Showing posts with label TCM. Show all posts
Showing posts with label TCM. Show all posts

Horrortalk: Review Of The Horrors Of Stephen King


Steve Pattee at horrortalk has an outstanding review of the TCM documentary "The Horrors Of Stephen King." (here) He gives it 4 1/2 stars out of 5.  Can't ask for more, can you?  Well, maybe half a star more.

Pattee covers each section of the documentary quite nicely.  I especially liked the section on Stephen King and the movies, which Pattee also enjoyed most.  Here's what he said about that block of the program:
“King at the Movies” is my favorite of the chapters. Here King goes into the movies that were made from his books. In addition to reminiscing the first time he saw Carrie in the theater (which is a fantastic story), he talks about who he thinks gave the best performance in a film based on his novel (you’d be surprised) and he goes into a little detail on his problems with Kubrick’s version of The Shining. As he rarely talks about this, it was a pleasant surprise to see the topic brought up at all and my only wish is he got into it more (although his final description on Kubrick’s film are spot on). King also spends time talking about working with George Romero on Creepshow, his thoughts on The Dead Zone, and the various cameos he has done.
He concludes with this: "This isn’t just for Stephen King fans because while it is his experiences and thoughts that drive this documentary, there’s enough information and discussion that should satisfy any horror fan."

"The Horros Of SK" AWESOME!



Okay, there are "spoilers" here.  But I don't think my essay is really going steal any thunder.  There is nothing like listening to King talk about these movies.

I absolutely loved TCM's "The Horrors Of Stephen King."  It is one full hour of King talking about horror films.  It's like having an updated visual version of Danse Macabre.  He says that the movie that scared him most was 1980 "The Changling."  He also notes that one of the great horror films that really works is "the Exorcist."  He seems to have been highly affected by Psycho, and references it often.  In fact, Psycho is identified as a "demon coaster."  Nice!

King's discussion of women in slasher films is interesting!  "He says that these movies are saying if you want to view women as victims, you do so at your peril, because a strong woman will vanquish a monster!"

It is also interesting that he was not given a preview of Carrie!  As King says, no one thought to let such a minor creature as the author a screening.

Where's Waldo?

King says he is not really a fan of his own acting, going so far as to say he should have stopped acting at the level of community theater!  Funny.  But he does like to do cameo's in his movies, saying, "I think people kinda like it, it's kinda a Where's Waldo kinda thing."

Black And White:

He takes time to explain why black and white movies are so scary! "When you watch movies from the black and white era, and I'm thinking particularly of the era when Val Lewton worked, you come to an appreciation of how wonderful black and white movies were. The use of shadow --" He points out 1942's "Cat People" as an example. 

King Favorites:

King identifies some of his personal favorite horror movies.  It is no secret that he thinks Bambi is scary!  He also discusses the importance of the 1956 movie "Earth Verses The Flying Saucers" to his own life. 

He spends quite a bit of time explaining the power of "The Night of the Living Dead."  That movie contained for him one of those moments that can't be repeated; where the film gives you a surprise, and in that moment everything changes!  (For me that happened when I first saw The Matrix.)  It is a moment you can't have back, even if you re watch the film. 
"The first time you see night of the living dead. . . you are absolutely riveted.  The second time you're scared.  The third time, the film has lost something essential that it had the first time.  Now, people continue to go back and see Night of the Living Dead, but what they are experiencing is not horror, it is the memory of horror that they felt the first time that they saw it."
His excitement about The Amityville Horror is interesting.  He notes James Brolin's transformation as the film progresses.  What is the cause of Brolin's darkening?  The haunted house!  King does not directly make this connection, but I wonder if there is a sense that Amityville successfully carries out what Kubrick's "The Shining" did not.  King explains, "Kubrick saw the haunting coming from Jack Torrance; where as I always saw it coming from outside."  Now, take Amityville, which shows a normal man who moves in to a haunted house who is then tortured and changed by the ghosts in that house. 

He really liked Dee Wallace in Cujo, and thought she deserved more recognition than she got.  Oh boy, and King really likes the Blair Witch project

King not so favorites:

The Shining: I was glad that King took time to explain a little more exactly what his frustrations with Kubrick's "The Shining" entail.  At the heart of it is a theological disagreement.  Kubrick saw ghosts as a hopeful sign of life after death. In a conversation with Kubrick, King suggested that ghosts may not present the hopeful side of life after death, but they could point toward hell.

King gives the following comparison between the book at the movie: "In my novel, the hotel burns.  In Kubrick's movie, the hotel freezes.  It's the difference between warmth and cold."  He does admit that the images are "striking" though those are surface.  In fact, he describes the movie as a car with no engine.

King also notes that he is not usually moved by werewolf's.  Reason?  Well, the transformation is hard to accept.  (A Twilight dig?  He does say that Twilight is "I was a teenage vampire.").  King also did not find Bella Lugosi particularly frightening as Dracula.  That doesn't mean Lugosi wasn't scary, it just didn't scare King. 

King notes the work of William Castle! Castle was known for using all kinds of gimmicks to hype his films.  Why did Castle need all the gimmicks?  Because, as King points out, his films weren't really all that good.  But, Stephen King points out that Castle was a very talented man and notes his work on Rosemary's Baby.  (see my article on Stephen King and William Castle here)

Dr. Sleep . . .

This documentary had a lot of focus on The Shining.  King points out what beats at the center of The Shining -- Evil spirits want Danny because of Danny's powers.  It seems from the clips and news we've gotten thus far, Dr. Sleep carries this a bit further.  Now there are creatures moving across America, seeking people like Danny. 

So the fear factor is upped a bit because now Danny doesn't have to go to a hotel to encounter the bad spirits they're seeking him out.

It could have been longer:

The New York Times observed, "The frustrating part of the special, though it gets better as it goes along, is that too often it shows just the quickest snippets from films King is referencing. Longer clips would have meant less King, but they would have better illustrated his points." Or, they could have just given the documentary an extra half hour.

My favorite quote: "I never did get behind the idea of the vampire as a love object." Yes! Give is scary vamps!

Text: "The Horrors Of Stephen King" commercial



Tonight TCM will air "A Night At The Movies, The Horrors Of Stephen King." 

Below is the text from the TCM commercial.  I think whoever does the write up for this kind of stuff is pretty good!  I'll bet it's a lot of fun. 

Haunting visions of menace and mastery  From black and white to atomic green and blood red."
King: "There's a very simple effect that horror film makers are after.  It is the huhhhhh!"  (Or: Ahhhhhh!)
This Monday, TCM invites you to a night at the movies, The Horrors Of Stephen King.  An all new documentary celebrating the greatest horrors ever committed to screen with master story teller Stephen King. 
King: "Just talking about it, I break out in goosebumps."
The most terrifying cinematic creations, crafted with vicious artistry. 
King, talking about The Haunting: "There are scenes of excruciating suspense and terror as something pounds on the door outside."

Thrillers



Getting ready for TCM's "A Night At The Movies: The Horrors Of Stephen King" and watching their 2009 documentary "The Suspenseful World Of Thrillers."  Alfred Hitchcock is featured quite heavily in this documentary.  Brian DePalma is also discussed, in particular how he was influenced by Hitchcock.

Apt Pupil:

Apt Pupil is discussed, through not at length, in its connection to Nazi's.  Of course, Nazi's are often quite important to the thriller genre, in particular in Hitchcock's work.  Guy Hendrix Dyas comments that "More modern directors, like Bryan Singer, have revisited Nazi's in an interesting way with films like Apt Pupil where you see an interest in where did they all go, and what happens once the uniform is put away?  What have these people become?"

Singer not only directed Apt pupil, but another Nazi movie, Valkyrie.  Singer says that Apt Pupil was an unusual reflection of himself.  "When I read it it was about this young boy who for some reason was fascinated with the atrocities the Nazi's committed in the concentration camps.  When I was very young, I was quite obsessed with that subject matter.  I think as a Jewish kid, suddenly realizing that such a thing happened at such a level by such a sophisticated society -- could this happen in my country, the United States to us Jews?"

"And then something about the iconography -- the boots , the grandeur, the swastikas, the whole Nazi thing fascinated me.  I don't think I would have blackmailed a Nazi war criminal if one was living across the street, I probably would have called the police.  But when I read this novella, I thought, wow, what a fascinating exploration!  That would be something my alter ego might do."

Other King Thrillers?

King is usually firmly typecast as a horror only author.  Some people have come to appreciate Stand By Me and Shawshank Redemption, but I think most people still think of him as monsters only.  King's ability to cross, even mix, genre's is actually quite incredible.

So what is a "Thriller"?  One commentator explains the genre, "A thriller to me was always a title for an action film that doesn't have the budget. We don't have the car chases or the explosions or the battle scenes, but you will still be on the edge of your seat."

But novels don't have to worry about budget!  Thus you can have action mixed with suspense mixed with thriller and it all works.  Have you noticed that quite often movies are unable to make those transitions between genre's, thus when a movie is translated to film, it has to choose what part of the story it is going to tell.  Why movies like Dolores Claiborne got so messed up.  The story was unable to move so freely among the genre's as King's novel had.

Actor Norman Lloyd (Saboteur), suggests that we have to separate the thriller from the suspense from the detective story.  I think that's true of movies, but not necessarily of books.  The novel is able to fly in more than one direction.  Is Christine a horror novel, or a love triangle?  Is The Stand horror, action or drama? 

Ken Follett, the master of the thriller, "A thriller is very simply a novel about people in danger. In the best thrillers the principle characters are in danger from chapter one." 

So what King books might classify as a thriller?  Well, not a lot, but here's a few. . .
1. Apt Pupil
2. The Dead Zone
3. The Running Man
4. The Drawing Of The Three starts out like a thriller
5. Cujo

What stories belong in the Thriller catagory?

Info and Quotes From TCM's A Night At The Movies


October 3rd is going to be great!  That's when TCM is running "A Night at the Movies: Horror with Stephen King." 

The lineup looks awesome!  Interesting, all the movies currently listed are before 1936 and go back as far as 1919.  I guess A Nightmare On Elm Street and Friday the 13th just didn't rank up there for King! 

TCM will first run the documentary, then it's on to a parade of wonderful horror films.  Frankenstein, The Phantom Of The Opera, Dr. Jekyll and Mr. Hyde.

These are the movies TCM will be running in conjunction with the documentary, I'm including TCM's notes on the movies, because I find them helpful:
8:00 PM TCM "Night at the Movies: Horror" (2011)
9:00 PM Frankenstein (1931)  TCM offers this note: Long-censored footage, restored in 1987, enhances the impact of several key scenes, including the drowning of a little girl. Based on Mary Shelley's novel.
10:15 PM Freaks (1932)  A unique movie about a traveling sideshow and the camaraderie of its unusual performers, goaded to vengeance by cruel trapeze star Baclanova. Horror-film master Tod Browning gathered an incredible cast of real-life sideshow freaks for this bizarre and fascinating film. Severely cut in U.S. during release and banned in the U.K. for 30 years, some reissue prints are missing brief epilogue; aka NATURE'S MISTAKES. 
11:30 PM TCM "Night at the Movies: Horror" (1911)
12:30 AM Dr. Jekyll and Mr. Hyde (1932)  Exciting, floridly cinematic version of famous story with March in Oscar-winning portrayal of tormented doctor, Hopkins superb as tantalizing Ivy. Beware of 82m. re-issue version.
  2:15 AM Mark of the Vampire (1935)  inspector Atwill, vampire expert Barrymore investigate. Beautifully done, with an incredible ending. Remake of Browning's silent LONDON AFTER MIDNIGHT.
  3:30 AM The Cabinet of Dr. Caligari (1919)  Somewhat stiff but still fascinating German Expressionist film about ``magician'' Caligari and hypnotic victim who carries out his evil bidding. Landmark film still impresses audiences today. Remade in 1962.
  4:45 AM Nosferatu (1922)  Early film version of Dracula is brilliantly eerie, full of imaginative touches that none of the later films quite recaptured. Schreck's vampire is also the ugliest in film history. The making of this film is dramatized in SHADOW OF THE VAMPIRE. Remade in 1979.
  6:15 AM Phantom of the Opera (1925)  Classic melodrama with Chaney as the vengeful composer who lives in the catacombs under the Paris Opera House and kidnaps young Philbin as his singing protegee. Famous unmasking scene still packs a jolt, and the Bal Masque is especially impressive in two-color Technicolor. One of Chaney's finest hours. Most prints are of the 1929 reissue version, but the original is available on DVD; running times vary. Remade several times, and transformed into a Broadway musical.

Here are some of King's quotes (from dread central) 

No one really knows what makes horror work:
"The horror genre is an extremely delicate thing. You can talk to filmmakers and even psychologists who’ve studied the genre, and even they don’t understand what works or what doesn’t work. More importantly, they don’t understand why it works when it works."
It's all about the characters:
"Horror movies often work better when we have a stake in the game. The more we care about the characters, the more human they are to us, the more appealing they are to us and the more effective the horror tends to be."
The Changeling Overlooked:
"The ghost story movie that scared me the most was The Changeling with George C. Scott. I think that’s sometimes overlooked, but it’s a wonderful piece of work."
About Carrie:
"Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie’s grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, ‘We have a monster hit on our hands. Brian De Palma has done something new. He’s actually created a shock ending that shocks an audience that was ready for a horror film.’ And there were several people who did it after that."
TCM offers the following information:

Stephen King discusses how he discovered terror at the movie theater. He takes viewers on a journey through many aspects of the horror genre, including vampires, zombies, demons and ghosts. He also examines the fundamental reasons behind moviegoers' incessant craving for being frightened. Along the way, he discusses the movies that have had a real impact on his writing, including Freaks (1932), Cat People (1942), Invasion of the Body Snatchers (1956), Night of the Living Dead (1968) and The Changeling (1980).

TCM: The Horrors Of Stephen King



AWESOME news! TCM plans to air a documentary featuring Stephen King discussing films that influenced his writing.  This is part of TCM's "Night at the Movies" -- all of which so far have been excellent! 

Stephen King's newsletter reports the following:

Titled "The Horrors of Stephen King," the DreamWorks Television production will premier on October 3rd at 8pm. Topics will include everything from the staple vampire and zombie films of yesteryear to progressive stories of horror, demons and ghosts.
Films to be discussed will include Freaks, Cat People, Invasion of the Body Snatchers, Night of the Living Dead, The Texas Chain Saw Massacre, Jaws, Halloween and The Changeling to name a few.

I LOVE TCM!  They run great films, without commercials.  Also, most movies are usually introduced -- giving background and some neat aspects of the films.  My favorite TCM Documentary is "Watch The Skies" which interviews people like James Cameron, Steven Spielberg, George Lucas o what influenced them.  Now consider a whole session dedicated to Stephen King.