Elizabeth Chadwick Includes King In BOOKS OF A LIFETIME





I enjoyed author Elizabeth Chadwick's post, "The Books of a Lifetime." She discusses books that stood out at various stages of her life.  A fun road trip probably all of us should  take.  I'm afraid that before Mr. King, I didn't actually finish many books!

Chadwick explains, "I have chosen five favourite books each from my childhood, my adolescence, young adulthood and maturity (if you can call it that)."

Naturally, Chadwick's choices are a mixture of classics and modern hits.  Stuff I'm familiar with, and some I didn't know existed.

Under the heading of Young Adult, Chadwick gives a short discussion of The Shining.  Here's what she wrote:
The Shining by Stephen King. This book is one of the very few where I have almost been too scared to turn the pages. Stephen King is a very powerful writer indeed and this story of a family falling apart and closed up for the winter in the haunted (and maliciously so) Overlook Hotel is a claustrophobic triumph. I re-read it at least once a year.
Wow!  That's pretty good.  I've read it through once, and just started re-reading in prep for Doctor Sleep.  She re-read's it "at least once a year."




Under the heading, Mature Adult, she includes The Green Mile.

The Green Mile by Stephen King. The second Stephen King on my list. I could carry on reading his work my life long. The Green Mile, I think, achieves absolute greatness for Stephen King. If the subject matter didn't involve horror and the supernatural, and if wasn't so mainstream and readable, this one would have been on The Booker list for sure. I'd certainly put it on my alternative Booker shortlist. There are lines in that book of such profound power that they bring tears to my eyes.
Chadwick's  full article is at historicaltapestry.blogspot.com

MY ANSWERS:
Okay, I have to clarify that I am discussing NOVELS and not religious works, The Bible, commentaries, devotionals and books that have given my life greater perspective, like The Purpose Driven Life.  Just fiction:

childhood: Fatal Vision.  I'm not kidding.  I read the whole thing when I was about 11 after seeing the mini-series.  It is the story of Dr. Jeffery MacDonald who is accused of killing his family.  

Also, Run Silent -- Run Deep, Star Wars (the novel by Lucas), V.

adolescence: 1984, by George Orwell.  I was first introduced to it as a radio play, then got the book abridged on tape. I found Orwell's world quite scary.  1984 is a precursor to The Hunger Games. 

Also, under adolescence, I  would include: The Martian Chronicles, The Stand, The War of the Worlds, IT, Night of the Moonbow, Sherlock Holmes and Swan Song. 

young adulthood: The Grapes of Wrath, which is absolutely wonderful!  A journey through America during the Dust Bowl and Great Depression.  We travel with the Judd  family from Oklahoma to California.  Steinbeck is such an effective writer that the reader suffers with the Judd's, burning with anger as they are delivered set back after set back at the hands of a very cruel world.

Also under young adulthood: Pillars of the Earth, Of Mice and Men, David Copperfield (though I'm still not sure what that book was actually about), The Pelican Brief, Cold Sassy Tree, This Present Darkness.

maturity: . . . riiight.

Your Turn! using the same setup Chadwick did, copy and paste in the comments section your answers:
childhood 
adolescence
young adulthood 
maturity

Does Flagg Darken Hill's NOS4A2 ?




When Joe Hill decided to dive into writing as a career, he made an interesting choice -- he decided not to tell potential publishers -- or readers -- that he was Stephen King's son.  Instead he let the process of rejection refine his writing, so that when publication did come, it was on his own merits, not because he was piggybacking off his famous pa.

Hill has certainly carved his own niche -- kinda.  Of course, his work does dabble in the same territory as his father.

It seems that with Hill's latest novel, NOS4A2, he has decided to take some of his dads characters for a joy ride. Mark Daniell at jam.canoe notes, "His villain, Charlie Manx, bears similarities to King's recurring Randall Flagg (The Stand), and drives a murderous Rolls Royce, with a vanity plate, NOS4A2, that has shades of dad's Christine."

Should we add Charlie Manx to the many faces and names of Randall Flagg?

Daniell quotes Hill, "Now that I've had time to get comfortable with my own voice, I thought it might be fun to confront some of the Stephen King stuff instead of trying to evade it."

In April, 2012, King said that Joe could finish Joyland if something happened to him, because their writing styles are “almost indistinguishable.” (talkstephenking.blogspot.com)

What would be really cool is if Hill stuck his foot in The Dark Tower.

Stephen King and the Carrie Movie Novel


GUEST ARTICLE: Eddie D. Shackleford

Stephen King is America's -- and possibly the world's -- most famous and successful writer of horror novels. Mr. King's honors include 14 Bram Stoker awards, 6 Horror Guild awards, and the coveted Mystery Writers of America's Grand Master award (2007).

This award-winning author has written a minimum of 56 novels, beginning with "Carrie" in 1974, and 41 of his works have been made into movies for the big screen, short films, and television mini-series. The first of Mr. King's novels to be made into a feature film was "Carrie."

The movie "Carrie" was screen written by Larry Cohen and was directed by Brian de Palma of "Dressed to Kill," "Scarface," and "Mission: Impossible" fame. The film was released in 1976 and was considered a box office hit for the time. It starred Sissy Spacek, who received an Academy Award nomination for her performance. The cast of actors also included Piper Laurie, Amy Irving, and John Travolta.

According to
Talk Stephen King, Stephen King’s Carrie was a masterpiece. The novel tells the fictional story of Carrie, a high-school girl who is considered a misfit by her classmates. Her classmates and neighborhood children taunt and tease her regularly. She has an abusive mother who is also a religious fanatic. Carries discovers she can move small objects with her mind and considers this a game to entertain herself in her spare time. But as life becomes more and more difficult due to her mother’s abuse and the torment of her peers, Carrie’s abilities become more powerful and eventually violent. After a mean prank is pulled on her at her senior prom, Carrie uses her powers to punish her tormenters.

The novel and the film are built on the same premise: misfit with telekinetic powers teaches bullies a big lesson, but several details are changed between the two. For starters, Carrie’s appearance is more pleasant in the movie than described in the novel. Her mother is more attractive in the movie also. Several of Carrie’s destructive scenes were difficult to reproduce and were therefore changed or removed from the movie altogether. Other changes between the novel and the movie are the manners in which Carrie and her mother die. In the novel, Carrie causes her mother's death, but it is much less violent than depicted in the movie. In the movie, Carrie dies from debris falling on her head, and in the novel, she dies from the physical shock put on her system by using her powers.

"Carrie" is only one example of Stephen King's success turning novels, and even short stories, into movies. Stephen King's novella, "Rita Hayworth and Shawshank Redemption," became a critically acclaimed feature film as did his short story series "The Green Mile," which received four Academy Award nominations including Best Picture.

It is rumored that Stephen King works closely with screen writers and directors when his novels are converted to ensure they maintain their intended integrity. However, this writer highly recommends reading Stephen King novels prior to watching their adaptation for the big screen.

Bio: Eddie D. Shackleford is a huge fan of Stephen King. Eddie loves all types of horror movies and novels and spends most of his time reading King’s work or other great horror author’s books.

Hoping CBS Will Change The Ending Of UTD



Brian Vaughn was quoted discussing Under The Dome at zap2it.com.  "There's sort of a perhaps slightly different explanation for the dome," Vaughn said.

Often when Hollywood makes major changed to the plot or structure of a King novel, the fans roar disapproval.  That's why we like it when King writes the script -- we know at least any changes will have King's blessing.

Needful Things is a prime example.  A story that was tense, dark, character driven and gory turned into something that was. . . dull, preachy and pointless.  A huge fight scene was reduced to a sermon.  I would also argue that the ending of The Mist was so dark, so terrible that it harms the whole story for me.  The ending was pointless, simply a means of shocking an audience -- certainly not necessary to the story.  The ending of The Mist did not in any way further our understanding of what had happened, it just darkened things.

When Hollywood messes up a King story,  you're left defending the written work with your friends who didn't bother to read  it. "No, really, you gotta read the book!  It was a lot scarier!"

However, I am pretty excited that with Under The Dome, CBS will be changing some of the plot and the source of the dome.  Why?  Because I think the ending to the novel was weak.  Not bad, just not a home run.  So it was a really good novel about people, but a really bad explanation of why the dome itself popped up.  I'm glad some fresh ideas have been brought to the table.  More than that, knowing that there are new answers will make me want to watch the series all the more!

King emphasized when Under The Dome was first released that he was not really interested in HOW the Dome worked.  What became evident upon reading the novel is that he was also not real interested in WHY the dome came down to begin with.  The answer went something like this, "Well, there are these leatherhead aliens, and they are very very very far beyond us.  They do not understand that we too, though we are like ants, have feelings and emotions.  But if we can convince them they are hurting us, they might have mercy."  Imagine Bill Cosby doing Noah -- "riiiight!"

I'm not the only one who thinks a different ending to UTD is a good idea.  Vaughn says, "I nervously pitched Stephen King what a different version of the ending might be ... He said, 'I wish I'd thought of that.'"  He then addd, "Which, I suspect, is just Stephen being kind.  But he's been great."

Or maybe it's not just King being nice.  Maybe they actually thought of an ending better than the one in the novel!

I did enjoy reading Under The Dome quite a bit.  But once I got to the end, it did not call me back. The idea was cool, even the characters were good -- mostly -- but the answers didn't work for me. So while I liked the theme and the characters, even the various plot turns are lost on me now.  I have a feel for how the novel went, but not a commitment for "that's how it ought to be."

Sometimes Hollywood's reworking of a story actually makes it better.  I thought that was true of Secret Window, which was in my opinion a much better movie than novel.

Tell me, what changes to King stories has Hollywood made that you think are just great?

Here are 2 movies Hollywood changed the ending to for the better:
1. Carrie.  The hand coming up from the grave --  brilliant!
2. Cujo.  Should the kid live or die?  I think the movie got it right.

Under The Dome Trailer Gives Extended Look




Huffington Post wrote:
The new footage can best be described as "explosive," given that we see everything from a plane to a house go up in smoke, illustrating the panic and chaos that grips the inhabitants of Chester's Mill after a giant, impenetrable dome inexplicably traps the town. 

Neuroscience Looks At THE JAUNT

art: Darek Cokurek

Stephen King is everywhere!  How about in neuroscience?  Really. . . NEUROSCIENCE?!

Susana Martinez-Conde has a short review of The Jaunt, titled, "Neuroscience in Fiction: Stephen King’s The Jaunt."
Granted, Stephen King is not the first name that comes to mind when you think about neuroscience insights, but this week’s Neuroscience in Fiction pick will give you a lot to ponder. 
The Jaunt is part of King’s Skeleton Crew short story collection, and one of the most engaging sci-fi tales I’ve read. In the not-too-distant future, humankind has achieved teleportation, or as they call it, jaunting. Unconscious bodies and cargo can travel from the Earth to Mars in a fraction of a second, unharmed and unchanged. But the effect of the Jaunt on a fully conscious, sentient being, is a different creature altogether. 
The Jaunt explores the limits of sustained sensory deprivation on the mind, with just a little bit of gore thrown in for added effect. We’re talking about Stephen King, after all.
I like her conclusion, "We hope you enjoy The Jaunt. If nothing else, the ending will stay with you for longer than you think."

King Wins National Magazine Award



"Harper’s Magazine received the award for King’s story, “Batman and Robin Have an Altercation” (subscriber only), published last September." SOURCE: www.mediabistro.com

Bryant Burnette wrote about the story,
"It's got excellent detail-based character writing, and like all great short stories it manages to feel like a complete world unto itself. It goes in unexpected directions, is by turns disgusting, moving, and frightening, and (in short) is yet another example of King being a generally awesome writer."
You can read Byrant Burnette's review at thetruthinsidethelie.blogspot.com

Chong's Interiors For Doctor Sleep




Sneak Peek: A Second Look At Vincent Chong's Interiors for Doctor Sleep
Vincent Chong turned in the rest of his original color interiors for our special edition of Doctor Sleep by Stephen King, which sold out just one week after it was announced, and we thought you might like a little sneak peek at another of the main characters, Rose Flanagan, who is known as Rose the Hat by the True Knot, the nomadic family she travels with.

SOURCE: www.cemeterydance.com

A Good Marriage Films In Sleepy Hollow



Something does seem right about this. . . right?  Stephen King -- Sleepy Hollow!

Work is being done on a dutch colonial house in Sleepy Hollow for the film version of A Good Marriage. I might also point out that house look a lot like Amityville to me.

With Carrie, Joyland, The Shining and Under The Dome getting so much attention, it seems A God Marriage might fly under the radar.  I thought the story was great!  Will the movie be true to the book?  Well, it will at least be true to the author, since King wrote the adaptation and will be on site for part of the filming.

More HERE.

JOYLAND the movie



Mike Fleming at Deadline posted news Thursday that Stephen King has granted Tate Taylor an option to adapt and direct his novel, Joyland.  Interesting, since the novel is not yet published.  Tate Taylor and John Norris will produce through the Wyolah Films banner.

Fleming includes this summery:
Set in a small-town North Carolina amusement park in 1973, Joyland tells the story of a college student who moonlights as a carnival worker. There, he confronts the legacy of a vicious murder, the fate of a dying child, and the ways both will forever change his life. It’s got all the makings of a King potboiler, with crime, mystery, ghosts and a creepy carnival setting. The book is being published through Hard Case Crime, the line of pulp-styled crime paperbacks published by Titan Books.
The deadline article is HERE.

Could NETFLIX Take THE DARK TOWER ?



Could Netflix shoulder The Dark Tower?  I never thought of it until I read this STUFF interview with Netflix Chief Creative Officer, Ted Sarandos --
Arrested Development creator Ron Howard has also been circling Stephen King’s The Dark Tower – any chance Netflix could pick it up?
I spoke to Ron about it, actually. The last time we talked about it the thing was being kicked about HBO – but it’s no longer there. Once Arrested Development gets through we’ll keep talking about it.
I would wrinkle up my nose and go, "NETFLIX?!!!"  But  actually, the service has proved quite able to produce quality TV.  In fact -- our family went Netflix only over a year ago.  Why?  Because commercial free TV for cheap was awesome.  I watch what I want when I want and don't have to fast forward through commercials.  What's more, I'm no longer a 24/7 news junkie.

Here's why Netflix is a great avenue:
1. You can watch a lot at once.  I love it that Netflix will release an entire season at once.  Watch at your own pace.  Yes, if they did Dark Tower this way, I'd have to take time off work!  But it also allows you to go back, rewatch episodes in order to keep up.
2. With House of Cards, Netflix has proven to be able to produce edgy shows that are competitive with anything on TV.
3. Because it's not network TV, the shows have more freedom.  
The full interview  with Sarandos is www.stuff.tv/news

Cemetery Dance Signed Copies Of THE DARK TOWER COMPANION




Check  out my review of THE DARK TOWER COMPANION (HERE)

From Cemetery Dance:
Hi Folks! 
We're pleased to report that our signed Limited Edition hardcover of The Dark Tower Companion: A Guide to Stephen King's Epic Fantasy by Bev Vincent contains material not available in other versions of the book! 
AN ALL-NEW COMPREHENSIVE GUIDE TO ONE OF THE MOST BRILLIANTLY CONSTRUCTED WORLDS IN ALL OF FICTION! 
Stephen King's bestselling multi-volume Dark Tower series is the author's most inspired and imaginative creation. The story of Roland Deschain of Gilead, the last gunslinger, and his lifelong quest to reach the tower and save humanity across infinite parallel worlds is one that has consumed King throughout his career as characters and concepts crossed back and forth between the series and the rest of his fictional universe. The mythos continues to be chronicled and expanded in graphic novels overseen by King, interactive adventures on his website, a proposed film adaptation, and in a new Dark Tower novel. 
The Dark Tower Companion is the ultimate compendium to King's evolving magnum opus, presenting the mythology, history, and geography of this epic fantasy that has captivated generations of readers. 
Featuring interviews with Stephen King, Ron Howard, Dark Tower expert Robin Furth and others, Bev Vincent reveals The Dark Tower's influential literary origins, examines its connections to the vast majority of King's other novels, explores the expanded universe, catalogs the major characters, locations and concepts, and includes a travel guide to the story's real-world locations, giving fans who have followed Roland's journey—or those who are discovering it for the first time—a fascinating overview of the series and an inside look at the creative process of one of the world's most popular authors.

CBS gives shout out to The Simpsons




EW reports:
the upcoming series version of Under the Dome will throw a reference back to The Simpsons in its third episode. “We do make a reference to The Simpsons Movie,” showrunner Neal Baer told EW. “We have a ‘recharge party’ in episode 3 and the kids are watching it.” 
There won’t be actual footage of the film in the scene, but it’s definitely in the script. “We make a verbal reference,” Baer teases.
Full story: insidetv.ew.com

MY REVIEW: THE DARK TOWER COMPANION by Bev Vincent



I’ve been reading and loving Bev Vincent’s Dark Tower Companion.  I’ve got to admit, I did not read it in chronological order.  I had to scan through to make sure I’d read all the chapters!  The companion, as is true of any good companion – is easy to skip and dip through.  The chapters are short, precise and well written.


Here’s what I liked:

1. Multi-Purpose.  (That sounds boring -- like soap or something.  Sorry. )  The Dark Tower Companion is helpful for both research and for getting familiar with the Dark Tower series.  As a reference work, Vincent gives us names, dates places and people.  However, the book is much more than a simple dictionary of who’s-who in the Dark Tower universe.  Vincent draws the reader in, explaining the plot and flow of the books.

2. Accessible.  The book is not heavily footnoted, so it doesn't read like a research paper.  Vincent doesn’t spend a lot of time explaining where he gets his information – he just shares it.  This is actually quite charming! You don’t get the feeling that he is brailling his way about.  The lack of footnotes gives the book a smoother narration.  I didn't spend a lot of time with my finger in the back of the book trying to keep up with each footnote.  If it’s important – it’s in the text.  So just read!

3. Answers ahead!  Vincent seems aware of readers questions, concerns and points of confusion with the Dark Tower series.  Without a hint of smug arrogance, he goes about answering things that have left readers scratching their heads.  His grasp is scholarly – his tone is conversational; like having lunch with your friend the theologian.

After I read the Dark Tower series the first time, I both loved it and hated it.  But I was also unsure of exactly what all had just happened.  Bev Vincent seems to say, “Okay, let me help you with this because I know it’s really cool, but a little confusing.”  I found myself often saying out loud, “AH!  That’s it!” as answers to old questions came to light.

4. A Friend With Answers.  Bev Vincent is able to speak with authority on the subject without talking down to the readers.  In fact, he is so fluent in Mid-World, one gets the feeling he has gone through a doorway and visited.  Really, you have the sense that he’s been there.

5. MAP! The Dark Tower Companion is the only book I’m aware of to give us a map of mid-world.  No, I haven’t googled or hunted for one – but it’s the first attempt I’ve come across.  I found it quite helpful!  In fact, I learned quite a lot just reading the map.

WAIT!  I just found a comment by Bev Vincent at Burnette’s blog in which he confirms that he is the first one “to ever attempt to assemble all the bits and pieces and, given the inconsistencies in time and space and distance in Mid-World, it worked quite well.” (HERE)

6. Familiarity. Vincent is not only familiar with the main body of work (DT 1-7), but with the gargantuan piles of sub-stories that surround the Dark Tower.  He discusses tie-ins, comics and  secondary novels such as Wind Through The Keyhole and Little Sisters of Eluria.  He is also able to talk about Discordia, time lines and the geography of mid-world.

7. Opens New Doors. The Companion stirs my interest in areas of the Dark Tower I previously blew off.  For instance, he gives great weight to the Graphic Novels.  I had just kinda shrugged, thinking – Comic books?  (I didn’t grow up with cartoons or comics.  Not because my parents were against them. . . I was just too busy playing.)

About the Graphic novels, Vincent shares,
“King said that one reason he agreed to the plan was that he felt there probably would never be a Dark Tower movie and that this adaptation would be the next best thing.”  
When interviewing Furth, it is revealed that King did have oversight of the Graphic novel's direction and final say in what would go to print.  Or, in other words, even though others are moving the story along – it’s still King’s story!  He didn't pawn it off to the makers of The Children of the Corn 19.  He had a vested, personal interest in the story-line 

8. Tools.  Vincent gives tools that help put the story together.  He is well aware that everything doesn't fit, but still makes a great effort.  Vincent not only gives us maps, he offers timelines.  I found this quite insightful.  For instance, if it seems like time doesn’t always move the same in mid-world and it does in our world. . . that’s because it doesn’t!

There were several times reading this book that I wanted to slap my head, “I’m not crazy!”  Things that just didn't seem to line up – didn't because , well, they didn’t line up!  For instance, distance is always changing in mid-world.  “Mid-World is getting bigger,” Vincent explains.  Really?  “Gildead was once only a thousand miles from the Western Sea, but it took Roland many years to go from one to the other.”  Oh!

Here’s a great insight: “The chronology of events on Earth is convoluted because the ka-tet comes from different decades and jumps back and forth to different times.  Did you realize that Eddie is only a couple of years older than Jake?”  NO, I didn't realize that!

9.  The End.  I am very happy that Vincent takes time to give a short essay (chapter) on “The End And What It Might Mean.”  Because understanding the end of the dark tower is important to my desire to return to the journey.  Vincent argues that the Dark Tower is not a loop – because each time Roland returns to the journey he is a changed man.  Roland grows, develops – “improves” – and matures with each attempt.  Pointing out that Roland is still deeply flawed, Vincent surmises that the gunslinger may have to repeat the journey “dozens or hundreds of times more” until he gets it right.

And, after a very engaging discussion about the Dark Tower’s end, Vincent offered something I thought was really important – a quote from Stephen King.  King chides readers, saying “My ending is my ending.”  And then Mr. King points out that on this journey Roland could not possibly be rewarded with complete victory because of the very serious sin (my word) he committed.  “You cannot do things as serious a sacrifice a child and not have to pay” King says.  AH!  So the way King ends the Dark Tower is actually an ethical narrative.  I LOVE IT!  YES!  This is actually a theologically significant thought.

The discussions are deep, and I promise – I haven’t scratched the surface.

The Interviews:

The interviews in this book are great!  They include Brian Stark, Discordia.  Ron Howard and Akiva Goldsman, The Dark Tower Movie.  I found the Ron Howard interview to have a lot more information than I’d expected.  He’s much more excited about the project, and familiar with the source material, than I had at first thought.  He does reveal that the movies and TV series would not “necessarily” deal with the entire story “chronologically.”  That makes sense!

Vincent himself offers support for the idea of a non-chronological movie series, writing at Burnette’s blog, “The Gunslinger, except for a couple of bursts of activity, is a pretty sedate book. Not the way you'd want to launch a franchise or series of films. It has the same issues that make it a doorkeeper for readers of the series.” (thetruthinsidethelie.blogspot.com)

When asked if anyone ever tried to tie TV and movies together like Howard was The Dark Tower, he said that he didn’t think so.  Of course, Howard pointed out, that Star Wars has existed in all the mediums, as well as Star Trek.

Also interviewed are Robin Furth, David Peter, Jae Lee, Michael Lark, Richard Isanove, Stefano Gudiano, Laurence Campbell of The Graphic Novels.  And, there is a wonderful interview with Stephen King.

A friend once said to me, “Maybe someday you’ll land the BIG interview.”  I was confused – what’s the BIG interview?  Rick Warren? . . . “No, Stephen King, you moron!”  Oh!  Of course.  But, truth is, I have no interest in interviewing King.  Here’s why – people like Bev Vincent have already asked the best questions.  They've come up with stuff I would have never thought to ask!  I would just be sitting there going, “So, about The Shining. . . is it actually about a haunted hotel. . .” and “What are the chances of you writing a Dark Tower 8 that’s a choose your own adventure.”  And see, none of those questions are helpful!  Anyway, I enjoyed Mr. Vincent’s interview quite a bit.



Vincent asked King, “Do you have a sense of what’s going to happen with the movie adaptation?”  King’s answer, in part, was, “I think that people who read the books will be in equal parts delighted and infuriated by what they see, but I also think that they’ll keep coming back because, to me, they got a brilliant take on the whole thing.”  King suddenly clams up – should he be sharing this?  Then he says that the chracter of Jake Chambers is “very important.”

I really liked the discussion with King about when the author knew exactly how the Dark Tower would end.  King not only shares when he got a vision for the final scenes in the book, but the fact that he is aware that “a lot of people didn’t like the way the thing ended, but after all the things that I’d written about how ka is a wheel and it always comes back to where it started, I don’t see how anybody could have expected anything different, really.”  He compares it to Ghost Brothers of Darkland County. . . that until you get it right, you have to keep doing it.  I would compare it to Groundhog Day!

 By the way, King does discuss some other possibilities for how the series might have ended.

When asked if he always planned to include himself in the series, King discusses Dickens’ novel “The Mystery of Edwin Drood” – which was let unfinished upon Dickens death.  He then explains how he found himself serving the Beam.

As much as I wore my copy of the Road to the Dark Tower to shreds, this one is already more tattered!  Pages folded down, lines marked up – it has become my road map to the series.  Finally a lot of things make sense.

I LOVE IT!

My interest in this series has been stirred to life again twice.  First by a book called “The Stephen King Universe.”  It was the first time I became aware that all these books connected – and the axis was The Dark Tower.  The Dark Tower Companion has reinvigorated by love for this series.

The Dark Tower is both a challenge and a passion for me.  It’s like trying to love a very complex woman.  I’m not always sure what in the world she’s talking about – she’s much deeper than I am – but I am too attracted to walk away.  Bev Vincent is like a good friend, helping me understand the mystery woman and offering hints on how exactly to approach her.

LINKS:


New Discovery in Stanley Kubrick's THE SHINING: THE SHONE REPORT


"The Shone Report.  16 identical audio markers strategically placed in the first 48 minutes of the film. The sound of Stanley Kubrick calling out the word “Shone” – which is the past tense of the word Shine."

Seriously. . . I'm curious now.  How many constant readers buy into all The Shining "deeper" stuff -- and how many think it's just a good movie?

THE SHINING - Mystery of the Twins - film analysis



More over-thinking a simple plot.

Christine and Rebel Without A Cause




I just watched the 1955 classic, "Rebel Without A Cause."  I was surprised to find I liked it a lot. The movie reminded me a lot of another car movie about a troubled young man -- Christine.  

Consider, both Christine and Rebel Without A Cause. . .
  • Are about troubled youth.  
  • Involve an outcast teenager.
  • Include a love triangle. 
  • In the movie Christine, Arnie wears a red suede jacket like James Dean.
  • Introduce parents  who are weak and unable to connect with their teen.
  • Include a car as a major part of the plot.  And the car, in both tales, brings death.
This made me wonder -- did Rebel Without A Cause play any role in the formation of King's idea for Christine? Laura Wright at Haunted Masters Club says that King is rumored to have written Christine based on James Dean's Porsche Spyder.  (hauntmastersclub.com cars and curses)

Wait a minute!  So the thrust of the movie itself is not what interested King, but James Dean and his personal car?  That's what Wright is saying.  And Wright is not alone. Consider this from Under World Tales
A lot of people would swear that there wasn't a curse at all, but that there was a malevolent spirit in that Porsche--a spirit that had been there all along. Or the car itself might have been evil, similarly to the Chrysler Fury in Stephen King's Christine. 
It turns out that James Dean's car, a 1955 Porsche Spyder, has quite the haunted history.  Was King aware of this and basing Christine on the spooky legacy of Dean's Spyder?

Consider a few things about James Dean's car -- Wright says that people in Dean's social circle were "anxious" (spooked?) when they were around the car.
Famed car designer and Dean’s personal automobile customizer, George Barris, stated the vehicle gave, “weird feelings of impending doom.” Actress Malia Nurmi, better known as Vampyra, is reported to have been horrified by the car and begged him to get rid of it. Dean was frequently warned against driving the vehicle, but chose to ignore the words of friends and business acquaintances. 
Wikipedia offers the following encounter with actor Alec Guinness (of Star Wars fame),

When Dean introduced himself to British actor Alec Guinness outside the Villa Capri restaurant in Hollywood, he asked him to take a look at his brand new Porsche Spyder. Guinness thought the car appeared 'sinister' and told Dean: "If you get in that car, you will be found dead in it by this time next week." 
The encounter with Guiness took place September 23, 1955.  Seven days after that conversation, September 23, 1955, Dean died in a terrible car wreck on the way to race his Spyder.  It was a head-on collision that was the result of Dean driving too fast. (September 30,1955)


From there the story gets even more interesting.  This is from Wright's article, "Christine Syndrome: Cars and Curses" (www.hauntmastersclub.com)
The wreckage was purchased and taken to a garage where, on arrival, the broken heap of metal slipped from the trailer and broke a mechanic’s leg.   
The engine and drive train were each purchased by one of two doctors. The two physicians were friends and racers themselves. The first placed the engine in his racing car while the other installed the drive train in his vehicle. They raced their newly renovated cars together on October 2, 1956. The doctor who used the engine hit a tree and died instantly. The other was seriously injured when he went too fast into a curve and his car rolled.   
Two of the Spyder’s tires remained in good condition and were sold. The purchaser returned them the next week and claimed they both blew, at the same time, while he was driving and he went in a ditch. Two souvenir thieves attempted to take parts from the wreckage and both were injured. One thief had a more serious injury when trying to reach inside the vehicle. A shard of metal gashed his arm open lengthwise.  
It became clear the vehicle, and its parts, would not be used for driving again. It went on display with the California Department of Transportation. The vehicle showed the dangers of racing and driving recklessly. It was carried throughout the country, but the “bad luck,” started after only two exhibitions.  
The third exhibition was in Fresno, California. While the car was being stored in a garage, the building went up in flames. The entire structure, and all equipment, was consumed and scorched in the fire. Except the Spyder, it survived with only minor paint damage.
Later when the car was on display at a high school, misfortune hit again, a high school student was injured when the bolts holding the displayed wreckage broke. There are conflicting reports as to what happened to the student. One report states his legs were crushed, while the other claims his hip was broken.  
As if that weren’t enough, the vehicle soon found itself in the middle of tragedy again. While being transported via truck, the driver lost control of his automobile. He was thrown from the vehicle, but survived, until the Spyder fell from its place onto him. He was crushed.
WHOA!  That makes me think all the more of Christine.  So what happened to the Spyder?  It disappeared!  When being shipped from Miami to LA, it just disappeared!  Wright says, " When the boxcar arrived and was opened, the crate was there, but no car. No one knows what happened to infamous automobile."

I cannot find any comments by King about Christine and any influence James Dean's car or the movie Rebel Without A Cause might have played in the formation of the novel itself.

What 21st Century King Novel Is A Must Read?



I liked GQ's list, "10 books from the 21st century every man should read" because it did not guilt me about needing to read War and Peace before I die.  

The article says, "Anyone who's been handed a high school diploma can tick off the classic novels from the twentieth century: The Great Gatsby, A Farewell to Arms, The Grapes of Wrath. But cross into this millennium and things are suddenly murkier, Kindle-ier, less classed up with age. Then again, it's been an affirming thirteen years, enough time to breed a whole new body of post-2000 lit we're happy to call the new classics—and we're not afraid to name names." 

So here's their list:
  • The Corrections
  • The Human Stain
  • The Road
  • White Teeth
  • The History of the Kelly Gang
  • 2666
  • Tree Of Smoke
  • Everything Ravaged, Everything Burned
  • Fortress Of Solitude
  • Pastoralia
The full GQ article is HERE.

But wait. . . HOLD ON!  No Stephen King?  Nothing since 2000 is a "must read" for guys?

I'll put it to you.  Which novel since Y2K is a must read for guys?
2000, The Green Mile (complete novel)
2001, Dreamcatcher
2002, Blach House
2002, From A Buick 8
2003, The Gunslinger Revised
2003, The Wolves Of The Calla
2003, The Song of Susannah
2004, The Dark Tower
2005, The Colorado Kid
2006, Cell
2006, Lisey's Story
2008, Duma Key
2009, Under The Dome
2010, Full Dark, No Stars
2011, 11/22/63
In my opinion: 11/22/63 is a must read.  King does more than simply give us a good story, he takes us back in time.  He returns us to the Kennedy Years.  He doesn't just shovel a pile of history at us, he takes us by the hand and walks us into an era many of us never experienced.  No kidding, I really do think this is a must read!

CARS Christine



I think with all the talk about Carrie lately -- another book with a woman's name might be getting a bit jealous.

This is just to get you in the mood for Monday's  post. . . Christine and Rebel Without A Cause.

JJ Abrams Options 11.22.63




DEADLINE reports that J.J. Abrams‘ Bad Robot is in negotiations for the rights 11/22/63.

Nellie Andreeva says that the plan is to adapt the book as a TV series or miniseries -- possibly for cable.

Andreeva writes, "Bad Robot, which received an early renewal for NBC’s Revolution earlier today, had been looking to expand its TV business to cable. In addition to Revolution, the company has CBS drama Person Of Interest also renewed for next season. The deal for 11/22/63 comes on the heels of CBS’ green light for a drama series based on King’s novel Under The Dome, which will air this summer."

The full article is at DEADLINE.COM

REDRUM the game




Redrum is murder spelled backward. It is also the name of a new selection of mystery games.  I found it at Target.  As far as I know, Redrum was not used as a popular term until The Shining.  I believe King totally made it up.  Interesting to see it appearing on Non-King products.

http://target.com gives the following description:
"""An Eerie Hidden Object Collection
Includes 4 Games: Dead Diary, Time Lies, Curse of the Witch Crow, and the Flying Dutchman.

Dead Diary - Help solve a series of grisly murders and put an end to Dr. Fraud’s twisted experiments.

Time Lies Track down evil Dr. Fraud to end his terrible crimes and free the souls of the victims and put an end to their nightmares!

PLUS Bonus Games:
- Curse of the Witch Crow
- The Flying Dutchman"""
  • Release Date: March 9, 2012
  • Platform:PC Games

King Gives Large Gift To Gun Control Advocates


Stephen King has made  passionately expressed his opinions about gun control in his essay "Guns." According to The Guardian, King has made a "substantial" donation to a The Coalition for a Safer Maine.  According to the Guardian,
The group supports legislation calling for greater background checks on gun owners, a ban on the size of magazines that can be sold and a strengthening of the prohibition of the sale of guns to those judged to be mentally ill.
The Guardian also notes:
It said in a statement on its website that it had received a "substantial donation" from King and his wife (and fellow author) Tabitha King, and that the couple backed its support of gun control legislation. 
"We are grateful for the generous support of Mr and Mrs King at this pivotal moment in our efforts to establish common-sense gun regulations in Maine," said Larry Gilbert, former mayor of Lewiston, former federal marshal and co-chair of the Coalition for a Safer Maine.

THINNER on top 10 list of Weight Loss films



411 Mania has put together a list of the top 10 weight loss films.  Which Stephen King films deserves to sip onto this list?  Well, none other than that wonderful film -- Thinner!  He, skip The Firm and watch Thinner.  I'll admit, it worked for me -- I didn't want to eat for a couple days after watching it.

Mike Gorman writes about Thinner:

In Stephen King's Thinner, we meet a successful defense attorney who is winning in every facet of his life except for his battle of the bulge. He gets every client off even if they don't deserve it. Eventually though he learns that there are consequences to his behavior when a gypsy curse's him with the word, "thinner." Soon he finds weight loss success that knows no boundaries. I chose this film because it brings to life the old adage, "Be careful what you wish for!" A weight loss journey is not just about wanting to be thinner, although it can often feel that way. Thinner is a great reminder to keep an eye on the big picture.

See the full list HERE

UK Carrie Poster



celebrity-gossip.net posted this interesting UK poster for the upcoming Carrie with this note:
As excitement continues to rise for the anticipated horror remake of "Carrie," Empire released a new UK poster for the gruesome flick this morning (April 24). 

Underrated Stephen King Novels



Just so we all understand, by underrated I mean overlooked.  These are the books I think were actually pretty good -- if not great  -- novels that are so often just overlooked.

Here are the five most underrated (in my opinion) -- offer your own list.  I love it!

5. Christine.  When released, this novel was overshadowed by the publication of Pet Sematary.  Also, there is the awkward situation with the change in narration --1st person to 3rd person to 1st person.  But don't let a little issue of point of view keep  you from this truly gruesome novel!  It's good stuff, trust me.  (talkstephenking : CHRISTINE Journal)

4. Dolores Claiborne.  I think this is King at his best!  Yet, it seems to just fall in the pile with other books when King discussions come around.  Why?  This book is as tightly woven as a Ken Follett spy novel and as rich as a Dickens character drama.  The first person narration that drives  this story is so strong, it's hard for me to believe King wrote this and not a female.

Now, there is a pretty good movie and play about the book.  But still, I don't sense that people really appreciate just how well told this story is.

3. The Langoliers. This one suffers from bad press because of bad Hollywood!  A novella stretched into a mini-series turned into total mind-numbing boredom.  However, the story is great.  I found it to be a page  turner, anxious to find out what  had happened.

2. The Sun Dog.  Is this one great writing?  Maybe not.  But it's a good story -- very Twilight Zoneish.  I liked it a lot, but never hear much about it.

1. The MOST underrated? --  Needful Things.  

Needful things is creepy, all out gory and well told.  In fact, it's very well told!  Interconnecting plots, great characters and gutsy story telling keep this thick novel moving.  King has said he saw it as a parable of the 80's.  I didn't see that.  Honestly, I just saw  a really good novel!  The book is held together by a very bad man and a very good Sheriff.  Needful things has some of the scariest scenes I've ever encountered in a book.  When the two women have a knife fight in broad daylight right in the middle of the road. . . that's getting pretty crazy!

The end of Needful Things was not as strong as the rest of the novel.  I liked the fight and all the bits King pulled together  there; but Pangborn being confronted with video of his wife's death seemed out of place.

What really drives this story -- as with any good King story -- are great characters.  Much like in Tommyknockers, this is the story of an entire town becoming possessed.  We see various addictions formed as people get what  they think they want.  Want to make love to Elvis?  Want to spend your time betting over a toy racetrack?  Need a sure cure to that terrible arthritis?  Needful Things has it all.

What really hurt  Needful things was the terrible screen adaptation.  Fans should be screaming for a recall!  The movie started great, but went downhill quickly.  Unfortunately, I suspect many think they know the book by the movie.

.................
Your turn!  What King novels (or novella's) just don't get their deserved press?

CARRIE stills


Here are two new stills from the upcoming CARRIE movie. Spotted first at dreadcentral.com


Carrie




Carrie

Is There A Stephen King Book You Don't Like?



Could it be?  Are there some books King fans just don't really like?  Well, when an author is as prolific as Stephen King, there is lots of room for some all time favorites and some big time losers.

Least favorite King books:
1. Lisey's Story. (Did not complete)
2. Roadwork.  (Did not complete.)
3. Cell.  (But I want to like cell.  I really want to like it!)
4. Gerald's Game. 

Is it fair to list books I didn't even finish reading?  Probably not.  So my list is an unfair list!  I have tried, more than onc, to dig into Lisey's Story.  I'm sure it is a good book -- it just doesn't connect for  me.

Book others seem to hate, but I like: Tommyknockers!  But it's been a long time since I read it and I remember very little! 

My least favorites books of all time (Non King)
First of all, I'm not including politics and relgion.  I've read a LOT  of books on religion by Mr. Dawkins and the like that I totally disagree with. 

Second, I notice most books I don't like are from authors I do.  I love Ken Follett's historical novels,  but nod off when he does spy thrillers. 

1. David Copperfield.  I don't get it.  Nothing happens!  IT's a book without a plot.  I think you should all question the judgment from here forward of someone who does not understand David Copperfield.  But pass no judgment until you've read it.  Give m Great Expectations any day!

2. The Beast Within.  It's so bad I couldn't believe it actually made it to print.  I bought a hardcover  just to encourage me -- if this guy could get published, then any of us can!  And, tey made it into a movie.

3. Darkness on the edge of town.  Everyone said it would be like the Mist or Under the Dome.  It was mostly about druggies who. . . surprise surprise. . . have a lot of bad ideas and get a lot of people killed.  I'm done reading books where some homeless guy actually understands the inner-workings of the universe!

4. Baal  I like Robert Mccammon a lot.  I'm not so sure I like Baal a lot.  I think I prefer Swan Song and after when it comes to Mccammon.  Boys Life is great.

5. The Partner.  Once again, an  author I like (Grisham). . . a book I didn't!

NOW. . . tomorrow I will post: The 5 Most Underrated Stephen King books.

Tell me:
1. What is your least favorite Stephen King book.  We all reserve the right to pass judgment and shame upon you for disliking a King book.
2. What is your least favorite non-King novels?

CARRIE. . . What's new?



Fansided posted today, "Carrie Remake 2013: Alternate Destinies For Stephen King’s Prom Queen."  After going through the normal details of the story, familiar plot turns we all know well by now,  Jas Faulkner offers a few suggested -- an unexpected endings.
"Okay, let’s say you didn’t know and you thought maybe Carrie would go home, pin her mom to the ceiling, pack her bags and walk off in the glow of the burning high school, muttering “Sucks to be y’all.” The credits roll. She gets a job in a call center for DirecTV and enrolls in community college, then: 
(This is where you pick your adventure.) 
1.) Gimme some rope
Tie me to dream…
Carrie is seated next to her friend, Britta, when a smarmy thirty-something disbarred lawyer hits on Britta. She shoots him down, and then makes a play for Carrie. She telepathically squeezes body parts on the guy until he sounds like Minnie Mouse and then asks him if he wants to join their study group. He nods, she releases her grip, and he weeps in gratitude as she stipulates that he do their homework and provide cheat sheets to the tests for the rest of the semester.
Check out the rest of the suggested alternate endings HERE.

Collecting As Investment


Ed Lin at Penda Daily posted an article I really enjoyed  titled, "Making a killing off  Stephen King." (barrons.com)

Lin addresses special editions as investments.  Do  you think of your collection as an investment?  I have thought how difficult it would be to break my collection down and sell each piece on ebay.

Cemetery Dance sold the signed limited edition of Doctor Sleep for $2,500 with a print run of 52 books.  Even at that steep price, it sold out in 75 minutes.  Lin puts the pieces together, adding up that readers paid a total of $130,000 on PRE-ORDERS!  Pre-orders create lots of anticipation -- and sometimes you even forget what you bought.  I ordered a book called "Scream Plays" YEARS ago -- and am yet waiting.

Selling such nicely produced books with a very small print run creates what Lin calls a "instant rarity."

Lin writes:
“We’ve been publishing limited editions in the 500-to-2,000 copy range since 1992, and the market has stayed fairly strong even when the economy hasn’t been chugging along,” says Brian James Freeman, the managing editor. “We have witnessed other presses come and go over the years, but we have a strong base of collectors who have seen us through good times and bad.”

No matter what Freeman says about customers seeing CD through good times and bad, no one is buying books just to keep the publisher in business!  They are selling books because  they are producing something buyers want: A high quality product that is instantly rare by a beloved author.

Now, I have a first edition of The Shining, and was anxious for the Doctor Sleep signed editions to be offered.  However, when I saw the price of the signed editions (just the signed ones came to something like $350) I could not justify it.  I could afford it -- but I couldn't justify it.  Kids to send to camp, dance costumes to  buy. . . and I want a $350 book.  What's different about it?  King signed it.  Is a signature worth it?  I would argue not.  I own one item signed by King (Under the Dome), and that's enough for me.  (See my article:  Signed Books, Do They Matter? talkstephenking)

HOWEVER. . . if you are collecting to SELL, Lin points out that signatures might be well worth it!

By the way, I love special editions!  I think the IT edition by King was fantastic.  Also Full Dark  No Stars was a great production.  Simply put, buyers purchase from CD because they keep swinging home runs.

Lin offers the following "rough" guidelines for collecting special editions:

  • Sign up for the publishers’ email lists.
  • Acquire all the titles in a series. 
  • Buy books that you would truly enjoy owning.
The full article is HERE.

Does THINNER Work?



I'm loving James Smythe's "re-reading Stephen King" series. His most recent entry is the Bachman novel, Thinner.  Smythe subtitles the article, "The last time Richard Bachman and Stephen King were thought to be different writers, and King's signature is becoming ever clearer in its story."  That is quite true.
Smythe's article can be found www.guardian.co.uk
Smythe writes,
What made a book Bachman rather than King? Was erring closer to King's usual output here some deep-level subconscious version of self-sabotage? Of wanting to be found out? Of wanting to be able to claim these books as his own again?
Smythe notes that King had previously done a nice job with unlikeable protagonists, including Carrie and Jack Torrance, but Smythe can't find anything redeemable about that Halleck --and that "makes reading the novel relatively tough."

Is it tough for the main character in a story to be truly rotten?  I don't know.  I'm watching House of Cards on netflix, and there's not much redeemable about the main character!  Thinner is dark for other reasons.  Smythe discusses the supernatural elements of Thinner as being more King than Bachman.

What breaks the book for me?  Plotting.  It doesn't work.  Thinner twists and turns with plot twists that aren't always logical.  More bluntly, Thinner feels forced to me.  The ending in particular feels like an end that King wanted to get us to.  Twilight Zoneish as it may be, it didn't feel natural to the flow of the story.  King is forcing the plot, not letting the story itself take its natural turns.

That said, I might ask: What would a more plausible ending to Thinner be?

Under the Dome "No Way Out" Teaser


Stephen King Focus of Local Musical "The Opera House of Blood"

This is from www.bangorbytes.com



Joseph Field of Bangor admits on his youtube channel that he's a "non-musician, playing musical instruments, singing non-musically," but that hasn't stopped him from producing a collection of video demos for a musical about famed horror-writer, Stephen King. Entitled, THE OPERA HOUSE OF BLOOD, the musical "...tells the story of Stephen King coming face-to-face with the terrors he's created...and when the author comes home to a ceremony honoring his lifetime achievements, all Hell breaks loose at the Bangor Opera House. Literally." With musical numbers like The Troop Greeters vs Stephen King, Beep Beep, Richie!, and the above video Bath Salts Zombies (featuring art by Pigeon & Leadbetters on Hammond Street), the musical is sure

Stephen and Owen King To Discuss Writing In October

photo credit: pencanada.ca

PEN Canada announced that Stephen King will discuss writing his son Owen King.  They are the opening feature for  the 34th International Festival of Authors.  The event  is Thursday, October 24th, 2013 at 8:00 p.m. in the Fleck Dance Theatre at Harbourfront Centre.  The article also notes  that award-winning mystery writer Louise Penny will moderate the discussion.

“We are thrilled that Stephen and Owen King are supporting the work of PEN,” said Charlie Foran, President, PEN Canada. “The evening promises to be a rare glimpse of an intimate father-son conversation about life and art.”
Stephen King will present his new novel, Doctor Sleep, which returns to the characters and the territory of his first best-selling hardcover novel, The Shining, including the now middle-aged Dan Torrance. Owen King will present his debut novel, Double Feature, which explores the creative life and the complicated relationship between a B-movie actor and his filmmaking son.
FULL ARTICLE  IS HERE: pencanada.ca

Under The Dome Creates Small School Panic

photo credit: www.tmz.com


Perez Hilton posted on April 14 that filming of Under The Dome caused a 20 minute  lock down at Wilmington's Pine Valley Elementary School.

Hilton writes:
A TV adaptation of the author's sci-fi/horror tale Under the Dome is currently in production in Wilmington, North Carolina, and apparently, the CBS show's crew neglected to inform an elementary school a few hundred yards away from their set that they were filming a scene that involved a fake gunfight!
So when shots rang out, the nearby students and teachers enjoying recess close-by after their lunch feared for the worse, rushed everyone back inside, and a deputy on duty at the school put the entire student body in lockdown for 20 minutes, until they realized it was a false alarm!
The full article is at perezhilton.com

TMZ (Hilton's source) notes, "The script called for a gunfight with all the sights and sounds. Problem is, the midday Tuesday shoot was filmed in a park just a few hundred yards from the Pine Valley Elementary School in Wilmington, N.C. ... and it sent everyone there into a blind panic."  (www.tmz.com)

Stephen King surrounded

photo credit: iamaconstantreader.tumblr

I like this picture!  Of course, if he  never finishes his next book -- we'll all be wondring which of them got him.  Looks to me like Cujo has the best shot.

Double Feature SIGNED



This is cool -- Cemetery Dance has copies of Owen King's novel, Double Feature for $26.00.  That's. . . REALLY GOOD!

Fellow King blogger, Bryant Burnette asked Owen King about all the B-movie plots he had to make up as part of Double feature.  King said,
The challenge of the made-up films was to make sure that they made sense in their respective milieus - i.e. B-movies or indies or avant garde or mainstream or whatever. It was definitely fun, though, and probably the part of the novel where I was most able to let my imagination run wild. (Much of the pleasure, from my standpoint, is that they're just brief descriptions. Actually drawing stuff out - i.e. turning a story into prose - is what makes writing fiction so agonizing!)  (thetruthinsidethelie.blogspot.com
Here's the announcement from Cemetery Dance:


Double Feature by Owen King
Signed Trade Hardcover Edition!
Publisher: Scribner
Format: Trade Hardcover
Publication Date: March 2013
Trade Hardcover: $26.00


Note for Collectors:
Owen King has generously agreed to sign copies of the trade hardcover for our collectors, so this is a preorder.

About the Book:

SAM DOLAN is a young man coming to terms with his life in the process and aftermath of making his first film. He has a difficult relationship with his father, B-movie actor Booth Dolan—a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam’s dearly departed mother, was a woman whose only fault, in Sam’s eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a contractor who can’t stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true-crime show; and a slouching indie-film legend. Not to mention a tragic sex monster.

Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything—regret, resentment, dignity, moving pictures, the dead—and taking it again from the top. Against the backdrop of indie filmmaking, college campus life, contemporary Brooklyn, and upstate New York, Owen King’s epic debut novel combines propulsive storytelling with mordant wit and brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.