Showing posts with label netflix. Show all posts
Showing posts with label netflix. Show all posts

Reading The Other Guys



Waiting for Revival has me reading a few other horror writers.  The journey is both fun, and frustrating.  It's frustrating because I know how King writes.  I'm used to the way he builds characters, brackets thoughts, and slowly moves a plot.  Other writers have their own style.  It's fun because the journey can feel very new.

Of course, I read "non-King" all the time.  But I don't read much horror other than Stephen King.  I typically love Follett, classics, Dickens, Poe, Grisham, Clancy and more.  But what about Little, Mccammon, Koontz, Rice and other horror writers?  Well, the truth is, I don't read them much.  I DID; before I went into "King immersion."

Anne Rice used to be a particular joy to read.  Then her books kept getting -- well, bigger and bigger.  I wondered, "Does this lady have an editor?"

So here's what I've  been reading:

1. Dean Koontz, Lost Souls.  

I got this for the car, and actually, it's hard to follow.  Not because of the story, but because the narrator is dry as a pinewood coffin.  The plot moves quickly -- like lightening.  And, I didn't realize when I bought the audio book that I was picking up mid-series.  In fact, it's book FIVE.  Imagine stepping into the Dark Tower with Wolves of the Calla.  Might leave you with some questions, right?

At first I was thinking, "Why isn't he doing more to introduce these characters?"  Well, he did; in the other four novels.  So, Koontz is about to go on pause.  But not because I'm not enjoying his writing.  In fact, one of my favorite Dean Koontz books is Midnight.  (And the one about the dog. . . but I can't remember the books name.)

2. Robert Mccammon, Swan Song.  

I've been listening to this one also while I run.  I need to run more.  The book is fantastic every time I read it.  There's a tunnel scene which I actually think is much scarier than the one in The Stand.  But the two probably should not be compared too closely.  (I know, I have a blog post that does just that.)

Mccammon has a style that is very similar to King's.  A lot of character building, scene set up and a slower plot pace than, say, Koontz.  Mccammon also does something that is reminiscent of Stephen King; he mames some key characters early on.  OH MY!  There is a scene in which a boy has to cut off a man's hand with a meat cleaver.  Let's just say, it's horror at its very best!

And he sucked in his breath and brought the cleaver down with all of his strength on Colonel Macklin’s wrist. 
Bone crunched. Macklin jerked but made no sound. Roland thought the blade had gone all the way through, but he saw with renewed shock that it had only penetrated the man’s thick wrist to the depth of an inch. 
“Finish it!” Warner shouted. 
Roland pulled the cleaver out. 
Macklin’s eyes, ringed with purple, fluttered closed and then jerked open again. “Finish it,” he whispered. 
Roland lifted his arm and struck down again. Still the wrist wouldn’t part. Roland struck down a third time, and a fourth, harder and harder. He heard the one-eyed hunchback shouting at him to hurry, but Macklin remained silent. Roland pulled the cleaver free and struck a fifth time. There was a lot of blood now, but still the tendons hung together. Roland began to grind the cleaver back and forth; Macklin’s face had turned a pasty yellow-white, his lips as gray as graveyard dirt.
. . . it goes on like  that for quite a bit.

3. Jay Anson, The Amityville Horror

I've been reading this before  bed.  Go figure.  It's a mix of scary and stupid.  The scary thing is, this stuff might have actually happened.

The stupid part is the way the story is told.  It feels like children telling a ghost story.  "And then, there was black stuff that came out of our faucet.  And then she started levitating off the bed.  And then the window shut on the girls hand.  And then there were flies all over the window and a voice said to get out.  And then there was a marching band that George heard in the living room, but when he chekced there was no marching band.  And then there were spooky eyes peeking in on us but when we ran outside there were only pigs tracks in the snow."

Anyway, there were some real murders that happened in the house.  My interest was rekindled after seeing a documentary on Netflix titled, "My Amityville Horror."

The only reason Amityville is in any way scary is you think, "This might have happened.  Who  knows!  Demons are real.  And there were real murders that happened in that house!"  Not to mention, the place  just looks haunted.  Who wants a house that looks like it's looking at you?

4. William Malmborg, Text Message.

I've enjoyed this book quite a bit so far; though it reads very much like Richard Laymon.  The books moves very fast.  I would say it's a page turner, but I'm reading it on my phone (seems fitting for a book called Text Message.)

. . . so tell me what non-King horror books you've been reading.

David Drayton, Dew Struzan and The Mist

In the film adaptation of The Mist,Thomas Jane plays David Drayton.  But there's a story behind the character.  Frank Darabont gave some added texture to the story by making Drayton an artist.  But not any artist!  He's Drew Struzan.

Drew who?  You might not recognize the name Drew Struzan, but you'd recognize his art.  He drew the posters for Blade Runner, Star Wars, Indiana Jones, Back to the Future, ET, Harry Potter, The Walking Dead -- and something like 150 movie posters.  Sometimes his poster was better than the movie!



You  might recognize his work from a few Stephen King movies including The Shawshank Redemption and The Green Mile.

The Shawshank Redemption
Frank Darabont says about Struzan's work on the Shawshank Redemption that he is very collaborative.  "When we did the Shawshank art, there was definitely some conversation with him about what the elements should be," Darabont said.  "He took images that had been becoming iconic during the decade since (the book) had been released."


Now how does that connect to The Mist and David Drayton?



This is from the May 22, 2008 edition of the Los Angeles Times:
Frank Darabont is such a fan, he not only has tapped Struzan for pieces for "The Shawshank Redemption" and "The Green Mile," he has also made him a basis for Thomas Jane's lead character in last year's "The Mist." (Several of Struzan's originals were featured on-screen as set dressing.) 
Struzan's website says, "The Mist: The movie begins with David Drayton, the main character, hand painting a movie poster for an upcoming film. He is a poster artist. A collection of his other original works, including posters from The Thing, Shawshank Redemption, Pan's Labyrinth, Green Mile and other paintings actually by drew can be seen in his studio. He is painting a picture known immediately to Stephen King fans to be for his The Dark Tower. This is the original painting created for the film."


Dark Tower, The (The Mist)
Medium: Acrylic paints and colored pencils on gessoed board
www.drewstruzan.com/illustrated

A documentary about Struzan appeared at ComicCon.  The documentary includes interviews with Stephen Spielberg, George Lucas, Guillermo del Toro, Leonard Maltin and many others.  It is currently on Netflix.

Frank Darabont decorated the set of The Mist with artwork from Struzan's studio.  Further, Struzman gave Thomas Jane tips on how to actually look like a painter so he could, "look authentic" in the film.  "I portrayed Drew," Jane said.  "He wouldn't let me leave until I got it just perfect," Jane commented.  "At the premier of the film, Drew said, 'No, no that wasn't right."  He did everything wrong, Struzman said!  Jane notes that he has  nailed all kinds of difficult roles, but he couldn't play Drew Struzman for thrity seconds.

Netflix Loves Stephen King



I hate commercials.  Thus, I love netflix.  And netflix loves Stephen King.  Recent offerings have included The Stand, Bag Of Bones and more.

What's strange is that I have all these on DVD, minus Haven, but I still prefer netflix.  Because who really wants to mess with a disk?

This month includes:

  • Haven, based on Stephen King's The Colorado Kid.  It might be time for me to come back to this great show!
  • Maximum Overdirve.  Ya, I'll be watching that one again, too.  Actually, I love this film!  It's not a good film -- it's a great film.  A great bad film; which is the best.  Why is this not a Mystery Science Theater 3000? WHY!  It takes a special kind of movie to be worthy of that gangs razzing.
  • The Running Man.  One of those movies I watch over and over, thinking, "it's got to get better."
  • Bag of Bones.  This is actually a show I liked more the first time than I have on subsequent viewings.  
  • The Langoliers.  Trying watching it with the fast forward button on.
  • Children of the Corn.  The original that started it all, which is the real horror.
  • Thinner.  Which could be easily titled, "Misery" -- except a better movie already has that name.
  • Golden Years.  If you haven't watched it, you should.

Could NETFLIX Take THE DARK TOWER ?



Could Netflix shoulder The Dark Tower?  I never thought of it until I read this STUFF interview with Netflix Chief Creative Officer, Ted Sarandos --
Arrested Development creator Ron Howard has also been circling Stephen King’s The Dark Tower – any chance Netflix could pick it up?
I spoke to Ron about it, actually. The last time we talked about it the thing was being kicked about HBO – but it’s no longer there. Once Arrested Development gets through we’ll keep talking about it.
I would wrinkle up my nose and go, "NETFLIX?!!!"  But  actually, the service has proved quite able to produce quality TV.  In fact -- our family went Netflix only over a year ago.  Why?  Because commercial free TV for cheap was awesome.  I watch what I want when I want and don't have to fast forward through commercials.  What's more, I'm no longer a 24/7 news junkie.

Here's why Netflix is a great avenue:
1. You can watch a lot at once.  I love it that Netflix will release an entire season at once.  Watch at your own pace.  Yes, if they did Dark Tower this way, I'd have to take time off work!  But it also allows you to go back, rewatch episodes in order to keep up.
2. With House of Cards, Netflix has proven to be able to produce edgy shows that are competitive with anything on TV.
3. Because it's not network TV, the shows have more freedom.  
The full interview  with Sarandos is www.stuff.tv/news

MANN "You Can't Kill Stephen King" Headed To NETFLIX





Here is an interview with Monroe Mann about the feature film You Can't Kill Stephen King! - The Movie.  Mann explained on his FB page that it is from last month at the New York County Lawyer's Association Entertainment Law Panel, "where I had the pleasure of being one of the five panelists."

Asked where in the US, he said, "Definitely Netflix, Red Box, Walmart  Cable, Pay per view.  Fans who want to see it will have many opportunities to do so."

Stephen King at THE OFFICE


I've been watching the office a lot lately.  Why?  Because I have netflix. So I watch a billion episodes of something until the well is dry -- then move on to something else.  So Raymond led to Coach led to The Munsters led to Family Ties led to Commander and Chief led to The Office.

Stephen King is mentioned several times in The Office.

For instance, from "The Seminar."  Erin is  upset that all her date wants to watch are scary movies.  "So far I've seen 'The Shining,' 'Rosemary's Baby,' 'The Ring". . . not really my thing.  Although I do like the early parts of the movie where  they have a perfect family and everything."

Here's another from an episode titled "Lotto."  The crew is talking about what they would do if they won the lotto.  Jim says he would move to Maine if he won the Lotto.
Jim: "Stop.  I'm barista in your fantasy?"
Pam: "Well, in your fantasy, we're Stephen King characters."
My favorite characters are Dwight and Kevin.

And this is a really good idea. . .


THE SHINING 2013



I LOVE THIS!  What would The Shining be like if the doomed family had headed to the overlook in 2013 instead of the late 1970's?

Posted with permission from formalsweatpants.com.  (Thanks Josh!)

Matt Petronzio at mashable.com put it this way:
"All work and no Wi-Fi makes Jack a dull boy." It doesn't have quite the same ring to it, but it's an adage fit for most members of the connected generation. 
So. . . we can trust netflix to lower our rage, bring families together and save little Danny from an angry father.  On the other hand, that would mean no Doctor Sleep!

Kathy Bates Heads To AMERICAN HORROR STORY


Broadway World posted news that Kathy Bates will be joining the season three cast of the horror anthology series AMERICAN HORROR STORY.

The site notes: "This is especially exciting casting since Bates previously won an Oscar for another horror role, her memorable turn as the ultimate psychotic fan in Rob Reiner's 1990 hit film adaptation of Stephen King's novel MISERY." (Full articcle is at broadwayworld.com)

I love Bates on The Office !  In fact, I'm totally addicted to The Office right now.  Thanks netflix.