Duma Key Journal 1


About Journal Entries. . .
With The Stand finished, I dived into another long novel -- obviously it was Duma Key.  Hopefully I can read fast since I want to read the new books coming out in the fall.  The journal entries are my notes as I read, they are not book reviews. 

I choose to let wiser/sharper pens than mine review the books.  Lilja is always the best, and Charnel House is very good.

If you haven't read the book, then the Journal's are going to be full of spoilers -- because I'm actually talking about the book!


  
On To Duma Key. . .

First Person: It is interesting that King uses the first person in such a large novel.  I was once told by a writing friend that publishers don't like big first person novels. 

 
Edgar Allan Poe is referenced when Edgar sees the house, and notes that the sea is taking a toll on it.  It will groan, he imagines, like the House of Usher.

 
The Angry Man: I really like it that Edgar is such an angry, messed up dude!  His wife leaves him when he tries to strangle her; though he doesn't remember the incident.  Closer to his heart is the time he stabbed her with a spork!  (Spellcheck says spork is not a word.  Probably becuase to a computer, a spork is illogical.  Besides, it was actually a plastic fork.)  Anyway, his meanness has cost him his marriage. 

Object freely if I am wrong, guys --  I think most men will identify with Edgar and his anger.  Maybe it's not the raw, open, oozing anger that Edgar experiences; but I talk to a lot of guys, and almost all of them struggle with anger. 

Edgar lashes out at the people around him; people who want to help him.  He is in search of peace -- both physically and emotionally.  Like Jack from The Shining, he wants to find a place to go and practice his art.  For Jack, it was writing a novel.  For Edgar, it is painting.  Jack did not have the means to choose his path of escape -- he had to take the first open door to him, which was the Overlook.  Not so with Edgar.  He has the financial ability to seek out any place of refuge he wants.  Does he want to live alone on the Florida Keys?  Well, he can write a check and make it happen.  So for Jack, a bad situation became worse.  For Edgar, this does not start out as a bad situation.  It is one of his own choosing.  But can paradise become hell?  Ask Adam and Eve. (And it is worth noting, King gives a full half page to discussing Adam and Eve getting kicked out of paradise.  Now, tell me there's not some foreshadowing there, eh!)

Limitations: As we often find in King novels, our hero (?) has some serious limitations.  While most writers give us supermen, King gives us people we know and relate to because they are broken.  Well, Edgar is a very broken man!  Edgar has lost an arm, and has had serious physical and emotional damage done due to a serious accident.  The results are evident on the page in front of the reader!  Edgar can't think of the right words to use in given situations. 

Now imagine making someone who can't think of the right word -- the narrator!  That's gutsy!

New Novella: Mile 81


I spotted this first at Lilja's Library.  http://www.liljas-library.com/

King has a new novella coming out as an ebook, titled "Mile 81."  The 80 page ebook will be available on September 1, 2011 and will cost $2.99.

No details are given.  Mile 81 is a rest area that appears in Dreamcatcher (p.525).

1978 The Stand Journal 12

I like this picture.  Photo credit: http://www.freakingnews.com/Stephen-King-Books-Pictures--69-2.asp

Grover and Me:
I just finished the last tape of The Stand.  Yes, I listened to it.  It was read by Grover Gardner, and was fantastic.  At first Gardner seemed stiff, even dry, I found that I really liked him as the book progressed.  We became fast friends!

Gardner reads with a certain reserved energy.  Though he does not overpower the story, he is very engaged in what he is reading.  As one blogger commented, Gardner doesn't get in the way of the book!  He doesn't try to outperform the story

His voice is crisp, every word pronounced correctly, and well paced.  His inflections are always appropriate, but again, not distracting.  I think Gardner is quickly becoming one of my favorite readers!   

Pacing The Conclusion:
The Stand ends with a bang. . . and then it keeps going.  I really like the way King ended the Stand.  He didn't simply tie things up with the bad guys demise -- he spent time (considerable time) letting us see the world after Flagg.  The conclusion (a good hundred pages, I think) includes Stu and Tom meeting back up, and Tom's nursing Stu back to health.  It is touching, and again, not rushed.  Even in the chopped version I was reading, King gives this section room to breath.  He doesn't feel in a hurry to end the book -- and the reader isn't anxious for it to end, either.

The long journey home for Tom and Stu is the highlight of the last chapters of The Stand.  But there is more even after they reach the Free Zone.  Will Stu and Fran stay?  What about Larry's child?  On that note, what about Fran's?  Will the super-flu knock out the next generation?  These are things King deals with nicely in the last pages of The Stand.

I have read many reviews of The Stand, and no one ever mentions how much space King gives his characters at the end of the novel.  Usually King spends considerable time building characters at the beginning of a book; but here he lets us live with them a little bit longer.  Further, I have heard many people say they do not like the way King ends his books.  Try the Stand!  I think it is brilliant.  Though the "plot" has been carried out, King still sees more story ahead.  And the reader can imagine a million stories that could come out of The Stand.  It is surprising no one has thought to do a TV series based on the world of The Stand. 

Nukes And Our Children
Stu and Fran discuss the issue of bringing children into this new world.  But it's not really a "new" world!  In fact, the "toys" (kings word) are left behind -- nukes.  Two things need to be destroyed: The nukes, and the plant that created the super-flu. 

Now it's interesting that nukes are seen as the problem, since the essentially saved the Free Zone's hide.  There is a hint of anti-war sentiment that flows throughout The Stand.  Not that good should roll over and refuse to fight, but simply a fear that by over-building our military complex, we might be forcing our children's hands.

God:
God turned out to be a pretty important character in The Stand.  When The Bomb actually goes off, it is unclear for a moment if God did it, or Flagg did it!  Flag was playing with a blue ball of fire when Trashy showed up with his toy.  It is that same ball of fire that strikes the bomb.  But later dialogue makes it clear that it was the work of God.

What kind of God do we encounter in The Stand?  At the mid point, Fran paints the picture of an evil God who would destroy so much of His creation.  But as the Stand progresses, we begin to see a purpose unfolding.

God's will is a major theme of The Stand.  God is portrayed as Sovereign; beyond our understanding, and able to tell the future.  God is shown as active in the affairs of men (he is not far off, unconcerned with us).  Now here's an interesting theological note: In the Stand, God is willing and ready to act.  He is completely capable of stopping evil.  He is not threatened by Flagg.  But before he will act, he requires that men also take their Stand.  He desires to use humans as much as possible in order to carry out His will.  Glen Bateman puts it together for us, saying "If there's a God, and I now believe these must be -- that's his will.  We're going to die and somehow all of this will end as a result of our dying."

God is not only presented as all powerful, but as Just.  Tom Cullen puts it pretty succinctly when he says, "It was the bad man killed Nick.  Tom knows.  But God fixed that bad man.  I saw it.  The hand of God came down out of the sky."  Now why did God kill the "bad man"?  Tom tells us!  "Fixed him for what he did to Nick and to the poor judge.  Laws yes."

Nods in other King works:
  • Freemantle: Mother Abigail's last name is Freemantle.  In Duma Key the main character is named Edgar Freemantle.
  • Hemmingford Home is also the setting for 1922.  It is the hometown of Ben from IT.  Hemmingford Home is also seen in The Last Rung Of The Ladder.
  • In Wizard and Glass, Blane The Mono stops in the world of The Stand. 
  • Night Surf sort of serves as a prologue to The Stand.
  • The evil character Flagg appears in The Eyes of the Dragon and The Dark Tower.  If he is the Devil himself, then he is also in Needful Things.
  • Wikipedia notes something really cool: "In the denouement, Stu and Tom happen upon an abandoned Plymouth Fury with the initials 'A.C.' engraved on the keychain. Arnie Cunningham was the owner of the 1958 Plymouth Fury in Christine. The car is found empty with no apparent driver."
  • Wikipedia points out that radio signals from Arnette, Texas, are also heard in The Tommyknockers.
  • And. . . "Charles Decker's teacher in Rage, Mrs. Jean Underwood, is said to be a relative of Larry Underwood."
  • Finally, Wikipedia says that "Stuart Redman has a dream of a corn field with a creature with red eyes staring at him, this is a reference to "Children of the Corn".

King Of Bangor (Paperback)


Overlook Connection has published Lee Gambin's play "King Of Bangor."  The 70 page script sells for $10 on amazon.  Fangoria says the plays Milbourne, Australia run has been "successful."  (Gambin is a contributor to Fangoria.)

Heather Bloom, AustralianStage.com says the work is "A wonderful look into the thin line that divides reality from illusion, The King of Bangor is an unsettling tale of what can happen when creation surpasses creator."


Also cited by amazon is this quote from theatre of words, "Although marketed to horror fans this play does have broader appeal. It is insightful, surprisingly funny at points and delightfully inter-textual. It is not a comfortable place to be sitting as Stephen King at his typewriter, but it sure is an absolute pleasure to sit in the audience and watch as both the play and his sanity unfold."

http://www.amazon.com/King-Bangor-Lee-Gambin/dp/1892950545/ref=sr_1_2?s=books&ie=UTF8&qid=1310391745&sr=1-2
http://www.fangoria.com/index.php?view=article&id=5060:fango-writers-stephen-king-play-now-for-sale&option=com_content&catid=1:latest-news&Itemid=167

LiLo Gets Another Vote For CARRIE remake

A while back when the Carrie remake news was first hitting the web, Stephen King said it would be interesting to see Lindsay Lohan cast as Carrie White.  Well, Lindsay now has another fan. . . Sissy Spacek, who was the "original" Carrie!

According to that always trustworthy source --Perez Hilton -- Spacek feels "flattered" that anyone would compare herself to the young star.

Hilton quotes Lohan thusly:
"I read about it and I was very flattered because they ran a picture of me and of Lindsay Lohan. I was like, 'Oh my God, she's really a beautiful girl' and so I was very flattered. I was also flattered that they were casting someone to look like me instead of the real Carrie described in the book. It's gonna be real interesting."
Hilton offers Lohan this word of encouragement: "Not to worry, LiLo! With so much support in your corner for the originators of the story and film, you're bound to be seriously considered."

Full post from Perez Hilton here:  (and yo, check out the pic of Sissy. . .)
http://perezhilton.com/2011-07-11-lindsay-lohan-sissy-spacek-fan-stephen-king-remake

S.K. Wants Your Blood


It's true!  Stephen King wants your blood.  The author of that vampire book -- his novels ooze blood, don't they?  Now the secrets out -- what King really wants is your blood.  You shouldn't be surprised!  You did read Carrie, right?  The whole thing was about blood.  And finally we faithful constant readers get the word. . . Stephen King wants our blood.

Well, not personally.  He wants you to donate blood.  And he's doing more than just asking -- he's practically bribing!  (FYI: I really like this story)

Stephen King is doing a public announcement for Suncoast Communities Blood Bank. 

King's radio and television spots include this line, "“In 1999 people I had never met helped save my life. Blood donors. I’m a blood donor now, and I give as often as I can at Suncoast Communities Blood Bank.”

After he taped the public announcement, he stuck around and signed copies of the staffs Stephen King books.  Now, get this. . .
"Several staffers planned to donate their copies to the blood bank to award to a few lucky blood donors. When King learned of this, the next day he sent over a dozen autographed books, including some rare boxed editions signed by the illustrator as well."
That's awesome!  Anyone donating to the blood drive will be eligible to win a hard-bound, autographed copy of one of King’s books.  No big deal?  Well, check this out -- I spotted “The Shining” on the list.  Not to shabby, eh!  Also listed were “Full Dark, No Stars” and “Hearts in Atlantis.”

A complete list of official blood drives can be found at www.scbb.org or by calling (866) 97-BLOOD.


http://www.bradenton.com/2011/07/08/3331645/donate-blood-maybe-win-a-book.html

Fangoria: SISSY SPACEK INTERVEIW



Fangoria has just published the contents of the upcoming issue, #306.  It includes a "extensive chat with Sissy Spacek on Carrie."  Awesome!  That was a tremendous movie.  Often actors don't talk much about their older stuff.  It's exciting that Spacek has maintained a passion for Carrie.  In fact, she even read the audio version. 

Here's a snippet from Fangoria:
The front art is an old-school painting celebrating the new rubber-suit-monster opus CREATURE, for which we’ve got an exclusive interview and photos. We also preview DON’T BE AFRAID OF THE DARK with writer/producer Guillermo del Toro and director Troy Nixey, FRIGHT NIGHT with director Craig Gillespie and star Colin Farrell, STRAW DOGS with director Rod Lurie, the British knockout ATTACK THE BLOCK and the 3D flicks SHARK NIGHT and FINAL DESTINATION 5, plus an extensive chat with Sissy Spacek on CARRIE and much more.

http://www.fangoria.com/index.php?option=com_content&view=article&id=5046:first-look-fangoria-306-cover-and-contents&catid=60:announcements-contests&Itemid=168

Stephen King Teaches You How To Read A Book!



I have been reading a great book by Larry Niven titled "Lucifer's Hammer."  It's about a comet that crashes into the earth.  Unlike the flood of movies a few years ago, Niven isn't afraid to actually allow the comet to slam down. 

Interesting, some people reviewed the book poorly because they said it has "too much character development."  Know what those people need?  A healthy dose of Stephen King! 

Benefits of Reading Stephen King
Reading Stephen King actually prepares you to read other writers. King usually does a lot of character development. It is never so much about the plot as it is the people caught up in the plot.  King often uses a host of characters who he easily moves on and off stage. 

Pitfalls of Reading Stephen King
Simply: It raises your expectations.  King often encourages constant reader to dig into other writers -- but it's frankly hard to find others who write as well as he does.  Why?  Two reasons: First, he's just got a gift.  It's what God made him to do!  Second, he has a lot of practice.

1978 The Stand Journal 11: Dreams Of Charlie Manson and the Will of God


Dream On. . .

We already know that dreams play an important role in The Stand.  They are initially used to draw people to either Mother or The Dark Man.  Dreams continue to season the story.  One in particular stood out to me -- it's from Larry Underwood.

Larry dreams that he is at a gig -- a big concert.  Of course, it's the fulfillment of his dreams. 
the audience began to clap rhythmically and call for Baby, Can You Dig Your Man?  he looked down int he first row and felt a slapping dash of cold ice water fear.  Charles Manson was there, the X on his forehead healed to a white twisted scar, clapping and chanting.  And Richard Speck was there, looking up at Larry with cocky impudent eyes, and unfiltered cigarette jittering between his lips.  They were flanking the dark man.  Flagg was leading the chant.
Freaky!  I like those kind of cultural references.

The novel moves on without explaining the dream.  On the surface, it could be simply nothing more than Larry's fears.  He knows deep within himself that the dark man is the evil behind Manson and Speck and every other evil; he's the devil.  Charlie Manson and Richard Speck were no one's servants!  So for them to be flanking and serving someone else, that other person must be one bad dude!

I think the dream goes deeper than that.  Why is Larry dreaming about the dark man?  Because there are issues within himself that are unresolved.  He's scared.  Not so much of the dark man -- but of himself.  The dream occurs after Stu has taken his tumble and Larry and the others are headed toward Vegas to take their stand.  Will he?  Or will he chicken out?  He's scared to death that he might not have the courage to take his stand.

The Stand: God's Will?

There's a lot at the end of The Stand about the will of God.  Why must they "stand"?  In simple terms -- because that is God's will.  It is a brilliant answer, since it requires no further answers.  God has understanding we don't, and thus he can require of us what we do not understand.  His will doesn't have to make sense to us.  In the Bible -- that works quite well!  Abraham, take your son up on the mountain.  Makes no sense to us!  God is testing Abraham.  But does it work in a novel?  "Larry, take your stand, let the enemy destroy you."  And the reader asks. . . but why?  Why must Larry and the others take a stand?  The bad boys are going to implode, so why must some righteous die with them?

King gives an answers (beyond God's will).  The reason for The Stand is the refinement of each man.  It proves what they are made of.  Or more importantly, it proves without a doubt who they serve.  What would you die for?  Just as Abraham's willingness showed who he really was -- so these servants will be tried by fire. 

The test is not just a "proving" -- it's a "becoming."  They are not sold out to God's will when they leave the Free Zone.  It is only as they approach the dark man's lair that they begin to rely more wholly on God and take comfort in his will.  It is only in the test that they become what they are really meant to be.

Consider this passage -- as a pastor I find this incredibly insightful!
(Thinking?  Praying?)
It was all the same thing.  Whichever it had been, the old wound in himself had finally closed, leaving him at peace.  He had felt the two people that he had been all his life -- the real one and the ideal on -- merge into one living being.  His mother would have liked this Larry.  And Rita Blakemoor.  It was a Larry that Wayne Stukey never would have had to tell the facts of life to.  It was a Larry that even that long-ago oral hygienist might have liked.

I'm going to die.  If there's a God -- and I now believe there must be -- that's His will.  We're going to die and somehow all of this will end as a result of our dying.  (p.753)
The merging to two Larry's into one is very nice.  Most of us live with two people; the person we reveal and the person we really are.

Also, note the idea that their dying is somehow directly related to the dark man's end.  They must sacrifice in order to bring peace to the Free Zone (world). 

It brings up the rather complicated question (again) of Why? 
First question: Why must they die? 
Answer: It is God's will. 

Okay. . . but why is it God's will? 
Answer: God doesn't have to explain himself. 

But do you see -- the Author giving an answer beyond that frustrating response.  Part of Larry's inner healing is his death.  It is only when he faces head on his own death, and chooses not to bow down to the dark man -- that he becomes the man he so desperately wants to be.

Link: Review STEPHEN KING OF BANGOR

Cameron Woodhead has a review of Lee Gambin's Australian play "Stephen King of Bangor." He gives the play 3 of 5 stars (generous I suspect).
STEPHEN King has vices, but writer's block? The man wrote 2000 words a day for most of his career. I'm not saying he's nerveless: King threw the manuscript of Carrie in the trash before his wife fished it out and urged him to finish it. But no genre writer is as prolific and popular. To the extent that Lee Gambin's King of Bangor is intended to serve as a dramatic illustration of writer's block, it's barking up the wrong tree.


Luckily, that's not all it does. The one-act play features a passable King lookalike (Peter Berzanskis) perched on a throne at a typewriter. He's stuck. Characters from his fiction crowd him as he downs Scotch at an alarming rate, snorts lines and gobbles pills.
Since I haven't seen the play, I'll reserve comment.
http://www.theage.com.au/entertainment/theatre/king-of-bangor-20110703-1gx82.html

Good Tommyknockers Review



Steve Brandt has a neat review of Tommyknockers. 

The Tommyknockers is often overlooked or disregarded as a failed novel.  That is not at all Brandt's take!  After giving the customary plot overview, Brant says, "On the surface, The Tommyknockers is a pretty good science fiction tale, and pretty creepy too." 

Brant "gets" King!  He understands that for Stephen King, it's always about the characters.  He writes, "Dig a little deeper, however, and you'll find something that's a little more down to Earth, although no less terrifying. There are all kinds of horrors in the world; sometimes they lurk beneath the surface of the earth, and sometimes they lurk beneath the surface of a human being. Both of Stephen King's main characters, Bobbie and Gard, have terrors hidden within them. For Bobbie, it's an over-bearing sister who wants to run her life. For Gard, it's the bottle."

The Tommyknockers is a big story.  One of the early works where an entire town is involved.  Later we would have Needful Things and Under The Dome.  Unlike The Stand, Tommyknockers has a closed enviroment -- meaning characters can't as easily just wander off stage.  They have to be dealt with! 

Brant gives this energetic endorsement: "Yes, Stephen King knows about personal demons, and I can see where The Tommyknockers might have been difficult for him to write, but I'm glad he did. This is one of my favorite King books."

Here is Brant's review: http://www.sfsite.com/07a/tk347.htm
Here is Brant's audiobook review site: http://www.audiobook-heaven.com/
Check out my post "The Tommyknockers Redeemed": http://talkstephenking.blogspot.com/2009/11/tommyknockers-redeemed.html

Dread Central: Pierce Brosnan to Star In Bag of Bones

I'm really excited about the Bag Of Bones mini-series!  More than that, it appears Mick Garris has gotten some true talent to star.  This is from Dread Central:

With Mick Garris' adaptation of the Stephen King novel Bag of Bones going before cameras very soon, the first bit of casting news has slinked its way online and we have it for you right here! Dig it!



Sea and Be Scene reports that Pierce Brosnan is set to star in the mini-series as Mike Noonan. Pretty nifty! Look for more casting news to come sooner than you think. We'll keep you posted.


Thanks to DC reader John Swinimer.
http://www.dreadcentral.com/news/45196/pierce-brosnan-rattle-stephen-kings-bag-bones

Dread Central previously posted that "Garris will be directing a four-hour miniseries adaptation of Stephen King’s Bag of Bones, which fans will be able to check out on network television sometime in 2011."

Does Stand By Me = Super 8



Jeff Jensen has one whale of a math equation! 
Stand By Me
+ Dazed and Confused
+ (Day For Night x Ed Wood)
+ (Jaws x ET)
x .5 Bambi

+ Cloverland
______________________
= Super 8

Fuzzy math, you say?  Maybe, but it's more fun than I ever had in math class.  Check out the article and try to follow that math equation -- there might be at test.

The answer -- does the equation work -- is "no".  Reason: the equation is incomplete. And, it has extra numbers -- Cloverland, come on! 

IT was a fantastic mini-series, minus the stupid adults!  And Super 8's club is nothing short of a "losers club."   Also, the formula does not need Cloverland.  That belongs on another chalkboard as a separate equation.

Here's the correct equation:
Stand By Me
+ Dazed and Confused
+ (Day For Night x Ed Wood)
+ (Jaws x ET)
x.5 Bambi
+ (IT - minus the adult actors and Pennywise)
______________________
= Super 8
Okay, go check out the math. It is fun reading. . .

WILLA - Clayton Watson mini Interview

http://www.youtube.com/watch?v=XYFtM_ndFl8

Check out this "mini interview" with Clayton Watson, who is playing David  in the movie version of Willa.  He does note what a good job the script did with King's source material. 

Filming appears to be progressing as planned, with the studio noting yesterday, "Willa wrapped the first part of the shoot and they are getting ready for the second one in August."

 

Stephen King's Comic Biography

My copy of Stephen King's comic biography came a couple of weeks ago.  I got my copy as part of a Stephen King grab bag from Cemetery Dance.  I've read it through several times -- and enjoyed it a lot.

The text was written by Michael Lent and Brian McCarthy.  Kent Hulburt did the penciling and colors.  Bernie Lee did the letters.

The narrative moves along familiar lines, starting with the car accident.  There's lots of blood here!  The story also shows King's father walking out, and King's comment "We were latchkey kids before there were latchkey kids.  And she was a female wage earner when, basically, women did scut work and cleaned up other peoples messes." 

Most interesting is the inclusion of a story from King's boyhood not previously mentioned.  a friend wanted to crush a penny -- and so he placed it on the train track.  The worst thing imaginable happened, and the text notes that even as an adult King cannot recall the details of the event.

There is not a lot of new information here, except confirmation of a story from King's boyhood  But the new format held my interest.  I don't think I'm a good comic book reader.  There are scene shifts on the same page that don't make sense to me.  For instance, we are told that King had an uncle who could find water underground using a stick.  Scene below that shows king finding a box of his dads.  I don't understand the connection to King's uncle. 

It is neat to see the story from King's point of view.  When the doctor puts a needle in his ear, doc first just looks like any other doctor.  As the pain increases, the doctor looks like a demon, horns popping from his head and back.

the comic sells for $3.99 and is from Bluewater Comics.  One ad also stood out; Cinema St.Lous is having a Vincentennial -- "The Vincent Price 100th Birthday Celebration." 

http://www.joblo.com/horror-movies/news/stephen-kings-comic-book-biography-orbit-stephen-king-hits-shelves-this-week

Is Howard Wandering Away From The Tower?

Anthony Breznican at E.W.'s Inside Movie's has an article titled, "Ron Howard sidetracked from 'The Dark Tower' by Formula 1 racer?"  Is Howard losing heart for the Dark Tower?  Missy Davy, Howard's rep, says "The Dark Tower is still on track" for a start early next year. 

more here: http://insidemovies.ew.com/2011/06/21/ron-howard-rush-dark-tower/

List: All Stephen King Movies!

Summer is here!  A time I usually spend watching some good Stephen King flicks.  Well, admitedly, not all rise to the lofty heights of "good"!  Here's a starter list of Stephen King movies.  Missing any?  (Yes, include dollar babies)

ADDITION: I am not counting those dreadful Children of the Corn sequals.  They did not come from the mind of Stephen King!

THE 70's


•Carrie (1976)
•Salem's Lot , miniseries (1979)


THE 80's
•Kubrick's The Shining (1980)
•Creepshow: "Father's Day," "The Lonesome Death of Jordy Verrill," "Something to Tide You Over," "The Crate," and "They're Creeping Up On You" (1982)
•The Boogeyman (1982)
•Cujo (1983)
•The Dead Zone (1983)
•Christine (1983)
•Disciples of the Crow (1983)
•The Woman in the Room (1983)
•Children of the Corn (1984)
•Firestarter (1984)
•Cat's Eye: "Quitters, Inc.," "The Ledge," and "The General" (1985)
•Silver Bullet (1985)
•Nightshift Collection: "The Woman in the Room" and "The Boogeyman" (1985)
•Word Processor of the Gods: episode of Tales from the Darkside (1985)
•Gramma: episode of The Twilight Zone (1986)
•Maximum Overdrive (1986)
•Stand By Me (1986)
•Creepshow 2: "Old Chief Wood'n'head," "The Raft," and "The Hitchhiker" (1987)
•A Return to Salem's Lot (1987)
•The Running Man (1987)
•The Last Rung on the Ladder (1987)
•Sorry, Right Number: episode of Tales from the Darkside (1987)
•Pet Sematary (1989)

THE 90's

•The Cat From Hell (1990)
•Graveyard Shift (1990)
•IT , mini-series (1990)
•Misery (1990)
•The Moving Finger: Monsters episode. (1990)
•Golden Years , miniseries (1991)
•Sometimes They Come Back (1991)
•Sleepwalkers (1992)
•The Dark Half (1993)
•Needful Things (1993)
•The Tommyknockers , miniseries (1993)
•Chinga: episode of The X-files (1993)
•The Shawshank Redemption (1994)
•The Stand , miniseries (1994)
•The Langoliers , miniseries (1995)
•The Mangler (1995)
•Dolores Claiborne (1995)
•Thinner (1996)
•The Shining , miniseries (1997)
•Ghosts: music video with Michael Jackson (1997)
•The Night Flier , HBO Movie (1997)
•Quicksilver Highway: segment Chattery Teeth (1997)
•Trucks: Remake of Maximum Overdrive (1997)
•The Revelations of 'Becka Paulson: episode of "The Outer Limits" (1997) -thanks Bryant
•Apt Pupil (1998)
•The Green Mile (1999)
•The Rage: Carrie 2 (1999)
•Storm of the Century, miniseries (1999)
•Llamadas (1999)

THE 2000's

•Paranoid (2000)
•Hearts in Atlantis (2001)
•Strawberry Spring (2001)
•Rose Red, miniseries (2002)
•The Dead Zone, TV Series (2002)
•Night Surf (2002)
•Rainy Season (2002)
•Carrie, TV (2002)
•Firestarter 2, Rekindled (2002) -thanks Bryant
•Dreamcatcher (2003)
•Autopsy Room Four (2003)
•Here There Be Tygers (2003)
•The Man in the Black Suit (2003)
•Secret Window (2004)
•Kingdom Hospital, TV series (2004)
•Salem's Lot, miniseries (2004)
•Luckey Quarter (2004)
•Riding the Bullet (2004)
•I Know What You Need (2005)
•Desperation, television (2006)
•Nightmares and Dreamscapes (2006)
•Suffer the Little Children (2006)
•1408 (2007)
•The Mist (2007)
•Dolan's Cadillac (2009)

THE 2010's

•Haven, television (2010)




Link: Arnie Cunningham Director!

Here's an interesting note from Ramblings Of A Honk Mahfah -- a Stephen King blog I really enjoy.




"I was watching the latest episode of AMC's The Killing yesterday, and noticed that Keith Gordon was credited as the director. I thought it might be worth mentioning that this is, indeed, the very same Keith Gordon who starred as Arnie Cunningham in John Carpenter's Christine."

Read the full post here, it's worth your time! 
http://honkmahfah.blogspot.com/2011/06/arnie-cunningham-director.html#comments

Children of the Corn: GENESIS


Good news. . . Lilja's Library has all kinds of cool updates.  I won't spoil the really cool stuff -- which has to do with Wind Through The Keyhole (so go check it out!) 

Not so good news, one of them is that Children of the Corn "Genesis" is being released on DVD and blue-ray.  Trust me, I'm stealing no one's thunder reprinting this!  Lilja writes, "Children of the Corn – Genesis is being released on DVD and blu-ray in the US on August 30. The film was released in a drive-in earlier this year, with the latest Hellraiser movie but after that it’s been quiet about it but not its about to be released...if anyone is interested in seeing it." 

If anyone is interested in seeing it -- indeed. 

I'll save the usual rant about this series of movies.  But I am still dumbfounded that King's name appears on it!  Who's watching these movies? 

http://www.liljas-library.com/

Houston: Late Night Showing Of Creepshow



Chris Sawin at examiner.com has a fun article about The Alamo Drafthouse, a Houston theater that is known for hosting screenings of cult classics. 

Wait. . . what is the "Drafthouse"?  The theater explains, "Cold beer, hot movies, and delicious snacks and meals; The Alamo Drafthouse is dinner, drinks, movies and events, all under one roof." 

The Alamo's current offering, how about a late night showing of Stephen King's 1982 Creepshow.  Held the day before Fathers Day, the caption reads, "Pay tribute to two fathers of the horror genre with a special screening of Creepshow with games, prizes and more. Plus, details on how to win tickets to the event."


The Alamo describes its Graveyard Shift (held the third Saturday of each month) as showings as a place where night owls come together to enjoy "some of the best horror movies ever made."  But this isn't just a viewing -- it's a event!  With giveaways, games and "surprises of all shapes and sizes."

So why Stephen King -- and Creepshow?  The Alamo gives a wonderful explanation!
Stephen King has undoubtedly earned his reputation as a modern-day master of horror — why, then, does he fare so poorly when it comes to adaptations of his work for the big screen? For every Shawkshank Redemption, there’s a dozen Lawnmower Men. There exist a handful of films, though, that are not only great adaptations — they’re great films period. Creepshow, a collaboration with Night of the Living Dead director George A. Romero, is one of those films.
Creepshow is a hallmark of the horror anthology sub-genre and a precursor to one of the best television shows of the ‘80s — Tales from the Darkside. The film pays tribute to the classic EC horror comics of the ‘50s — right down to the bright color palate and innovative framing and editing effects. Made up of five segments, the movie stars Tom Atkins, Leslie Nielsen, Ted Danson, Hal Holbrook, Adrienne Barbeau and Stephen King himself. Whether you’re a fan of zombies, monsters, revenge plots or being eaten alive by insects, Creepshow has the flavor of horror you desire.  http://drafthouse.com/movies/graveyard_shift_creepshow/houston
Sawin adds, "Fellow Houston Film Critics Society member Robert Saucedo helped organize this entire thing and will be hosting the event with newest HFCS member and Ain't It Cool News columnist Alan Cerny. The Father's Day cake for this should be epic. Couldn't really imagine a better way to spend Father's Day."

If you're not sold on the drafthouse theater yet, check out this paragraph: "We have zero tolerance for talking or cell phone use of any kind during movies, and we aren't afraid to kick anyone rude enough to start texting their friends during a show right out of the theater. We also hate it when other movie theaters make you watch advertisements after you've already paid to see the movie, so we're vigilant about never letting ads hit our screens - we've even turned down PSAs for great causes because we don't want ANYTHING to disrupt your experience of the show. Instead of ads or mind-numbing content named after the number of minutes you have to sit through it if you get to the theater early, we create custom preshows with content themed to most of the features we program."  I need to head toward Houston!
http://www.examiner.com/movie-in-houston/ticket-giveaway-for-alamo-drafthouse-s-graveyard-shift-featuring-creepshow

Does Stephen King Need Help Developing Storylines?



Ellen LaConte has an article titled, "Why Stephen King Can Help Save Us From Climate Change." 

Oh really!  He can?  I didn't know that super-power was in his bag of tricks.  But, ya never know what the King of Horror has to offer us.  Personally, I thought saving the earth was for Captain Kirk. 

LaConte writes the article as a letter to Stephen King.  This makes me think she's actually serious!  Anyway, just the opener is a dozy: "Dear Stephen King, Most of your books are too scary for me."  She admits she doesn't read much Stephen King, but her son does.  Just like study, if you lay on the book, it sinks in -- and if you live in the house with someone who's read Stephen King, then it's just like you've read 'em!

So what can Stephen King do to save the planet?  Well, LaConte has a great idea: he should write a politically driven novel.  RIGHT!  That's new stuff, isn't it?  And this novel should be about the environment.

Wait a minute, every Stephen king fan in the world will say, King has already written that book! It was called: Under The Dome!  Someone proof reading the article must have figured this out, because she then gives this quick aside -- to King, of course -- "Now I know, Mr. King, that you're familiar with the predicament we're in, which is scarier even than the hot-housed version of some of our present quandaries you offered up in Under the Dome, which is saying a lot."  Did she read the novel to the end?  There was NO AIR!  She wants King to get "scarier" than that?  I guess he could have let the characters suffocate, but it really couldn't get much worse than UTD.

But have no fear.  You see, King doesn't need to come up with a storyline -- LaConte has written up a storyline for Stephen King.  Because, you know, he apparently calls her when he's out of ideas.  Her outline. . . has to do with HIV, the global economy and the breakdown of society.  Yes!  The breakdown of society.  Because, again, this is unexplored territory.

Can I just ask. . .
1. Why is anyone publishing this stuff?
2. If she wants to write a letter to King, why doesn't she just mail it to him?  If she can't afford the stamp, she could email it.
3. Does she really think King needs her help getting story ideas?
4. Is she truly unaware that her storyline is not really all that unique?

Of course, this is all necessary, because Hollywood hasn't done any global disaster films related to the climate, right?  oh, wait. . . does anyone remember Day After Tomorrow?  No?  You didn't miss much.  Basically -- movie in short -- global warming really means global cooling; and Mexico might be America's last best hope.  Yep, that was the plot as I remember it. 
What is interesting is that LaConte thinks King needs to add his voice to the problem.  That's what will help.  But it's not like King has been silent on this, or an array of issues!  In fact, many of his novels have been issues driven.  He described Needful Things as a commentary on the 80's spending.  The Dead Zone speaks about Nukes.  Pet Sematary is about animal rights. . . wait, I might be wrong on that one.  Cujo is!  No, that's not it! 
 
http://www.alternet.org/environment/151226/why_stephen_king_can_help_save_us_from_climate_change?page=1

Willa To Start Filming Soon

Christopher Birk, director of the Stephen King movie Willa, shared that they are less than a week away from Shooting 'Willa' in the Hamptons in New York.  Exciting stuff!

Here are a few pictures of the actors/actresses and the filming location:



Interior Of Club
 

Train Station
 


Clayton Watson
as DAVID
 

Sarah Hogrefe
as WILLA
 


Jane Brown
as PAMMY ANDERSON


LOST based on The Stand

I really enjoyed Andy Williamson's review of Super 8.  Of course, I thought Super 8 was incredible -- and Andy just had all the right words to review it well.  Well, he also made an off-handed comment about The Stand that I was unaware of.  Williamson writes, "Abrams’ King obsession can be found in his TV series Lost, which he claims was based on King’s The Stand. . ." 

Read the full review here:
http://www.examiner.com/pop-culture-news-in-national/super-8-movie-review-review

(Link) DVD Verdict Review: Children of The Corn 666


DVD Verdict Review has taken on the case of Children of the Corn 666.  The verdict is not good.  No surprise here.  I must agree with the review, I also have never been a fan of the children of the corn series of movies.  I frankly, don't get it.  I mean, not problem understanding the thin stupid plot -- I just don't understand how more movies keep getting made! 

DVD Verdict says: "Well, now. I didn't think things could get worse. How very, very wrong I was." 

There are some interesting thoughts on Stephen King:
"For those wondering what either of these movies have to do with Stephen King's original "Children of the Corn" story, the answer is almost nothing. Except for the idea of kids living in cornrows, these movies have little in common with King's short story. In fact, it's a bit of a surprise the author didn't fight to have his name removed from the credits of each of these films ala the Lawnmower Man films. Both Children of the Corn V: Fields of Terror and Children of the Corn IV: Isaac's Return are exceptionally bad movies. Unfortunately, they don't fall under the 'so bad they're good' category; these are bottom of the barrel cheapies that will be long forgotten to the folds of time."
After declaring the films boaring, the review closes with this verdict: "Both of these straight-to-video horror movies are found guilty of being shameless cash-ins."

http://www.dvdverdict.com/reviews/childrencorn2pkbluray.php

Summer Flicks We Won't Forget


MSN has a fun article titled "Pass the popcorn."  They discuss some of the really great Summer movies of the 1970's and '80's.  You know: Superman (the real Superman), Star Wars (the real Star Wars!), Jaws -- HEY!  No remake of Jaws? -- Close Encounters of the Third Kind, Raiders Of The Lost Ark (remember, don't look in the ark!), ET, Poltergeist, Ghost Busters, Back To The Future, The Goonies, Aliens, Rodger Rabbit.

Of course, the article is typical MSN -- so biased they can't even write about Summer movies without finding fault with Ronald Reagan!  Seriously, MSN?  However, who can really fault an article that has the insight to give Star Wars and the Empire Strikes Back their own spots. 

The article includes Stand By Me.  Here's the entry:

'Stand by Me' (1986)

Like "The Goonies," "Stand by Me" is a coming-of-age film that does not really have any sci-fi or horror elements in it. So what is it doing on this list? Well, it's based on a novella by Stephen King, and it features several sequences (the pond full of leeches, the discovery of the dead boy) that drift queasily toward more macabre territory. But it's the association with King that has made it a fan favorite after all these years, and deservedly so. "Stand by Me" is a wonderful, poetic and bittersweet rumination on friendship, loss of innocence, memory and mortality, and its four young leads all shine as the four boys who are all a little older when their journey is over.

Iconic scene: Gordie (Wil Wheaton), who wants to be a writer, tells his friends his story "The Revenge of Lard-Ass Hogan," about a pie-eating contest gone horribly wrong.

http://movies.msn.com/movie-guide-summer/pass-the-popcorn/photos/?GT1=28177&photoidx=13

JJ Abrams SUPER 8


JJ Abrams was very interested in the Dark Tower. . . way back before Ron Howard was.  Remember that?  He walked away from the project in 2009.  So what's he been up to?  SUPER 8!  Wow, this movie was awesome!  A classic monster movie without the  bad "classic monster movie" special effects.  But this is not a special effects driven film. 

In many ways the movie reminded me of a Stephen King story.  The characters were through the roof good.  And the story was much more about the people, not the monster.

Of interest to the Stephen King universe is the several references to horror director George Romero (Creepshow).  The name of the fictional chemical plant in the movie within the movie is: "Romero Chemical Plant."  I also enjoyed spotting Darth Vader's Tie Fighter.

The movie was so well executed, I am hopeful maybe Abrams can be brought onto the new IT project.  It's not just how he handled the monster, it's how Abram's presented children.  The dialogue was real, the children's lives complex, and their emotions raw.  While the young band of movie makers is not exactly a "loser club", it wouldn't be too far a leap.  Seriously -- I have been Ho-Hum over the IT remake; but his hand in the project could seriously energize it.

http://www.youtube.com/watch?v=tCRQQCKS7go

1978 The Stand Journal 10


                     Picture: http://en.wikipedia.org/wiki/File:Randallflagg7.jpg
After the death of mother Abigail the story moves to beautiful Las Vegas.  King does not give the dark side much time to revel in their own glory.  Stuff starts going bad quick!  Flagg, it turns out, is not such a good leader.

Results of fear in culture:
1. People in Vegas are very efficient.  More so than in the Free Zone.  They not only have the lights on, but they are preparing planes for combat.

2. Unhappiness.  Though productive, the Dark Man's people are ruled by fear, and thus very unhappy.  They do not build deep relationships.  This is brilliantly revealed from Tom's point of view.

3. Unable to maintain lasting loyalty.  Flagg, though he is able to draw people to himself, is unable to keep people from defecting.  This bit of info is unveiled through Lloyd.  Flagg does not inspire loyalty from those who know him best. 

Note also Flagg's inability to control or lead The Trashcan man.  Granted, perhaps now one could control ole Trashy, but Flagg doesn't even try.  This is the opposite of Mother Abigail, who inspired loyalty, love and acted as a shepherd of the people.  A moses type.

There are times the story starts to take turns that I am interested in, even though I know King is not going to follow them through.  The bombers preparing to wipe out the Free Zone is cool stuff!  Of course, the idea of an all out war between the two sides would have been an interesting direction.  However, King moves the story much like the Biblical Apocalypse -- at the great battle of Armageddon, evil turns out to be inept in the face of God. 

4. Means of control.  Flagg uses raw fear to keep things well oiled an running smoothly.  The most feared punishment is crucifixion.  This method of controlling subjects was used by many ancient societies, most notably Rome. 

In the end, a fear based people results in a dysfunctional society (just as on a micro-level this happens in a family which is built on fear instead of love).  This is illustrated through the fate of Flagg's bride, Nadine. Closest to him, she is drawn to him, but does not love him.


So why is Flagg unable to build a functional society?  Is it simply that he is a poor leader?  I'm not sure.  I think King is taking some shots at Communism and other Police State societies that gain power through fear.

A final thought: Those thinking about defecting tell Lloyd that they are headed to South America.  I believe in the extended version, Flagg reappears on a beach. . . maybe -- South America ?

Ransom Note For Stolen Maine Highway Sign Delivered To King's Radio Station


Bangor Daily News reports that police are investigating the disappearance of Gov. Paul LePage's "pen For Business" sign on Kittery's Interstate 95.  The sign disappeared "sometime before Memorial day."  Reason no one is sure. . . probably because it took government a while to call each other and ask if they are the ones who took it down! 

A ransom note was taped to the door of WZON-FM (King's station).  The article says "The note was composed using letters cut out of newspapers and magazines and glued to a piece of paper."  The article also notes, "King has raised money for and contributed to Democratic candidates in Maine and Florida." 

And, the story concludes by telling us that "police have several leads on the stolen sign." 

http://bangordailynews.com/2011/06/03/politics/ransom-note-for-%E2%80%98open-for-business%E2%80%99-sign-left-at-king%E2%80%99s-radio-station/

Link: The legend of Kubrick lives on


JAM Showbiz has an interesting article on Stanley Kubrick.  Bruce Kirkland writes, "Filmmaker Stanley Kubrick died suddenly of a heart attack in his sleep 12 years ago, leaving behind a legacy of just 13 feature films, two of which he had long since disowned, including Spartacus. Yet a passionate debate about all of his controversial classics rages on."

The article is very insightful.  However, they have a list of 5 top scenes, and the Shining doesn't make it.  Come on!  They did include it in their cover picture.

http://jam.canoe.ca/Movies/Artists/K/Kubrick_Stanley/2011/06/03/18233471.html?cid=rssentertainment

Yosemite Hotel The Basis Of Kubrick's The Shining

IMDB has an interesting note on the Ahwanee Hotel in Yosemite -- it seems that Kubrick's version of The Shining designed the hotels lounge on the Ahwanee Hotel's lounge.  IMDB explains,
"Indeed, the chandeliers, windows and fireplace are nearly identical, so much so that people entering the Ahwahnee often ask if it's the Shining hotel."  http://www.imdb.com/title/tt0081505/trivia#p=631;t=1038

This is only relevant because the Ahwanee is popping up in recent news reports.  People magazine speculates that the newly married Prince William and his bride Kate might stay at the Ahwahnee hotel if they visit Yosemite.

The People article is here: http://www.people.com/people/package/article/0,,20395222_20499231,00.html

People makes the following case for the Ahwanee:
"Isn't it right that the posh duo would be staying somewhere fit for a queen – literally. The Mary Curry Tresidder Suite at Yosemite's Ahwahnee Hotel became known as The Queen's Room after a 1983 visit by William's grandmother, Queen Elizabeth II. The romantic suite features a four-poster canopy bed, to say nothing of a large bathroom with craftsmen-designed cabinets and bidet. Plus, there is a Queen's table in the hotel's dining room!"

People has more than just their own speculating to drive the point home.  Note this quote: "An employee at the picturesque hotel predicts this is where the happy couple would bunk if they journey to the area. . ."  Some unnamed employee think the Prince and Princess would stay there!  Not a reservation, just some persons guess -- given credibility because they work there.  But they don't want to put their name on the story.  This is starting to look real official, People!

Once building a case for William and Kate to stay at the hotel, People then (unknowingly) explain exactly why the couple might not want to stay at the Ahwanee: It seems the daughter of a park concessionaire died in the hotel on Halloween night, 1970.  Couple that with the place looking like the interior of Kubrick's version of The Shining, and I don't know that you have a home run! 

The article notes,
"The hotel's interior also inspired the set for the deserted mountain house in the 1980 Stanley Kubrick film based on the Stephen King novel, The Shining."
I wonder if William and Kate have seen The Shining.  Would they walk in, look around and ask each other, "Why does this look so familiar?"  Hard to picture prince William's head popping through a door he just axed and announcing, "Heeeeee-re's Willie!"

Hold on, let me connect all the dots.  You followed that, right?  The People article is saying that William and Kate MIGHT (based on an employee's speculation) stay at a hotel that was not used in Kubrick's The Shining, but was the inspiration for the lobby. 

11/22/63 excerpt


I spotted this first over at the awesome Lilja's Library!  (There are a ton of updates the last few days, so go check them out.)  King has decided to wet our appetite for his latest gigantic novel with a special gift -- a taste test.  Yep, it's an excerpt from 11/22/63.  Dread Central excitedly put news of the excerpt this way: "Few authors look out for their fans like Stephen King does."

The excerpt reveals a first person account (unless there is a change mid-book, like Christine).  The writing is King's usual energetic, strong prose.

Here is a snippet, but the full except is below.

On Monday, March 25, Lee came walking up Neely Street carrying a long package wrapped in brown paper. Peering through a tiny crack in the curtains, I could see the words REGISTERED and INSURED stamped on it in big red letters. For the first time I thought he seemed furtive and nervous, actually looking around at his exterior surroundings instead of at the spooky furniture deep in his head. I knew what was in the package: a 6.5mm Carcano rifle—also known as a Mannlicher- Carcano—complete with scope, purchased from Klein’s Sporting Goods in Chicago. Five minutes after he climbed the outside stairs to the second floor, the gun Lee would use to change history was in a closet above my head. Marina took the famous pictures of him holding it just outside my livingroom window six days later, but I didn’t see it. That was a Sunday, and I was in Jodie. As the tenth grew closer, those weekends with Sadie had become the most important, the dearest, things in my life


Here is the PDF from dreadcentral: http://www.dreadcentral.com/img/news/jun11/excerpt.pdf

SHE'S BACK! -- Carrie The Musical



It seems Stephen King musicals are on the prowl!  Ghost Brothers is on the lose, and wouldn't ya know it. . . someone has decided that Carrie should be resurrected -- again.  This time the musical!  Now, a while back it was done in drag -- but I think this effort is totally serious.  Exciting, since it got such great reviews last go-around.

So with a new Carrie movie in the works, I guess someone decided it was time to dust off that old Carrie musical.  I understand how The Sound Of Music is good musical material.  But may I ask. . . who out there seriously thinks Carrie belongs in the "musical" territory?  South pacific, Phantom of the Opera, Cats, The Wizard of Oz, Music Man, Oklahoma, The King and I, Paint your Wagon, Seven brides for seven brothers, Show Boat, State Fair -- all belong in that coveted "musical" genre.  Isn't Carrie kind of a square peg?

The Associated Press expressed their excitement this way: "It will be the first time the show has been professionally produced since its 1988 Broadway flop."  Or, in other words -- whoopieeeee.

MCC theaters has announced Carrie the musical in their line up.  Here's the info from their website.

She's not like other girls.

Begins Jan 31
Carrie
Book by Lawrence D. Cohen
Music by Michael Gore
Lyrics by Dean Pitchford
Based on the novel by Stephen King
Directed by Stafford Arima


Carrie White is a misfit. At school, she’s an outcast who’s bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s at the mercy of her loving but cruelly over-protective mother. But Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it...


Based on Stephen King’s bestselling novel, the musical of Carrie hasn’t been seen since its legendary 1988 Broadway produc­tion. Now, the show’s original authors have joined with direc­tor Stafford Arima (Altar Boyz) and MCC Theater for a newly reworked and fully re-imagined vision of this gripping tale. Set today, in the small town of Chamberlain, Maine, Carrie features a book by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winning composer Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award win­ning lyricist Dean Pitchford (Fame, Footloose). The cast will be led by Tony Award nominee Marin Mazzie (Next to Normal, Kiss Me Kate) as Carrie’s evangelical mother, Margaret White, and Molly Ranson (Jerusalem, August: Osage County) as the lonely, vengeful, yet fragile girl at the center of it all.
http://www.mcctheater.org/currentseason.html#carrie