epiphany, any sort of garden-variety miracle."
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"The miracle came in a fax from Ralph Vicinanza, my foreign rights agent, who had been talking with a British publisher about the serial-novel form Charles Dickens had employed a century ago," King wrote. "Ralph asked - in the dismissive way of one who doesn't expect the idea to come to anything - if I might be interested in trying my hand at the form. Man, I leaped at it."
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Escape From Alcatraz and Shawshank


I've been reading The Shawshank Redemption. It's wonderful. A few weeks ago TCM ran Escape From Alcatraz. I DVR's it... and forgot about it. Today in an attempt to clean up my DVR, I decided to watch the Eastwood film.
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Of course, it reminds me a lot of Shawshank and The Green Mile. Mostly it's just the mood of the film. Escape doesn't have the same energy that Shawhank Redemption has; nor does it have characters you would ever want to meet.
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1. It's an escape from prison film.
2. There's a mouse.
3. Hiding stuff in the Bible.
4. There's a man who can get you things.
5. The method of dirt removal. (Sprinkeling it when out for a walk)
6. Posters are important in both.
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I know there's more, so post them for me.
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Having been to Alcatraz, I can say that it is the only prison I've ever paid to get into. Yes, I have been to others... but those were freebe visits. Funny story: I go to visit this guy in a medium security prison. I tell the clerk who I want to see and that I have an appointment. She sends me to a guard at the door. he has me sign in, and then says, "It's the fifth door on the right." I just stared at him. You mean you don't escort me there? I'm just free to walk through the prison and find door 5 on my own? I've got to tell you, I've never counted doors so carefully!

Serial Novels


Stephen Emms at guardian.co.uk has an interesting article titled: Should serial novels be continued? The premise is: Out of sync with print-based reading habits, this form is nonetheless perfectly in tune with the web.
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As a Charles Dickens fan, I am naturally interested in serial novels. Of course, this is exactly what Stephen King did with The Green Mile.
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Emms writes, "The potted history of the serial novel is well-documented, dating back to The Thousand and One Nights, with its frame of vizier's daughter Scheherazade narrating hook-laden stories to avoid execution by King Shahryar. Its heyday was the 19th century, with the Charles Dickens-founded periodical, All the Year Round, publishing novels of his, including Great Expectations, and Wilkie Collins's The Moonstone, at the same time as Sherlock Holmes was taking his first cases in The Strand magazine (which had a circulation of 500,000).
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Nowadays newspapers and journals rarely serialise novels, but the format lives on in Japanese manga, as well as the dank online caves of the horror, SF and occult genres, pioneered by Stephen King's "e-novel", The Plant, published in 2000 (which remains unfinished)."
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By the way, I've mentioned this before, but there is a great book about Wilkie Collins, cited above, by Dan Simmons called Drood.
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The thng about the internet as a means of doing serial novels is that it doesn't really let the reader "touch." Wouldn't it be cool if papers still did serial novels?
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Benefits of the serial novel:
.The man inblack fled across the desert and the Gunslinger followed.
King himself gives a chatty explanation of the serial novel, Dickens and his own work in the introduction to The Green Mile. Here is my list of benefits for a serial novel:
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1. We're all in it together. The reviewer, the reader, usually the writer are all close to the same place.
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2. Heightened anticipation. You have to wait for the next installment. Thsu the excitement about Little Dorritt.
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3. No jumping to the end. Do we really do that? Well, I happen to know at least one person who will make it to the end of Under The Dome. . . because my evil twin peaked. King shares how he caught his mother peaking at the end of a mystery novel in the introduction to The Green Mile.
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4. More disicipline for the writer doing his first draft. After all, once the story is released, the author is kind of bound to stick to major plot lines and details he already developed. He can't write the end, and then clean it up.
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The Green Mile


Just finished watching the Green Mile with my wife; both of us had wet eyes. I kept saying to her, "This is a good movie!" She got annoyed with that comment, but it really was a good movie.
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For a long time I've felt like it might be best to skip King movies and just read the books. The movies never "add up." However, having collected all the first editions I can get my hands on for the budget I have, I decided this Summer to collect the movies. Of course, they have no value, but since I am pretty unfamiliar with them I thought I might give them a try.
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The Green Mile is a favorite novel, so I came with low expectations for the movie. Kind of a sigh as I put the disk in: OKay, let's see what they screw up. But I think the movie was even better. Can that be? It can! The actors really made it happen.
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King released the book in installments, like Dicken's did his books. I remember the excitement of waiting for each segment; then getting behind and thinking: Fine, I'll just wait for the novel to come out all at once. It is powerful in both forms (print and screen).
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The movie does a good job of keeping the Hanks character in every scene. This is important because Hanks is telling the story (the book is also first person). Sometimes I get annoyed at movies where someone is telling a story, but I the viewer am given information or scenes they were not privy to.
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Frank Darabont directed this film, along with other King titles The Mist and The Shawshank Redemption. The movie is pretty loaded with well known names, but the real magic is with Hanks and Michael Clarke Duncan. The scene of Coffey's execution is powerful. The Guards are in tears as they surround their friend at his death. They seem to stand in such a way as to block his seeing the viewers who hate him.
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Connections to Christianity are unavoidable. As with the book, the links between John Coffey and Jesus Christ (J.C.) are noticeable.
  • Both are healers.
  • Both know mens hearts.
  • Both are killed by the state, though innocent.
  • Both die as their executioners admit their innocence.
  • Both must take carry another persons pain in order to heal them. With Coffey, he must bear their sickness for a period of time. With Chist he bore our sins.
  • Both are of a mistreated race for their time. Christ a first century Jew, Coffey a black during the depression.
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Religion And Stephen King


Religion And Stephen King
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Stephen King isn’t a "Christian" writer. However, Christian themes often appear in his books. People often assume that the genre of horror doesn’t lend itself to religious themes – nothing could be further from the truth! Christianity certainly has "dark" spots.
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Some complain that King often casts religious people in a bad light. Sorry to say, that’s a lot like complaining about Flandars on the Simpsons, media simply mimic’s what they see. The reason religious characters sometimes fall in a bad light (Carrie White’s mom comes to mind) is because there are religious people who fall into that mold. I certainly take no personal offense. (Insomnia’s portrayal of the prolife movement was a hard pill to swallow). In fact, often religious wackos are well pictured in King’s work. Just read an interesting scene in Cell where a woman is full of religious zeal.
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In particular, characters like: Reverend Rose in Needful Things strike a chord with us because we’ve met people like that. But we’ve also met good people of faith – and king shows us that side, too. David in Desperation is a boy with great faith in God, surrounded by skeptics.
What I especially like is that characters have the ability to be redeemed. Father Calahan in Salem’s Lot comes to mind. He didn’t have such a good ending in the book, but he is redeemed in the Dark Tower.
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Books with religious overtones:
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The Stand in particular is a book about religion. In his introduction to the novel, King called The Stand a "long tale of dark Christianity." There is the Godly Mother Abigail pitted against the devil himself. And let’s not forget the finger of God reaching down from heaven to blow up the bad guys. Very much like Revelation 20-21!
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Cell has a lot of religious overtones. Not just the Bible crazy lady, but talk about America having built a "tower of Babel" that was torn down by the yet unknown enemy.
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David King told Steve Spignesi in The Shape Under The Sheet (1991) "I know he’s not an atheist or an agnostic, but I don’t think he attends church. I believe that when he and Tabby married he agreed to have the children brought up in the Catholic faith, because Tabby is Catholic." According to David, their mother was religious and regularly attended church. Speaking for himself, David King says, "Linda and I are now what’s known as evangelical Christians. We’re Biblical fundamentalists, which sometimes connotes a negative impression in people’s minds. We are of the group that believes that the Bible is the total and factual and complete word of God." (P.37)
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It is interesting that a character with great faith is named David in Desperation – I wonder if that’s after his brother David.
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King articulated his religious views in an interview with Salon magazine, King told novelist John Marks, "I was raised Christian, and I was raised to believe in the idea of the Antichrist. My wife said that -- she was raised a Catholic -- the attitude of the Catholic Church is, give them to me when they're young, and they'll be mine forever. It isn't really true. A lot of us grow up and we grow out of the literal interpretation that we get when we're children, but we bear the scars all our life. Whether they're scars of beauty or scars of ugliness, it's pretty much in the eye of the beholder.
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"I'm interested in the concepts. I'm particularly interested in the idea that in the New Testament, you're suggesting a moral code that's actually enlightened. Basically what Christ preached: get along with your neighbor and give everything away and follow me. So we're talking pretty much about communism or socialism, all the things that the good Christian Republicans in the House of Representatives today are railing about in light of this bailout bill. Of course, Christ never preached give away everything to Wall Street, so they might have a point.
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"I was able to use all those things in "The Stand." It's an effort to say, let's give God his due here. Too often, in novels that are speculative, God is a kind of kryptonite, and that's about all that it is, and it goes back to Dracula, where someone dumps a crucifix in Count Dracula's face, and he pulls away and runs back into his house. That's not religion. That's some kind of juju, like a talisman. I wanted to do more than that. I wanted to explore what that means to be able to rise above adversity by faith, because it's something most of us do every day. We may not call it Christianity. I wanted to do that. I wanted it to be a God trip"
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As a Believer, I must mention that I personally think King’s view of the afterlife is insufficient and dangerous. Basically, he states that he believes what ever you "believe" that’s what happens to you when you die. Of course, he does preface this by saying he doesn’t know what happens!
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Does Belief In God Make King More Frightening?
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Stanley Kubrick told Jack Nicholson that The Shining is a basically "optimistic" story. When asked how that can be, Kubrik said that any story that has ghosts believes in an afterlife of some kind – and that’s optimistic!
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King said that Kubrick once called King in the middle of the night while they were filming The Shining. "Do you believe in God?" Kubrick asked. Yes, King said he did believe in God. King associated Kubrick’s strange take (and film version) of the Shining to Kubrick’s inability to believe in God. If there is no God, then the Overlook isn’t haunted, it’s all about Jack Torrance going crazy. And that is what Kubrick’s version of the Shining does, it shoes Torrance and his family breaking down.
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King’s ability to at least understand Christian themes allows him to employ such things as crucifixion in The Stand.
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The central theme of Christianity is Resurrection. This is played out in a dark way in Pet Sematery, where an old burial ground allows the dead to rise again – but they’re not quite right afterward. King wrote the novel for his own enjoyment, and it remains one of his scariest books to date! It is disturbing and wonderful.
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King said in an interview: "I don't see myself as God's stenographer. As someone who believes in God, believes that God is a logical out growth of the fact that life fits together as well as it does, but that doesn't mean that we know God's mind... There's been a lot of criticism of the book where they say the God stuff really turns them off. I'm thinking to myself that these guys have no problems with vampires, demons, golems, werewolves and you name it. If you try to bring in a God who can take sardines and crackers and turn it into loaves and fishes, then these people have a problem. I say to myself, if you have a real problem then I'm doing what a novel of suspense and horror is supposed to do, which is to just scratch below the surface and sought of rub your nerves the wrong way."
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The Redemptive Side
The Girl Who Loved Tom Gordon also has religious themes, with God speaking through Tom Gordon!
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The Green Mile gives a blatant picture of Christ bearing our suffering through John Coffee. (Get it, John Coffee – J.C. – Jesus Christ. That’s not the first time King has used a characters name to express a redemptive purpose for them. An obvious one is Gardner –Gard– in Tommyknockers.). King directly ties Coffee’s sacrifice to the death of Jesus.
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In the Green Mile, King writes: "Only God could forgive sins, could and did, washing them away in the agonal blood of His crucified Son, but that did not change the responsibility of His children to atone for those sins (and even their simple errors of judgment) whenever possible. Atonement was powerful; it was the lock on the door you closed against the past."
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Paul F. Zahl writes in Christianity today:
Finally, at the very end of The Green Mile (Part 6, "Coffey on the Mile") come the hero's ruminations on the providence of God: I think back to the sermons of my childhood, booming affirmations in the church of Praise Jesus, The Lord Is Mighty, and I recall how the preachers used to say that God's eye is on the sparrow, that He sees and marks even the least of His creations. Yet this same God sacrificed John Coffey, who tried only to do good in his blind way, as savagely as any Old Testament prophet ever sacrificed a defenseless lamb, as Abraham would have sacrificed his own son if actually called upon to do so. … If it happens, God lets it happen, and when we say "I don't understand," God replies, "I don't care." This is quite fantastic, an unflinching parallel with the ruminations of Luther in The Bondage of the Will. So there they are: substitutionary atonement, the cross of Golgotha, and the unanswerable sovereignty of God. Add to that the one-to-one transfer of guilt and death from John Coffey to the villainous guard Percy and the vilest prisoner on "the Mile," and I rest my case."
http://www.christianitytoday.com/ct/2000/march6/31.82.html
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I think that the concept of evil is something that's in the human heart. The goodness in the human heart is probably more interesting, psychologically, but in terms of myth, the idea that there are forces of evil and forces of good outside, and because I was raised in a fairly strict religious home, not hard-shelled Baptist or anything like that, I tend to coalesce those concepts around God symbols and devil symbols, and I put them in my work.
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Janet C. Beaulieu interviewed King in Novemeber of 1988.
http://carolinanavy.com/navy/creativewriting/sking/view.html
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JB: What kind of background did you come from if it wasn't "hard-shelled Baptist?"
SK: Hard-nosed Methodist.
JB: So you weren't into really evangelical, fundi kinds of things.
SK: No.
JB: But you clearly learned your Bible.
SK: Yeah, I clearly learned my Bible, and I took a lot of what it says to heart enough to be disgusted by the Jim and Tammy Baker's and the Rex Humbug's of the world, where it says 'when you pray go inside your closet and shut the door and do it by yourself, don't do it in front of everybody so that everybody will know how religious you are.' I'm really sort of impressed by something that C. S. Lewis said about The Rings trilogy, Tolkien's Lord of the Rings trilogy, where he said, "as good as Tolkien was at depicting good, he was much more effective at depicting evil." I think that that's true, and I think that it's easier for all of us to grasp evil, because it's a simpler concept, and good is so many-faceted and it's so layered. I've always tried to contrast that bright, white light of real goodness or Godliness against evil. I'm not a proselytizer, and I hate organized religion. I think it's one of the roots of real evil that's in our world. If you really unmask Satan, you'll probably find that he's wearing a turnaround collar.
JB: What do you mean by organized religion? How do you define that?
SK: Well, when they start telling you when you're supposed to be on your knees and when you're supposed to be standing up and when you look at the front of the building and you see there's a list of the hymns you're going to sing, that's organized religion. And when they start to band you together and say, "these are the magazines you're not supposed to buy in the 7-Eleven," that's organized religion. And sooner or later, it always overspills into political issues. Jesus said, "Render those things under to Caesar that are Caesar's and render unto God the things that are God's," and - I don't know, that scripture keeps getting overlooked by these guys who want to do Moral Majority and all the rest of it. You can't operate in those terms. You've got the man in black in this book that looks like a priest, who does messianic things. He raises the dead. But to no good purpose. At least when Jesus rose from the dead he had the good grace to hang around for a while and then get the hell out. He didn't do a TV show or hang around like the weed-eater, Norton, in the book. He got offstage. It's an interesting thing. I heard somebody say once at some kind of New Testament conference that I was at a few years ago, that when Jesus rose Lazarus from the dead, he took everybody to the graveyard and said, "Lazarus, come forth!" If he'd just said "Come forth!" everybody in the graveyard would have gotten up and walked. Can you imagine that? How's that for a horror story?
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I think that is close to the modern, "I love Jesus, but not the church" type of answer. of course, his answers on this subject are all over the board! But his fiction is generally the same: God is good, Christians might be, the church is the problem. (Remember, this isn't my personal belief!)